oh! my friends all lie and say they only want the best wishes for me.

"Alright. Ladies and gentlemen, ladies and gentlemen. Okay. Unfortunately for you guys, Dallas you’ve drawn the short straw. You’ve gotten the show where I’ve genuinely just stopped caring. And - ah you see, this show has kind of bled off the stage into loads of different environments, and I don’t mind hollow shallow accusations of being racist or stuff like that, it kind of allows the show to do what it’s designed to do - expose inconsistencies and hypocrisies, I use myself to do that. But I don’t know how familiar you all are with the lore of this band, but we got banned from Malaysia this year. And it has nothing to do with you guys, but unfortunately there’s so many incredibly stupid people on the internet that I’ve just cracked. And everyone keeps telling me that you can’t talk about Malaysia, don’t talk about what happened in Malaysia, so I’m gonna talk about it at length. And unfortunately you have to listen to it. And this is long, so. You’ll be all right. But I am pissed off, to be frank. I’m gonna read from my phone what I have to say about this situation, regardless of whether you care or not because the internet needs to hear this.

The 1975 did not waltz into Malaysia unannounced, they were invited to headline a festival by a government who had full knowledge of the band with its well-publicized political views and its routine stage show. Malaysian festival organizers’ familiarity with the band was the basis of our invitation. Me kissing Ross was not a stunt simply meant to provoke the government, it was an ongoing part of The 1975 stage show which had been performed many times prior. Similarly, we did not change our set that night to play, you know, pro-freedom of speech or pro-gay songs. To eliminate any routine part of the show in an effort to appease the Malaysian authorities’ bigoted views of LGBTQ people would be a passive endorsement of those politics. As liberals are so fond of saying, “silence equals violence, use your platform”, so we did that. And that is where things got complicated. Naturally. the Malaysian authorities were irate because homosexuality is criminalized and punishable by death in their authoritarian theocracy. That is the violent reality obscured by the more friendly term “cultural customs”. But it was the liberal outrage against our band for remaining consistent with our pro-LGBTQ stage show which was the most puzzling thing. Lots of people, liberal people, contended that the performance was “an insensitive display of hostility against the cultural customs of the Malaysian government, and that the kiss was a performative gesture of allyship”. To start, the idea of calling out a performer for being performative is mind-numbingly redundant as an exercise. Performing is a performer’s job. The stage is a place for creating artists’ expressions, which are inherently dramatized. That’s why audiences go to fucking shows. Other people, other apparent liberal people, contended that the kiss was itself a form of colonialism. That The 1975, in the rich tradition of evil white men past, was forcing its Western beliefs on the Eastern world. My how the West has fallen, ladies and gentlemen. The East India Company could have saved a fortune on weaponry if they knew that all they had to do was make out with each other to forcibly subjugate the people that they exploited. To call The 1975’s performance colonialism is a complete inversion of the word’s meaning. Colonialism is the practice of forcible occupation and economic exploitation. Once again, The 1975 was INVITED into the country to headline Malaysia’s music festival in an effort to capitalize on our popularity so they could make money. Despite the band being amateur jiu-jitsu enthusiasts, we’re not very good, we have no power at all to enforce our will on anyone in Malaysia. In fact, it was the Malaysian authorities who briefly imprisoned us. So for performers who took to Twitter to criticize us, this bizarre mangling of colonial identity politics merely served as an expedient way to express their own disappointment with the festivals cancellation because it would be in poor taste, surely, to lament a loss of performance. So these are the types of mental gymnastics that are employed by [??] to save face with their liberal-appearing audiences who delight in having their favorite academic catch phrases parroted back at them. I’ll not wait for applause, I’m just calming down.

Levying the accusation of colonialism against Western critics is, by now, a standard PR procedure in the authoritarian theocracy playbook. Just last summer, amidst criticism of human rights abuses against the enslaved workers who built their soccer facilities, the UAE’s representatives contended that Western journalists who highlighted this fact were guilty of enforcing their colonial games on their local, religiously-armed customers. But the fact that the UAE employs the Western consultant McKinsey to write this kind of perverted relativism is a great stroke of irony. And the fact that the UAE was the first country to kick The 1975 out for being gay is the cherry on top. There’s a contradiction at the heart of liberals’ outrage over our supposed cultural insensitivity. Their unconditional belief in inclusivity and tolerance has led them to indirectly support a government which is intolerance of their own existence. What responsibility do liberals have to be ideologically chivalrous to those who wish them death?

If you truly believe that artists have a responsibility to uphold their liberal virtues by using their massive platforms, then those artists should be judged by the danger and the inconvenience that they face for doing so, not by the rewards that they receive for parroting consensus. There’s nothing particularly stunning or brave about changing your fucking profile picture whilst you’re sat in your house in Los Angeles. I’m really fucking pissed off with this shit. Malaysia’s militarized enforcement of laws against public displays of homosexuality creates a clear line in the sand for what artists are allowed and expected to do. But elsewhere, this line isn’t so defined. Even here in America, there’s loads of states which uphold illiberal laws that restrict people’s bodily autonomy and gender expression. I don’t know why you’re cheering. But I suspect, I’ve got an inkling, that those who took to Twitter to voice their outrage over The 1975’s unwillingness to cater to Malaysian customs would find it appalling if The 1975 were to acquiesce to, let’s say, Mississippi’s respective bullshit trans laws. The idea that it’s incumbent upon artists to cater to the local cultural sensitivities of wherever they’ve been invited to perform sets a very dangerous precedent. It should be expected that if you invite dozens of Western performers into your country, they’ll bring their Western values with them. If doing the same things which made you aware of them could land them in jail in your country, you’re not actually inviting them to perform - you’re indirectly commanding them to reflect your country’s policies by omission. This kind of [?] goes against the very idea of a site of cultural exchange where differences are allowed to coexist. This, that, is a more valuable idea to protect than the bigoted sensitive of those that wish its demise. Yeah. Don’t forget who wrote this."

— Matty Healy before singing Love It If We Made It in Fort Worth, Texas (October 9, 2023)

So Much (For) Blitz —An exclusive reveal of the star of Fall Out Boy’s latest album cover

Fall Out Boy’s latest effort So Much (For) Stardust) has been critically acclaimed and lauded by fans as some of their best work to date. The album artwork, prominently featuring a doberman, has left some puzzled and looking for additional context as to the dog’s identity and how the artwork came to be. The Bad Habits Collection is proud to bring you the exclusive reveal of the dog featured on the cover of their eighth studio album alongside the full story of how they were discovered.

— 

When Fall Out Boy officially announced their eighth studio album on January 18th, 2023 and unveiled the album artwork for So Much (For) Stardust, there were a lot of opinions to be had. Some of the fans immediately felt connected and claimed it as their own, some compared it to Fiona Apple’s 2020 release Fetch the Bolt Cutters, and some downright found it revolting. Overall, most agreed that it was polarizing to say the least. Donned in an all black background, the front cover features both the name of the band and the album itself in the work of Omar Mroz (hereinafter referred to by his online moniker Mr.Oz). The text is covered in glitter and written out in the same style featured earlier in the rollout of FOB8’s album cycle with A Claymation Fall Out Boy Celebration, dropped as a surprise present from the band on Christmas one month earlier. The headlining attraction of this sideshow was in fact just a simple square box, containing a swirling artistic depiction of a doberman barking in the presence of a froth of bubbles.

From the moment I first laid eyes on the iconography of Fall Out Boy’s new era, I had just two questions in mind: Who is the dog? & Why choose the dog? A few obvious possibilities were immediately ruled out. Solely based on what’s been posted to social media, this dog did not belong to Pete, Joe, or Andy. Patrick has remained dormant online for years at this point, but still the odds felt slim. I did my best to brush it off, but ultimately I kept coming back to the thought of WHY? If you’re familiar with my previous work on the history of Take This To Your Grave’s album cover, you already know this type of sentiment means a lot to me. After a while of waiting for the band to bring up the topic in an interview or statement, I had essentially given up hope on any type of official explanation. It was at this moment, just 3 days before the release of the record, that I accepted the reality of the situation. This wasn’t a hot topic within the fandom. And no one was going to provide me with the answers I was looking for. If I wanted to know more, it was solely up to me. So… I got to work. — 

To take a step back, the artwork for So Much (For) Stardust first hit the internet on January 11th, seven days before the official reveal. Posted alongside the name of the first single Love From The Other Side, our barking pup friend was featured on the home feed of FILTER | NEWs on VK, a Russian social media site that I’ve been told is comparable to Facebook. The artwork was watermarked with a subtle, transparent white logo for FILTER in the background. Despite this post being up for five days (a millennia on the worldwide web), it wasn’t until the 16th that the fandom at large made this discovery, with many claiming it was an outright fake.

However, the *stars* started to align proving this leak to have a dose or two of authenticity. Mr.Oz’s claymation video from earlier in the rollout followed the story of a similar looking doberman, who just so happened to pose in the final frame in a style strongly resembling the leaked cover. 

Beyond that, a post from lyricist and bassist Pete Wentz’s Instagram dating back just two days earlier was quickly dug up. On the 4th slide of the carousel, there it was: a selfie of Pete with a Santa hat on and propped up on the shelf behind him… the physical painting of the doberman seen on the leaked cover.

All but confirmed at this point, one last clue presented itself online. The freshly created Twitter account “@muchstardust” popped up out of nowhere, making itself known by following myself and a few other notable hardcore fans in this space. @muchstardust made just one single tweet before being suspended (for reasons unknown). 

The post featured three images, the watermarked cover, Pete’s selfie, and notably, a compressed form of the actual photo taken of man’s best friend —the same one the leaked cover features an oil painting rendition of. 

—  As we all know now, this leak was indeed real and confirmed as the album artwork just a few days later by Fall Out Boy themselves. But that’s when the trail went cold. Later promotional photos featuring the band and taken by their long time collaborator Pamela Littky included another doberman, but clearly not the same one once examined a bit closer. On March 21st, the Chicago rock group posted “What do you think the dog’s name is? 🫧”, but never followed up with the answer. It’s as if they were taunting me specifically with how vocal I had been about wanting to solve this mystery. Just before the album’s official release, I was tipped off by someone with an early copy of the CD that the liner notes of So Much (For) Stardust credit Safia Latif for the cover painting and Jen Patterson for the photograph the cover painting was based on. With new pieces of the puzzle in play, my search for the dog in question was reignited. However, my leads proved of little to no help. I could not get in touch with Safia and could not properly identify Jen Patterson online for the life of me. Taking the hunt back to the drawing board, I reverse image searched the photo @muchstardust had originally provided, which even at this point, months later, was our only source of the actual photograph. Littered with results of the album artwork naturally, I did come across one potential connection. Once again, I found myself on the public timeline of someone’s VK.com profile. “dextromethorpan 3” had included the same photograph in a gallery of different doberman puppies posted on December 21st, 2020. This was…something. Sure, this photo likely did not originate from the VK profile I had unearthed, but at least now I knew it had been around the web for a few years. Scratching my head, I wondered how Fall Out Boy had originally come across this image. Was it something that came up on one of their feeds? Or perhaps just a keyword search? Taking it to different forms of social media, I found a potential match on the /r/doberman subreddit posted 10 months ago. Titled “Cool pic of us playing with bubbles”, the dobie in question featured strikingly similar features and color patterns, and was of course, playing with bubbles. 

So I did what any other sane fan would do… and sent a private message to the Redditor the night before the album dropped with Jen’s photograph. “/u/drc55555” responded Saturday morning agreeing that the dog did look a lot like their own, but that they didn’t recognize the photograph. I woke up in a cold sweat seeing the glimpse of the Reddit notification on my iPhone and replied informing them of the cover of Fall Out Boy’s brand new release and asking if the user was the Jen Patterson credited in the album’s booklet. A day later, they replied once again noting that they weren’t Jen, but that this has sparked a memory of another DM they had received in the fall of last year from an Elektra Records personnel, Fueled By Ramen’s distributor who Fall Out Boy had publicly rejoined the roster of just this January. Indeed, 200 days ago from this very conversation, a marketing representative from the label had reached out to the Redditor through the same platform letting them know that an artist they work with had come across the very same photo I myself found and that the artist had fallen in love with it, hoping to use it as part of the artwork for an upcoming project. /u/drc55555 had conceded that they regretted not responding at the thought of how their dog could have become famous. This is when I knew, I was HOT on the trail. Either a member of FOB discovered this photo of their dog while scrolling Reddit or had specifically sought out the same search terms as me, which meant the actual photograph used on the cover could have potentially been found through the very same method. My search accelerated and within a few hours I had run a variety of similar terms by Twitter, TikTok, Facebook, really any social media site I could get my hands on. Nothing had come up, but I hadn’t called it a day quite yet as one of the more obvious sites remained: Instagram. Heading to the explore page I have barely used in my own time on the platform, I typed in the same keywords that brought me to the pup’s uncanny match on Reddit: “doberman bubbles”. And there it was, exactly 60 rows down, right in the center, the original image of the dog I had been looking for all along along with an alternate photo of the same dog in the next slide in the same setting captioned “BUBBLES!!!!!”, posted —you guessed it, in 2020. 

—  With this case officially closed, I’m beyond stoked to introduce Blitz the Doberman to other fans of Fall Out Boy. At the time of publication, Blitz has 12.8k followers on his public Instagram account, which lead me to question how this match hadn’t already been made. Blitz’s bio reveals he was born on February 27th, 2019 and lives in Las Vegas with his human, one Jen Patterson.

In a beautiful twist of fate, within the hour of finishing the final draft of this piece, Blitz’s humans responded to my inquiry from earlier in the week. I spoke with Jen at length who was happy to share her story exclusively with The Bad Habits Collection. Similarly to the Redditor from earlier, a marketing rep from Elektra Records had reached out to her through Instagram on September 20th, 2022 inquiring about using a picture of her pup for one of their artists’ work, a message she initially regarded as spam. Eventually, she came to an agreement with Elektra, however, this story ended there for her. Up until Jen read the direct message I sent to Blitz’s account, she had not the slightest idea that he was featured on the cover of the new album of one of the biggest modern rock bands left in the world. I was shocked to hear this, but Jen on the other hand was incredibly excited to learn of the breaking news. I shared a photo with her of her name printed in the liner notes of So Much (For) Stardust, a cool moment for us both. Jen told me “I never considered myself a photographer, but that’s amazing!” When I asked about how Blitz already had such a huge following on Instagram, she told me all about how she’s networked with others in a doberman group and has kept a steady stream of posts coming on the daily. In discussion of what she’d like for others to take away from this article, Jen simply hoped others would get to know Blitz’s name —my entire goal of this investigation all along. Half-joking, she expressed that she’d also love to have gotten her hands on some merchandise with his face on it. Infinitely grateful for her responding to my DM and taking the time to talk with me, I’ve personally sent Jen physical copies of So Much (For) Stardust in both vinyl and CD format. I’ll be sure to update this write-up with a photo of FOB’s newest mascot posing with his album cover when they arrive! Closing out our conversation, Jen let me know that she “felt like if you hadn’t reached out, we would not have known.” To be honest, there were times in this journey that I thought it might be for the best if I gave up the search for this pup as to not invade anyone’s privacy. I figured if Blitz hadn’t already made himself known publicly, maybe there was a specific reason behind not doing so. I would have never guessed that reason was because his family were simply unaware of his new-found fame. I feel honored to have been the one to share this discovery with Blitz’s owners and again want to thank them for their contributions to this piece. Jen has also graciously shared the original photograph of Blitz the cover was based on in its full resolution, uncropped:

— 

After scouring the internet to to uncover this story, it all leads me to just one final question: Why Blitz? What’s the connection? Moreover, what’s the intended meaning here? Jen let me know that she herself was unaware of how and why the photograph was found and selected, but we can naturally draw our own conclusions. Discussing this topic with other longtime fans of the band, all have come to the same conclusion that Fall Out Boy’s latest effort features some of Pete’s bleakest lyrics in a long time paired somehow ever so perfectly with some of Patrick’s most uplifting and dance-worthy melodies to date. As my partner pointed out, the album artwork depicts a breed known for their usage as guard dogs with a tough exterior, but shown playing lightheartedly with what’s usually associated as a child’s toy. In the words of fellow Fall Out Boy historian and Bad Habits Collection collaborator Tommy McPhail, the cover displays “the epitome of boundless joy and simplified bliss amongst chaos”, a phrase that perfectly sums up the entire feeling artistically and masterfully expressed in So Much (For) Stardust in my own eyes. Fall Out Boy’s newest full-length studio record So Much (For) Stardust, produced by the legendary Neal Avron, is one of their strongest statement pieces in years and is now available everywhere music is streamed or sold. You can follow Blitz’s adventures on Instagram: @blitzdoberman —  “The kind of pain you feel to get good in the end. Inscribed like stone and faded by the rain: ‘Give up what you love before it does you in.’” Written by Alex Toor for The Bad Habits Collection

Worked on something very special and dear to me and finally got to share it today :)

honestly big shout out to snoopy to be honest

heychris going live during thnks fr th mmrs

peak comedy

pink seashell beach postcard // save rock and roll by fall out boy ft. elton john // sending my love from the other side // the youngblood chronicles

love from the other side // the youngblood chronicles

sorry this is by and far the funniest way to announce you’ve lost a leopard

For the record Nova is a clouded leopard, not an African one. They weigh about 30 pounds and are not very aggressive or considered a serious danger to humans. Probably best known by this meme:

Someone cut a hole in her enclosure (or at least that’s what it looks like) and they found her about seven hours later in the nearby trees, safe and sound.

also they found her because a squirrel was chattering angrily about her being in the tree.  i just think that’s really funny. 

Strangest thing was i dont remember asking

so long and goodnight and all that!