chanelcunanan reblogged
chanelcunanan reblogged
chanelcunanan reblogged
chanelcunanan reblogged
narcos → 1.10
chanelcunanan reblogged
chanelcunanan reblogged
chanelcunanan reblogged
Told myself I’d show you this one day.
chanelcunanan reblogged
“The Gentlemen of Cali” -Narcos, (2015- ) dir. Chris Brancato
chanelcunanan reblogged
Be the woman who managed to beat me! The one I admire, damn it!
chanelcunanan reblogged
Thank you, Valerio.
chanelcunanan reblogged
I’m so much happier now that I’m dead. Technically missing. Soon to be presumed dead. Gone. And my lazy, lying, shitting oblivious husband will go to prison for my murder. Nick Dunne took my pride and my dignity, and my hope and my money. He took and took from me until I no longer existed. That’s murder. Let the punishment fit the crime. GONE GIRL (2014) dir. David Fincher
chanelcunanan reblogged
These opening and closing scenes are two of the most brilliantly written scenes in Gone Girl, at least to me. I really like the idea of these scenes. I think the main idea of starting and ending the film with these scenes is to show us how different Amy Dunne is, how extreme her change is, or I should say; how her husband and all the things happening throughout the whole movie can change her tremendously. We can see in the opening scene, just like how Gillian Flynn describes it, that Amy is giving a look of alarm. That probably means that Amy is under her husband’s control, that Amy might be frightened of her husband because her husband uses her for some inappropriate purposes which makes Amy sees her husband as some kind of threat.
Then look at the closing scene where Amy gives a very different facial expression and movement compared with what she gives in the opening scene. She gives her husband a haunting smile, which means that she has changed into a kind of psychotic woman who is now no longer under her husband’s control, in fact she is the one who’s controlling. She might be a threat for her husband now, and that happens because of her husband himself, because of what he did and has done to his wife, because he didn’t treat his wife well. In other words, he has created himself a villainous wife.
Source: msgretagarbo
chanelcunanan reblogged
Yeah. I’m sorry about all that, but look, if you’re done with Blair, be done. Don’t cave to your parents’ wishes if they’re not your desires. Excuse me? Where’s my boy? “Seal the deal. Tap that ass. Money marries bigger money”? Look, I care about three things, Nathaniel. Money, the pleasures money brings me and you. And Blair.
chanelcunanan reblogged
“We can accept an imperfect dad. Let’s face it, the idea of a good father was only invented like 30 years ago. Before that fathers were expected to be silent and absent and unreliable and selfish. And we can all say we want them to be different, but on some basic level, we accept them. We love them for their fallibilities, but people absolutely don’t accept those same failings in mothers. We don’t accept it structurally and we don’t accept it spiritually. Because the basis of our Judeo-Christian whatever is Mary, Mother of Jesus, and she’s perfect. She’s a virgin who gives birth. Unwaveringly supports her child and holds his dead body when he’s gone. And the dad isn’t there. He didn’t even do the fucking. God is in heaven. God is the father and God didn’t show up. So, you have to be perfect, and Charlie can be a fuck up and it doesn’t matter. You will always be held at a different, higher standard. And it’s fucked up, but that’s the way it is.”
— Marriage Story (2019), written and directed by Noah Baumbach
chanelcunanan reblogged
