Germinal 1.4
In this chapter, we get a first impression of what working in the mine actually means. Especially the hewers’ work is horrible: they have to lie on their backs in a narrow space in order to be able to hack away the coal, leading to them literally walling themselves in. On top of the physical work, temperatures can go up to 35°C, there is not enough air to breathe, they constantly breathe in the coal dust, “vapours which [hang] heavy on the eyelids”, and the apparently ever-present methane gas. In Maheu’s case, water is dropping on his head constantly, making it difficult to see and getting painful as time progresses. But even the supposedly “easy work” that Catherine and Étienne do is extremely physically taxing: Catherines “joints [are] creaking, but she [doesn’t] complain” as she pushes the tub, and Etienne is completely exhausted and needs to lie down by the time they have lunch.
We learn that the mine (or at least the chimney) is roughly ten years old. The area where the characters are working is in constant danger to collapse -- we see Zacharie being worried about it, but also Maheu being completely desensitized to it. “Alright, so it might cave in!” The oaken supports propping up the ceiling are beginning to cave in, while in vicinity of the seam, no new ones have yet been put up even though the workers are progressively hollowing out the walls. The reason for this is given immediately: The workers have to do it themselves during their working hours, and as they work in teams and have to meet a certain tally of tubs, there is simply no time for it. We also learn that the recording clerk can reject a tub of coal if Catherine and Étienne are not careful to only load clean coal, and that not meeting the tally might result in "the return of their contract [being ruined]”.
Étienne goes to a series of emotions rather quickly when it comes to Catherine. One moment, he thinks she’s twelve and that “he [isn’t] attracted to her”, seemingly two minutes later he assumes she’s fourteen and wants to “grab her in his arms and kiss her on the lips”. And here I was, thinking we were safe. To make it worse, Chaval then kisses her “brutal[ly]” to ~stake his claim~ in front of Étienne. To make it even worse, Étienne is v sad and wounded because she ~led him on~. To make it even more worse, Catherine thinks that she doesn’t even have a chance to make a decision here.
When Étienne explained that he had hit his former boss in drunken rage, my first thought was that it was probably a story to cover up something else. Maybe it’s due to the translation, but he sounded to me very much like he was making it up on the spot in that moment. (I don’t know, I just thought it was interesting that this was my reaction.)
As for La Mouquette: @arcadianambivalence asked for thoughts on her characterization and I’ve been thinking about it in this chapter -- mostly because I really can’t judge the tone with respect to her. My first impression in the last chapter was that the narrative treated her pretty much neutral and didn’t present any kind of judgement. However, after this chapter, I’m not sure anymore -- I kind of felt like now Catherine (talking of an evil spirit who strangles “naughty girls”) was set up as a sort of morally upholding counterdraft to her? This also tied in with her telling Étienne “the most awful stories” about La Mouquette -- possibly, this is Étienne being shocked at Catherine knowing about ~these things~ though. I’d really like to know how the tone here would have been perceived by a contemporary reader.
“...her expression was gently submissive, as if she were getting ready to submit to the ways of the world and its menfolk” is another line where I’d like to know the authorial intent. Is it...supposed to sound...slightly creepy?