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can i stay here with you forever?

@idune / idune.tumblr.com

she/her. former @evenbechh
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Just wanted to do something simple and cute, to feel a moment’s happiness, okay? Okay!

Why are they wearing their 1941 magic show outfits? I don’t know. What’s going on? No idea. Why does it kind of look like a vintage postcard? Don’t have a clue!

What I do know, though, is that prints of this one are up on Redbubble, full-size image is up on Patreon.

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fellshish

aziraphale thinking they’re in a jane austen romance novel vs crowley thinking they’re in a richard curtis romcom is funny but there’s SO many more ways they could’ve gone with that. greek myths vs k-drama! emily brönte vs the twilight movies! shakespeare vs ao3 slash fic! Imagine the miscommunications

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Everyone's always going on about Crowley/David Tennant being the slutty one with his slutty little walk and his slutty and unusual little relationship with furniture but no one talks about slutty Aziraphale/Michael Sheen and his slutty little expressions every time he looks at Crowley, the harlot

Michael Sheen is a master of micro-expressions and knew what he was doing.

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wraithee

The fact that hell’s directory of angels tells any demon who has had any interactions with Aziraphale to immediately report to Crowley is such a funny detail. They really have been playing the long game.

Get these fuckers matching “If Lost Return to Crowley” and “I’m Crowley” shirts

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intentando superar good omens season 2

Actualización a 11 de septiembre: aún lo intento.

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The scene in the tramway was so striking to me. Louis and Claudia riding at the back (because, Jim Crow south), while Lestat – and we later find out, Antoinette – ride at the front.

It is a physical representation of the emotional divide between the characters at the beginning of the episode: the battle lines have been drawn, Claudia and Louis are seemingly at a disadvantage – always one step behind Lestat, but Claudia is determined to follow through with the plan.

This scene is yet another brilliant demonstration of how the writers incorporate the added complexity of Louis and Claudia's race into every aspect of the narrative.

Louis and Claudia being black in this adaptation is not just surface level window dressing to win diversity points. Their race is an integral part of their characters and how they relate to Lestat.

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