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@miss-pfisher / miss-pfisher.tumblr.com

it's the milfs. it's always the milfs
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elliot-olivia
So Benson, Mariska Hargitay’s character, saves my wife while she’s pregnant, rushes her, gives birth, and—I’m getting choked up thinking about this, hold on. So, we’re in the hospital, and, uh. […] I still remember it like it was yesterday. And we’re trying to work out the blocking. And I said, We need to hug. And we will hug— ‘Cause the director had it blocked some other way and I was like, No. I go, We’re gonna hug. And I go, It has to be spontaneous, and it has to be… Whoops. … This outpouring of—of everything that, over all these years, that has never been, uh, spoken. […] So there was, you know, a depth and, uh, a little sexuality to it but a, you know, something that went beyond that—at least, as far as my interpretation was concerned. And, uh, I think it worked out even better than I could’ve hoped for.

Christopher Meloni on Elliot & Olivia’s hug in Paternity. [ x ]

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haventdecidedyet

I love that women like Jane Austen and Elizabeth Gaskell were out there in 1810 or 1855 unapologetically creating shippable couples and excruciating tension and swoonworthy moments in the most delicious slow-burn love stories. Like they were obviously drawing on their own desires to be able to hit the spot, to know what women want, and were writing to afford themselves and others a vicarious experience of love in a society that was probably pretty devoid of it. And here I am 200 years later, also a wistful romantic woman who needs escapism, still in agreement about what love should look like, and their otp is now my otp.

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end0r4

Zelda Spellman, Chilling Adventures of Sabrina | Chapter 𝟚 : The Dark Baptism

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