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the breath               the trees               the bridge the road                  the rain                the sheen the breath               the line                  the skin the vineyard            the fences             the leg the water                the breath             the shift the hair                  the wheels             the shoulder the breath               the lane                the streak the lining                the hour                the reasons the name                the distance          the breath the scent                the dogs                the blear the lungs                the breath             the glove the signal               the turn                  the need the steps                the lights               the door the mouth               the tongue             the eyes the burn                  the burned            the burning

C. D. Wright, “Flame” from Steal Away: Selected and New Poems (Copper Canyon Press, 2002)

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reblogged
i name my body girl of my dreams i name my body proximity i name my body full of hope despite everything i name my body dead girl who hasn’t died yet

Joshua Jennifer Espinoza, “I Dream Of Horses Eating Cops,” published in Nepantla (via bostonpoetryslam)

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lifeinpoetry
The figs we ate wrapped in bacon. The gelato we consumed lustily: coconut milk, clove, fresh pear. How we’d dump hot espresso on it, just watch it melt, licking our spoons clean. The potatoes fried in duck fat, the salt we’d suck off our fingers, the eggs we’d watch get beaten ’til they were a dizzying bright yellow, how their edges crisped in the pan. The pink salt blossom of prosciutto we pulled apart with our hands, melting on our eager tongues. The green herbs with goat cheese, the aged brie paired with a small pot of strawberry jam, the final sour cherry we kept politely pushing onto each other’s plate, saying, No, you. But it’s so good. No, it’s yours. How I finally put an end to it, plucked it from the plate, and stuck it in my mouth. How good it tasted: so sweet and so tart. How good it felt: to want something and pretend you don’t, and to get it anyway.

Cristin O'Keefe Aptowicz, “July” (via lifeinpoetry)

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There will be nights crossing bridges you don’t know the name of when some unspeakable beauty envelopes you. There will be nights looking from windows upon the staggered lights of some town when some unspeakable sadness envelopes you. There will be people you love who you can no longer find your way to. There will be new discoveries, new clouds that resemble strange and terrible things, tangerines and hangovers, and long, long telephone calls made of almost entirely silence. There will be enormous pains and small pains that are almost pleasurable. There will be haiku that suddenly make sense, and the feeling that something has been taken from you, and songs, always songs. So don’t worry about missing life, it’s like missing the sky, you can’t, you’ll always be under it and in it and sometimes high in it, but often just on the ground, moving from thing to do to, needing, crying, making people laugh, although it’s hard to tell what they’re laughing about because it seems you were just talking about how terrible life is. But one thing that won’t just happen to you, like life, is teaching yourself to write well. So whatever time you spend doing that, can stand to spend, and need to spend, all that time that seems wasted and those rare moments that seem volcanic and so sure, is the time that must be spent, otherwise you’ll never become the writer you want to become. And there’s a funny thing about that, too. One is that you’ll never become the writer you want to become. You’ll never be satisfied, never really know if you are any good. You’ll never be certain.

dean young (via kdecember)

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drowsily
Want something to chase you? Run. Take a body, dump it, drive. Take a body, maybe your own, and dump it gently. All your dead, unfinished selves and dump them gently. Take only what you need.

Richard Siken, from “Birds Hover the Trampled Field” (via drowsily)

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Andres Amador is an artist who uses the beach as his canvas, racing against the tide to create these large scale temporary masterpieces using a rake or stick ..

Andres’ creations are simply stunning and knowing that these delicate creations are temporary somehow makes them even more beautiful.

wow

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lifeinpoetry
To keep & be kept.                        The way a field                        turns its secrets into peonies.                        The way light                        keeps its shadow by swallowing it.

Ocean Vuong, from “Into the Breach” (via lifeinpoetry)

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— The sea doesn’t change as the earth changes; it doesn’t lie. You ask the sea, what can you promise me and it speaks the truth; it says erasure.

Louise Glück, from “March” (via mirroir)

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