gillyweeds

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mentally? i’m him

physically? i’m her

ghostface!slytherin boys

thought i was joking when i said that i wouldn't stop until every fictional man i liked had a ghostface au? think again. i've posted the first three, but now all 6 are done, i wanted to share them together. enjoy!

ghostface!theodore nott

felt like continuing my mini-series started with mattheo and enzo. be nice, theo is hard to get right! but he's perfect for the role, too

dark green is a nice color. underrated

ladies and gentlemen, Phtalo Green

This is literally my favorite color. 😩 Smaragd green is another dark shade of green that I’m absolutely obsessed with.

'CURSES OF THE HEART" 🩸

Art By: @xis.lanyx

u ever in such a bad mood u feel urself turning evil?

had an actual meal. not evil anymore

we have adhd 💬

I think what really gets me about Maul post-TPM is that he’s the only Star Wars character with true agency. Because of the way the films were made, every character in the prequels is already predestined for a role—Obi-Wan must go to Tatooine, Anakin must become Vader, every person they care about must be lost to them, and every villain but Sidious must die. Maul isn’t constrained by the narrative because he’s already played his part. He killed Qui-Gon; his job is done. He was never meant to be anything more than a one-off villain, so when he’s brought back, he’s without a destiny in the way that so many other characters are not. He has nowhere he needs to end up, no one he needs to be. He alone has the power to escape from the narrative—but he doesn’t. He buys into the narrative, buys into the conflict between light and dark, buys into the idea that he has to participate in it. Maul dies to Obi-Wan on Tatooine because he makes the mistake of going back, of trying to put himself in a narrative that has no place for him anymore.