“You lot, superheroes? No offence, but in what kind of fucked-up world would that be allowed to happen?”
Misfits (2009-2013)
@warningtothecurious / warningtothecurious.tumblr.com
“You lot, superheroes? No offence, but in what kind of fucked-up world would that be allowed to happen?”
Misfits (2009-2013)
Mike Faist - Challengers Australian Premiere // March 2024
there's a public consultation on sunak's stupid ''no more sick leave work yourselves to death'' idea which closes 8th July 2024.
uk people you know the drill: polite but firm about how this is economically and socially a stupid fucking idea
non uk people please share for visibility
Sudan still desperately needs aid--it needs a lot of things, but it is approaching a dangerous point with famine and mass death due to hunger imminent.
These are the kinds of headlines we're getting now:
Here's an ongoing fundraiser:
I linked it before, to help with Ramadan, but it's an ongoing initiative, the need has not stopped.
I picked this gofundme because it's been boosted by people I trust and you can see pictures online of the food they've provided, e.g.:
But I also picked this because you can see the amount of donations. It's 2pm ET on Saturday, April 20th right now? For the next week, whatever's donated, I'll match for a total up to $2,000 (we'll say 2,750 CAD, since the gofundme is in Canadian dollars).
You don't have to send me a receipt, I just ask that you donate and boost.
The American Friend 1977 | dir. Wim Wenders
the feminine urge to isolate from society and meditate in the mountains and let my soul rest
Denzel Washington being an absolute whore in MUCH ADO ABOUT NOTHING (1993)
tag yourself ; cities
paris - soft smiles, blooming flowers, lots of sunlight, stories swirling in your mind, cursive letters, piercing eyes, whispers filled with secrets
new york - gives zero fucks about others’ opinions, perfect eyebrows, no sleep, a bit sad inside, huge equal rights activist, red lipstick, artsy af, string lights, lots of coffee, high waisted jeans
london - new ideas, old architecture, a soft voice, flickering candles, intelligent eyes, loud laughter, dancing alone in your room, big dreams, hot tea
montréal - comfy socks, french bakeries, lover of books, bold thoughts, wide smiles, kinda broken, cute jackets, warm hot chocolate, cobblestone streets
tokyo - aesthetic af, pen sketches, bright colors, bold fashion, small yet powerful smiles, striving for greatness, cute glasses
rome - loves museums, kind words, tangled earbuds, a bit in love, bright eyes, artsy photos, likes history, open windows, probably sings in the shower
Stills from We Are Lady Parts season 2, coming May 30
A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE: Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do. In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.
↳ If Beale Street Could Talk (2018) dir. Barry Jenkins
“Don’t be scared. Just remember that I belong to you. Just remember that I wouldn’t hurt you for anything in this world. You’re just going to have to get used to me. And we got all the time in the world. Hold on to me.”
Make Me Choose | Anon asked:Greaseor Fargo [insp]
from PalestineCinema.com:
Salvaged from the ruins of Beirut after 1982, Abu Ali's early film has only recently been made available. Shooting under extraordinary conditions, the director, who worked with Godard on his Ici et Ailleurs (Here and Elsewhere), and founded the PLO's film division, covers conditions in Lebanon's refugee camps, the effects of Israeli bombardments, and the lives of guerrillas in training camps. They Do Not Exist is a stylistically unique work which demonstrates the intersection between the political and the aesthetic. Now recognised as a cornerstone in the development of Palestinian cinema, the film only received its Palestine premiere in 2003, when a group of Palestinian artists "smuggled" the director to a makeshift cinema in his hometown of Jerusalem (into which Israel bars his entry). Abu Ali, who saw his film for the first time in 20 years at this clandestine event noted: "We used to say 'Art for the Struggle', now it's 'Struggle for the Art'"
i love re-consuming media i used to love when i was younger. like wow! child me still is in me i am holding her hand and keeping her safe and doing her favorite things with her!!!!
Ok, I adore the Frogs to begin with, but the sheer finesse and dedication of this one boggles my mind.