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@trigilis / trigilis.tumblr.com

I'm not online very often these days, but feel free to message me if you want :)
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Anonymous asked:

https://www.tumblr.com/qqueenofhades/743255237060689920/the-thing-that-confuses-me-about-the-dont-vote

The “don’t vote” left’s point is basically that, if Biden gets a second term, it’ll basically signal that “They’ll vote for us as long as we’re not Republicans, why don’t we do some REAL fucked up shit, if we can get away with it?” It takes the power out of the people’s hands and places it firmly in the party’s.

I can’t completely disagree with that, my caveat is that there’s no real alternative system or party in place, because top-down change is ineffective; a third party president has to contend with a two party congress.

Except no. This whole "Biden just wants to do as much fucked up shit as possible while not being a Republican, and if you give him a second term he'll do more fucked up shit deliberately to spite you" mindset is only possible as an interpretation if you a) deliberately and comprehensively ignore everything he has done to date, and b) you approach the situation with the maximum bad faith possible. Not to mention, the ultimate outcome of this Big Important Teaching Biden A Lesson is that Trump gets back into power and makes everything orders of magnitude worse, because he does in fact want to deliberately do evil shit to everyone and says so at every opportunity. There is not some magical happy alternative that springs into existence by not voting. If you choose this as a year to Teach Biden A Lesson, you are enabling Trump. Trump will be much, much worse. If you don't care about that, I still do not care what your Great Ideology is. You are not helping anyone and you are directly and irreversibly hurting everyone.

I made a post a few days ago wherein I mentioned that I want to assess Biden fairly, taking into account both strengths and weaknesses, but the rampant bad-faith, lying, misreading, misrepresentation, and open sabotage of him (especially by the online left; the GOP sometimes only wishes they were as good at turning Biden's voter pool against him) makes it really difficult to do that. My frustration with those people makes me just want to go "BIDEN IS GREAT THE END." I know he is a flawed old man (though by literally every account of a career spent in public service, he really does care about making the world a better place and any remotely good faith reading of his accomplishments thus far can see that). It is also very likely that he goes MORE left in a second term because he won't have to face the electorate again, he has always gone more left when pushed before, and he's not actually the scheming genocidal mastermind that leftist social media paints him as. Shocking, I know.

I know there are things in the world we don't like and don't want and want to stop, and therefore we blame our own president for not making it stop. But I have zero, no, none, absolutely none whatsoever sympathy for this pseudo-populist "WE NEED TO TEACH BIDEN A LESSON BY ELECTING TRUMP AGAIN, I AM VERY MORAL MUCH ACTIVIST" mindset. There's this funny thing about America wherein it is still (for now) a democracy. If Biden wins a second term, he can't run again. I would take literally anything these people said more seriously if they focused on developing their dream progressive successor for 2028 (and also figured out how to get that person elected and in a place to make real change) rather than cynically sabotaging Biden in the most consequential election year, again, of our lifetimes. If you don't like him now, find a way to make his successor a better option. Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY. I still don't know how many times I'm going to have to say that, but yeah.

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mrshamill

Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY.

louder for the morons in the back who are still whining about both parties being the same

Not voting for the left because they're not Left Enough also does not make the party go more left. It makes them go more right. Because that's where the votes are.

Reblogging because for the love of Christ, I wish the “I’m not going to vote for Biden because he’s not pure/ far left/ whatever enough for me” crowd would remember what, EXACTLY, it would mean for there to be a second Trump presidency.

Assuming that any checks currently in place would stop someone who’s mindset is “I’m perfect and DESERVE to be president” from turning our country into the closest approximation of Russia he can get, is not only naive, it’s dangerously, determinedly ignorant.

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alarajrogers

I said this in 2016 and I said it in 2020 and I'll say it again:

If you don't like the fact that the leftmost candidate of the two major parties isn't left enough, the solution is neither to refuse to vote, nor to "send a message" by voting third party. Both result in an advantage to the rightmost candidate.

The solution is, vote for the guy that's not quite good enough, and then lean on him hard.

Biden has moved farther to the left than any president since Roosevelt. Yes. He's gotten more of our agenda done than Clinton or Obama. And there's many things he's tried to do that the right wingers in Congress or in the Supreme Court have stopped him from doing. He's also moved farther to the left than any president I know of when you look at his whole career; at one point he was Liberal Lite, "moderate", pro-corporation, etc... and it seems he learned from it. He changed. So we're dealing with a guy who is capable of moving left, has done so, and could be asked to go farther.

The other candidate literally wants to become a dictator, eliminate freedom of the press, and spend our tax dollars persecuting his "enemies."

Do I like the fact that Biden is supporting Israel militarily when they have caused such an enormous and horrible death toll in Gaza? No. But we have treaties with Israel and we can't easily break them. Meanwhile we have actually seen him call Netanyahu out. Including saying basically "You keep this up and no one will be your friend", implying that he is threatening to withdraw support. Trump, meanwhile, is cheerfully Islamophobic and would happily murder every single Palestinian. You care about Palestine, there is only one legitimate choice. I'm sorry, I know you want to believe there are multiple moral options you can take, but there is really only one. In the US's winner-take-all first-past-the-post no ranked choice system, the guy who gets 51% of the vote and the guy who gets 90% of the vote are exactly the same.

Look, we can win this. The right's abortion bans are wildly unpopular; many people will be voting to try to restore the right to control our own bodies. Republican support skews older, but in four years millennials didn't magically reach a point of comfortable status quo where they're likely to start voting Republican; instead Republicans have doubled down on the crazy. Anti-maskers and ant-vaxxers, who are likely Republicans, are much more likely to have died of COVID than the reality-based community on the left, since Biden won by 7 million votes 4 years ago.

But Trump will do everything in his power to cheat. We can't just win by 51%. We have to trounce him and as many Republicans at the ballot box as we can, because they have lost the plot. Even the best ones refuse to do anything to stop the spread of this evil-for-its-own-sake movement that wants queers, Jews, and Muslims dead, POC subservient, and women of all races securely under the thumb of men. We have to stop this movement by sending a message to politicians, "these are not winning ideologies. Embrace these ideologies because of the fanatic fringe, and you will lose." Most of them aren't true believers; they're pandering. The only way to stop the Republicans being pointlessly destructive is to make so many of them lose, the rest realize, shit, the grownups are back, we better start acting like politicians and not demagogues again.

And one of the best ways to do that is to make sure Biden wins by such a large margin even Trump can't cheat his way to victory. Because he's ready. He's promised, there will be violence if he loses. (There will also be violence if he wins, but it will be state violence against us. If he loses, there will be rioting white thugs in red states, but the federal government will still have both the power and the will to try to stop that.) He's going to pull every dirty trick in the book to win. The only way to stop him is to win overwhelmingly. Then we get four more years of relative safety, where if Clarence Thomas dies or gets arrested we get a young liberal judge in his place, and in that time, we can push the Democratic party farther to the left, because they'll know why they won. They'll know who voted for them, and why, and they'll move in that direction because they want to keep winning.

You cannot save Gaza by making sure Biden loses. That is actually the worst possible thing that could happen, in terms of anything any American could do. Netanyahu wants Trump to win because Trump will back him up no matter what he does to the Palestinians.

Voting is not about proving how moral you are and selecting the perfect candidate. Voting is about getting the best possible candidate out of what is usually a lackluster selection. But this time, the choice is, an old guy who's not as charismatic and shiny as we'd like and hasn't done as much as we want, vs, literally, a wanna be dictator with an agenda that's pure evil.

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reblogged

I feel like people really underestimate the impact that your mode of transportation has on how you see and think about and interact with your city. Like, driving makes your city feel like a few islands, pockets of space where you regularly go and new ones you discover only when brought there for a purpose, but all amidst an ocean of just, filler. Taking public transit makes your city feel like a network of corridoors, a glowing grid along which you may discover new things, but whose alternate winding paths you only take when given to by circumstance. Cycling makes your city feel more human in its scale, and while you can only go so far, the spaces through which you travel are far more often built for people, not machines, and that difference is tangible, while your freedom of movement gives you more opportunities for exploration. Walking can only take you so far, but you see everything meant for you along those places, and every street feels like it carries potential, with no barriers to stopping and partaking of whatever piques your interest. I think, among these, driving is the one that by far most isolates you from the place you live, while the others are, in decreasing order, most utilitarian, and in increasing order, most personally connective to your shared space.

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Also shout-out to the Swedes for just borrowing the French "adieu" into their vocabulary and just spelling it "adjö"

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legov7

German has borrowed the italian "Ciau", spelling it "Tschau" and only using it as a goodby instead of also a greeting.

I had completely forgotten about this, this is fantastic.

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erlanmizu

If you enjoyed "ciao" becoming "tschau", you'll definitely want to hear where "tschüss" (German, also meaning "goodbye") comes from!

Borrowed from German Low German tschüß from earlier adjüs, from Dutch adjuus, back-formation from adjuusjes, from French adieu.

We can't let the French keep getting away with this

I mean the french very much aren't getting away with it. Everyone else is taking their language and running off with it cackling with glee. We're all getting away with fucking up french words on purpose

official linguistics post

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reblogged

the bangers were BANGING this year, I kept mentally readjusting my top 5 list every time I read something good so the honorable mentions are extremely honorable this year. I hope you read anything that sounds good from this list and tell me about it!

top 5:

  • chain gang all stars by nana kwame adjei-brenyah: when I say that this book is like the hunger games for adults, I’m not making a glib comparison between two books about fighting to the death, I’m saying that I haven’t felt so intensely about a book since I stayed up late to tear through the hunger games and sob about it when I was thirteen. this book is satire as real and devastating as I’ve ever read, with action scenes that feel like they’re being dripped directly into my hindbrain and a unique and believable love story. put it on hold at your library literally RIGHT now.
  • the actual star by monica byrne: about a post-climate catastrophe utopian society built around a religion started by a teenage girl in 2012 based on mayan traditions, and also about the teenage girl, and also about the maya. this book made me crazy because the future society felt real enough to touch, with its radical openness and collectivity solving problems that exist today but causing new ones that are totally novel and meaty and interesting to dig into. read it if you’re interested in different ways of being.
  • the spear cuts through water by simon jiménez: really, REALLY good, fresh, original epic fantasy. jimenez picks a few perspectives to stick to but hops fluidly into bystanders’ brains to give you their perspectives, so even background characters feel fleshed-out and no one’s pain is dismissed as a side effect of heroic battles or whatever. highly recommended if you like framing narratives and stories about stories, and like epic fantasy but wish it wasn’t mostly about finding acceptable enemies to slaughter with cool swords
  • the dispossessed by ursula k. le guin: I love how much this book is about hope as clear-eyed commitment to the boring and difficult work of a brighter and necessary future. sometimes the work of the glorious anarcho-communist revolution is leaving your university post and romantic partner for months at a time to dig irrigation ditches so nobody starves when there’s a drought. read this book for diplomatic conniving, a clash of values between a capitalist planet and its dissident moon, and hope.
  • imperial radch trilogy and its spinoffs by ann leckie: what if you were built to be a weapon of the empire, a serene sentient battleship with thousands of human bodies all containing your consciousness, and you lost all bodies but one and had to figure out how to be a person, singular and alone? what if you were a 19th century british military officer and you slept for a thousand years into the decline of the empire? what if you were grown in a vat to be a facsimile of human and then told off for eating all your siblings even though eating them was SO interesting? what then. leckie’s prose is incisive and funny, her unreliable narrators are wonderful, and her stories are intimate even though the backdrops are insanely huge. 👍.

honorable mentions:

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Anonymous asked:

Re: autistic advice; i keep seeing people making fun of stuff like "are you in a place to hear bad news" or scripts like that. I grew up in an environment where it was common practice to just drop heavy subjects on people out of the blue, & I still find that intensely uncomfortable. But I've now had multiple people tell me that it makes them feel shitty when I ask, for example, "are you up for a dark subject?" & I don't really know how to square it away. I want to make sure that I'm not stepping on anyone's toes or making them feel ambushed or trapped, but apparently it makes some people feel like they're not allowed to have their feelings. I end up feeling pretty shitty about it, because like... it feels like either I have to be Rude (because it DOES feel rude to just drop a dark topic on someone) &/or risk having something shitty I can't deal with dropped in my lap, or else really upset people. I guess... is there a way to navigate this?

I would recommend being more specific.

People find phrases like "Are you in a place to hear something that might hurt you?" and "Are you up for a dark subject?" to be a bit presumptuous about what their emotional reactions will be or what they are capable of handling. It also can make what would have otherwise been a very unremarkable exchange become tinged with anticipatory anxiety.

When someone asks me a question like "are you up to hear something dark?" I might feel coddled and condescended to, rather than emotionally respected. Or if they ask me "are you prepared to hear something that might hurt you?" / "are you up for a serious conversation?" I think they're about to drop some serious emotional bomb on me, like that they're friend-dumping me for something horrible that I didn't realize I did. Then when it ends up being a meme they want to share or a question about a celebrity lawsuit or something i'm kind of pissed at the false alarm and the coddling that, rather than protecting me, made me feel worse.

In either case, rather than giving me time to emotionally prepare or interact when I am ready, these vague questions have introduced some kind signal of social or emotional threat. If anything, it increases the felt urgency to just have the damn conversation already and see what kind of monster is lurking behind the person's words. It makes me *less* likely to exercise control over when the conversation happens or when I see the upsetting thing.

So be specific. "Do you wanna see a disgusting meme?" "I want your opinion on something, but the question touches on sexual assault. Is that okay to talk about?" "I want to talk to you about a conflict I'm having with my other partner." "Can I ask you your opinion on this transphobia discourse?" Etc.

The more specific you can be about the subject and why you are asking about it, the more power you are giving the other person to actually decide what they want to engage with. When someone asks me if I am willing to discuss something dark, I really have no idea what to say. They're imposing their judgement of what is a dark or upsetting topic onto me, when really they have no idea what I might find triggering and what I might really enjoy getting to talk about.

Rather than trying to protect me from something I haven't even encountered yet, you gotta let me encounter it, and actually trust that I will take care of myself. If I don't want to talk about sexual assault I won't, if I don't want to look at gross imagery I'll say no, if hearing one more bad thing about your other partner is going to make my jealousy fume, I am responsible for handling that. You're not responsible for my emotions.

It's good to notice which subjects your friends are especially sensitive to and what big triggers they have so that you can be considerate. My friends know I cant look at lots of blood flowing out of someone for instance and dont send me visuals/fics that feature, say, wrists being slit or blood being drawn. But if they forgot, I'd understand and just look away and squeal oh no i cant look at that get it away. And that would be fine. They are not responsible for my reactions to things.

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asneakyfox

the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.

btw this is maybe the single most key distinguishing feature of the terfy strains of radical feminism, the seed all the rest of it springs out of: they have absolutely no faith in the ability of feminism to actually destroy patriarchy. they do not think feminism can truly build a better world. they cannot really even imagine that possibility. they think patriarchy is an inevitable natural consequence of unchangeable biological facts, and therefore the goal of feminism can only be to mitigate the worst effects of patriarchy, not to get rid of it.

they can imagine a society where women get some designated safe spaces without men around. they cannot imagine a society where the presence of men is not inherently a danger to women.

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So I've been learning French for a while and 'faire' is actually an incredible word. Like what a fucking breakthrough in economy of language.

Faire is a verb that is usually translated into English as "to do/to make," but it covers way more actions than that, which is very confusing for new speakers. because (I have realized) that's not really what faire means.

Faire is actually a word that just gestures vaguely in the direction of the object of the sentence and goes "you know." "Je fais du velo." "Je fais du courses." "Je fais mes valises." I'm biking. I go grocery shopping. I'm packing my bags. You're just sort of pointing at a bike and going "you know, the obvious thing you'd do with it."

English: "You mean RIDE it??"

French: "Sure whatever."

Like idk I just really enjoy the concept of a catch-all verb that you can just slap onto almost anything because who fucking gives a shit, you get the idea. There's a bike. what do you think I'm going to do with it.

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teaboot

I feel like the closest English equivalent might be "Get"? Or maybe "Got"?

"I get a present. I need to get going. I get to drive. I get what you mean. I need to get over there. I'll get it done."

"I've got this. I got you a present. I've got to go. I just got here. "

Or maybe that's too close to "Avoir?"

OH WAIT

NO

IS IT "FUCK"?

"I fucked your mom. I fucked up. This shit is fucked. Stop fucking around. Something's fucky. You're fucked up. My car is fucked. Fuck shit up. Fuck yeah."

SOMEONE MORE FLUENT THAN ME PLEASE ADVISE

I believe you got (apprehended) the idea right away, Teaboot.

'Get' most commonly makes sense when substituting 'comprehend' or 'manipulate'. It works in the sphere of receivership. Heidegger's Dasein philosophy applies here. This is closer to 'faire' than the english language use of 'fuck', because the breadth of 'fuck's use is greater, and covers pronouns, (Grab that fucker, will ya'?) verbs, (I fuck cars, monster fucking, it'll all be fucked by 2030,) and prepositions, interjections, and abstract nouns besides, and this is not a premeditated exhaustive list.

Oooooooooh ty

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luulapants

This actually has to do with what linguists call "open class" vs. "closed class" words! Certain parts of speech in different languages may be more "open" or "closed" than others. Open class parts of speech readily accept new words. Closed classes do not. Generally, open classes are more content-oriented and closed classes are more grammatically oriented.

Take conjunctions for example (and, but, or, etc.) and try to think about inventing and introducing a brand new conjunction to the English language. Doesn't sound likely, right? But we add new nouns all the time, like "deepfake" or "rizz."

English also adds verbs easily, which is how we easily get verbs like "googling" or "doomscrolling," but verbs are a less open class languages like French or Spanish. This makes sense when you consider the grammatical complexity of verb conjugation in those languages compared to a language like English. Turning "bike" into a verb is pretty simple in English and only generates four verb forms of the word: bike, bikes, biking and biked. In Spanish, for example, verbing 'bicicleta' would generate dozens of new forms of the word through 16 tense and mood variations multiplied by five or six different forms (first, second, third person + plurality), depending on dialect.

That's where words like "faire" (French) and "hacer" (Spanish) come in. Instead of generating a new verb and all of the conjugations that come with it, those languages are more likely to use the preexisting verbs faire and hacer as verbifying auxiliaries. As a result, you can stick them in front of any non-verb to make a verb version.

So actually the best English equivalent to "Je fais mes valises," would be "I'm suitcasing."

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exitwound

There are only two ways to wake up early 1)Go to bed early 2) Not enough sleep Why do you keep thinking there’s a third way there is no third way it’s a Two option system it’s a span of time you can shift it backwards or you can shorten it you can’t do anything else. Just shift it backward all you have to do is shift it backward you aren’t Losijf your day because you went to bed early you Get More Tomorrow it’s math baby it’s just counting don’t fall for the long open hours of the night baby they aren’t good to you like the sunrise is listen to me girl

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tearlessrain
Anonymous asked:

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

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Wow I like those words ashgfkjvmgk

Would you mind if I used them?

(have been using bdsm(canonical) and bdsm(material) instead as in this narrative acknowledges bdsm as something happening in the story vs this is not bdsm in universe but it is bdsm related and just like, stuff to feed your fantasies, rules and morals do not apply because nobody is trying to portray real situations, these narratives are shallow as they are merely tools.) But I guess both the descriptions have slight differences.

oh yeah go nuts lol, it's just the best way I could come up with to phrase it, I don't own the words or anything

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artpigeons

Watsonian BDSM vs Doylist BDSM

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