Season 2 | Season 3

JEREMY ALLEN WHITE 2024 | Mert Alas ph. for Calvin Klein Underwear Spring 2024 Campaign

thinking about the specific moments where the berzatto family falls in love with sydney (because of course they do, everyone does).

for richie, it takes the end of the beef and right up till the opening of the bear to happen. he is full of contempt and grief when he meets her and all he knows is that when he looks at her face he is afraid. he doesn’t like that feeling. richie is not a man who finds himself fearful a lot, but she is everything he is not and nothing that he is and he hates himself for it. if she is what it means to be passionate, then what is he? is he nothing but an empty shell of mikey, stuck on earth to shake his fist at passing clouds, because how dare they move and continue on like mikey was nothing to them, as if he wasn’t the very point that the earth revolved around? everyone is leaving him behind, and she is proudly leading the pack. it’s not right. but then— he gets it. he talks to garrett and jess and chef terry and he sees sydney in every corner of that restaurant. the fear slowly is replaced with respect as the week goes on and he realizes that just because she’s good doesn’t mean she’s out to get him. that’s the berzatto upbringing in him doing the talking, but it doesn’t have to, because shes a berzatto now, maybe not officially (not yet, but mark his words, she will be) but she is, and that’s not how she does things. so, he lets her lead them into the future to something good and different and better.

for sugar, it’s instant. she was born to a mother who is triggered by her very existence, and it has hurt her all her life. she is full of love and the one person she wants to give it to the most doesn’t want any part of it. she was born to give but is surrounded by those who are afraid to even take it, to reach out their hand and meet her in the middle. and if they cant take then they themselves have nothing to give, so she gets used to being the one who has to force feed her love down their throats, because if no one does, if no one shows them that they are worthy of good things, then they will crumble (“if i just talked to him more—” “no, nat—” “if i had just—” “it’s not your fault, honey. it’s never been.”). but when she meets sydney, it’s like looking into a mirror. she sees her bright eyes and soft smiles and careful but strong hands and instantly recognizes her for what she is: a giver. and sugars heart swells with even more love than she thought possible, because finally, she’s not alone— there is someone else there to slowly, albeit subconsciously, take care of her crumbling family, to show them that despite what their mother may have taught them, its okay to not be okay (she tries her best not to cry when syd asks her if shes okay, but she does. and syd doesnt grab her face or yell at her or call her stupid. she makes her a meal. and sugar cries some more).

for cicero, the love isn’t instant, and it’s not even entirely love. she is strong and she is assertive, but that also makes her naive and a very expensive risk. she makes him curious for what’s to come, intrigued by the way she doesn’t back down from carmy whose voice so often mimics the berzattos that came before him (“you’re better than this, kid.” “i don’t know what i am.” “whatever it is, it’s not this.”). she's self assured and knows her place in the establishment and is unafraid to let people know it. it’s a refreshing change of pace from mikey, who often resorted to intimidation to get his way, or carmy, who’s anxiety envelopes him and distracts him from what’s right there in front of him. but she is not them. she is focused and on track and is willing to put in the work to get what she wants. he doesn’t visit the bear often, only drops by once in a while to deliver bad news or to fulfill a favour or to just enjoy some good food, but when he does, she is always there, dedicated to ensuring that carmy and michaels, and now, her dream stays alive. she is good for his family, and he trusts her to keep the berzatto spirit alive.

for michelle, it’s quite simple. she always looked out for carmy, their little bear, so when she meets her it’s a family thanksgiving party at the bear and syd stumbles out of the kitchen, obviously frazzled and a little sweaty (“carmy, im not ready, i didn’t even change yet and the turk—” “don’t worry, tina will take care of it, you look great, they’ll love you, they just really wanted to meet you—”), but she’s smiling. she’s a little awkward when she introduces herself, and michelle finds herself endeared by her nervous ramble (“it’s, uh, really nice to meet you guys. sorry, i didn’t know that i was going to be pulled out of the kitchen so soon. uh, im sydney. yeah, i guess carmy already told you guys, huh? um. im sorry, how are you related to the family again? i mean, i dont want to offend but it’s just. uh. well, you guys are just very... normal?”) and she’ll laugh and look at stanley and the two of them will think to themselves, good job carmy, she’s a good one, before telling syd something dumb and nonsensical about a genetic mutation and richie interrupts to tell michelle it’s not a genetic mutation it’s called being boring and syd will laugh and michelle will too, truly happy that their little bear found someone normal, a breath of fresh air within the smoke of their family.

for donna, it’s weird. it’s tense. they don’t meet for a long time. they don’t meet at the bear when it first opens and not at the bear even when it has found it’s footing, but by chance. they are somewhere mundane (a grocery store, a park, or maybe just the street) and there is no other family member around when syd meets the berzatto matriarch. she only knows what donna looks like from photos at sugars house because carmys apartment is devoid of any actual sentiment (although that has begun to change since she made him get an actual dresser and he dedicated one of the drawers to her stuff). she calls out to her by her name, and donna turns around startled. she doesn’t recognize syd, of course, who introduces herself and informs her of who she is to the family. when donna smiles it’s not a real one, and syd knows this, but it doesn’t deter her. she tells donna that her kids love her (“even after everything, nat?” “she’s our mother. its all that we can do.”) and that her kids are great (“carmy, you are not broken.” “im a little broken.” “no, listen to me, the fact that you are still here, means something. its something.”) and that there will always be a table for her at the bear (“chef, someones calling in for a reso for 1 but we’re all full up… except for—“ “yo, dont finish that sentence. table 7 for ms. berzatto is an indefinite booking. is that understood?” “yes, chef”). donnas smile fades and her chest fills with anger but just as she’s about to explode in typical berzatto fashion syd interrupts her. she has faced the bear many a time before and has handled herself with grace and dignity everytime, so this is no different. she smiles brightly and thanks donna for listening to her and hopes she considers coming in, because she’d really like to cook for her. she looks like she needs a good meal. she deserves one. she turns and walks away. donnas stomach growls. that night, table 7 is occupied for the first time since the bear opened its doors.

and carmy? well, there isn’t an exact moment. its a culmination of awkward partnership (“i don’t want to be shitty.” “okay, then dont be.”) and flawless teamwork (“the menu needs—” “already on it, chef.”) and nights unwinding at the bar down the street (“of course you drink an old fashioned.” “what’s that supposed to mean?” “nothing, it’s just very… tortured-chef-from-the-slums-of-chicago of you”) and spontaneous phone calls just to hear the others voice (“why are you whispering?” “i… don’t know. my dads home. its a habit.” “you’re 27.” “and you’re white, you wouldn’t get it.”) till they’re just inseparable (“cousin, wheres carmy?” “with syd, duh.” “why'd i even ask?”). and then, sydney and carmen become something else. something tender and sweet and terrifying and beautiful all mixed together into… something. there’s no word for what they have. but it feels so right; to the guests who taste their food and recognize that the hands who put it together are full of love and care; to the staff at the bear who see the unspoken communication, the lingering touches, and their soft eyes that seem to always be on the other; to the berzatto family who notice that carmy looks a little brighter, and shakes a little less. yes, its love, but its so much more. it’s syd and carmy. it always has been, and always will be.

(“can i ask you something? something corny and lame and gross?” “always.” “when did you, like, know?” “know what?” “like, when did you know that you loved me? like, not as a chef or a friend, but as... y'know.” “that’s very middle school of you to ask.” “shut up, i did warn you.” “…” “so?” “its, uh, i don’t, i don’t know.” “well, that’s rude.” “no, i mean, i can’t say its one moment because... it was all of them. together. like, one moment you’re staging and then everything happened and, and, keeps happening but the next thing i knew you were there and you always were there and i just knew that i never wanted you to not be there.” “that’s…. really, really, disgusting, and frankly, a little unprofessional.” “oh, fuck off.” “no, like, i knew you were obsessed with me, but wow, that is a whole new other level.” “fuck you, get off of me, don’t touch me.” “no no no, please—” “i let you into my family—” “let me?” “into my restaurant—” “i think you mean OUR restaurant—” “only for you to humiliate me in my own bed? how dare you.” “…are you sulking?” “…” “…carmy?” “syd?” “me too.” “…heard, chef. now come back here.”)

(and it’s unspoken, but everyone knows that michael would’ve loved her too. i mean, she’s sydney fucking adamu, she conquered the bear. how could anyone not love her?)

Beyond The Beauty of Carmen Berzatto

The fact that you’re all trying to guess the feelings of a grown man who literally asked his colleague, “WHAT IS A GIRLFRIEND?”(208)  is beyond me.

You’re so blinded by the main character’s sex appeal that you forget that Carmen has been an awkward/nerdy/neurodivergent man all his life who never made decisions for himself except when he decided to hire Sydney and keep her without anyone’s influence.

Carmen’s lack of experience means he probably doesn’t know the difference between a platonic relationship versus a romantic relationship with a woman.

That’s why he was baffled when Sydney tried to introduce Claire as his girlfriend.

That’s why Claire pursued him, not the other way around.

That’s why, at this stage, he can’t even describe the nature of his feelings for Sydney.

It’s also why, the day after his panic attack, he hasn’t said a word to his sister, even though he’s been confiding in her since season one. 

Because he’s confused himself, and doesn’t understand why Sydney’s vision reassured him more than Claire’s did. It’s also interesting that he chose not to remember when she called him a piece of shit.

Everything happens on an UNCONSCIOUS level for him, which explains all these confusing montages showing Claire and Sydney at the same time.

That’s also why he made his declaration to Sydney UNDER the table where CLAIRE ATE. Because everything HIDDEN is unconscious.

“you’re not alone syd” “neither are you”

but then he’s stuck in the walk in and he’s alone and she is stuck hearing tickets in her head even after service is over and panicking and she’s alone puking in the alley and in the end they are both alone

#anthony heart eyes emoji bridgerton

Rewatched the season and the wildest part is that Edwina is next to him and he does not look at her lmao

how i look bagging the baddest bitch in the ton after doing everything wrong

And when Carmy says his version of "you're the bane of my existence and the object of all my desires" to Sydney then what?

IT'S THEIR NIGHT, I DON'T CARE. IT'S THE BEAR'S FREAKING NIGHT

sometimes, it's not so much about the romance as it is about the devotion. the adoration.

This is probably the most inclusive post ever made on Tumblr

On one condition. Shoot. I get to put a beard on you.

many people don’t know this but they were actually about to cut bc someone on set said lunch is served but all they heard was “serve” so they left the cameras rolling and that’s how we got this scene