The Adamantine Lure

“Lemonade was not made for me, either. As a Singaporean Chinese woman, I would be lying if I said I was familiar with the complex, myriad ways Beyoncé explores black female personhood, sexuality, and spirituality in the film. But as a non-American, non-white woman, what I am familiar with is appreciating art that is not and will never be made with me in mind. This is a process that white people are now struggling with more publicly than ever. It seems to me that much of the pain in this process comes from entitlement, which often stems from ignorance. I wonder: Do white people in the Western world understand just how much of global popular culture is tailored to their tastes and their histories? Do white people in the Western world know that, for non-white people who wish to participate in and discuss global popular culture, being well-versed in white cultural and musical history is almost compulsory? Do white people in the Western world know how laughable it is that they feel excluded just because a popular work of art dares to be less culturally legible to them?”

Reynu Taandon at India Couture Week 2017