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_Todaro

@alextodaro-blog / alextodaro-blog.tumblr.com

Design is — or should be — joyous, inclusive and empowering, "an erotic pragmatism" which is "fundamental to the survival of our humanity."
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By looking for happiness, what does man seek after? He is seeking after his self, though he does not know it. ... The more one understands oneself, the more one finds that everything that one finds lacking in others is also lacking in oneself. Does a person become less by finding faults in oneself? No, he becomes greater, for he not only finds that the faults which are in others are also to be found in him, but that all merits of the others are also his own merits. With faults and merits he becomes more complete, he does not become less. What a great treasure it is when a man has realized that in him are to be found all the merits and all the faults which exist in the world, and that he can cultivate all that he wishes to cultivate, and to cut away all that should be removed! It is like rooting out the weeds and sowing the seeds of flowers and fruits. One finds that all is in oneself, and that one can cultivate in oneself what he wishes. A world opens for the man who begins to look within himself, for it is not a little plot of ground that he has to cultivate, he has a world to make of himself and to make a world is sufficient occupation to live for. What more does one want? Many think that life is not interesting because they make nothing, but they do not realize that they have to make a world, that they are making a world, either ignorantly or wisely. If they make a world ignorantly then that world is their captivity, if they make a world wisely then that world is their paradise.
-Hazrat Inayat Khan
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Tarot Kickstarter

My sister just launched an incredible Kickstarter and I wanted to spread the word. For all of you who've launched a campaign you know the feeling on the first day. I urge you to take a look at this beautiful modern tarot deck, her and her friends have created, and if you like it please support and spread the word. https://www.kickstarter.com/projects/756996328/the-fountain-tarot-a-contemporary-standard/backers

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reblogged

A few months ago I participated in an Iconathon with the Noun Project, Mother Jones, and GRACE Communications Foundation to come up with icons that represent various sustainable food and farming concepts. The icons are now live and a bunch of them are ones that alextodaro and I designed along with our teammates Tom Philpott (who writes about his experience here) and Emily Cozart of Mother Jones. Pretty cool :)

Food, farming and icons!

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super-design
Design will not save the world, I realize that now, but I will never stop believing that people, using it well and for the right reason, can help lead the changes that will.

Richard Clarkson - Super 2014 (via super-design)

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reblogged

We’re getting near the end of the semester, so most of the students launched their projects last week. In just one week, we went from 3 launched projects to 13!

The full range of projects is amazing, running the gamut from productivity tools to community interviews, fashion to books. Check out the full list of launched projects below!

  • Flight Deck by Aastha Bhargava, a deck of cards for aviation enthusiasts about all the instruments in a cockpit.
  • QNSMADE by Amy Wu, a website that celebrates the people and artisans of Queens.
  • A Memory Between Us by Dami You, a postcard set for travel companions. Featured as Kickstarter’s project of the day!
  • Taskit Notes by Effy Zhang, a sticky notepad for individuals or teams to track their time
  • Experience Journal by Hanna Yoon, a notebook for people who want to pay more attention to their surroundings.
  • Mount Thunder by Jeffrey Gochman and Trent Thompson, a high-quality purveyor of video game-inspired posters.
  • Game of Phones by Luke Stern and Sam Wander, a card game for smartphones and their users.
  • Maker’s Alphabet by Melody Quintana and Sneha Pai, an illustrated book about all the things you can make.
  • Archigrams by Michie Cao, a set of flashcards and posters that introduce famous buildings in a minimalist style.
  • The Upstanding Desk by Mikey Chen and Sam Carmichael, an adjustable converter for turning your normal desk into a standing desk.
  • Glovken by Nga Nguyen, a lightweight fashion glove for commuters.
  • Rexip.es by Sarah Henry, a collection of step-by-step guides for unique experiences.
  • Geo/Day by Sunnie Sang, a blogazine and Etsy store for geometric inspirations.

The first years are rocking it this year with the entrepreneurial projects. Congrats guys!

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The Non-Traditionalist Dinner Review

The form of utensils and cookware has a long history that is not only telling to cultural practices but to our own evolution as a species. Nearly 10,000 years ago we start to see skeletons without teeth, a corollary to the invention of clay pots that allowed food to be broken down into a mushy consistency for the first time, giving people without teeth the ability to get an abundance of nutrients. In Chinese cuisine having a knife at the table was considered violent and obtuse, therefore ingredients had to be processed to bite-sized pieces which encouraged the use of a single utensil, the chopstick. Utensils are the baseline of eating, they set the stage for the type of meal, they forecast which dishes will be served, they speak to the philosophy of the eating style and they influence the behaviors that will happen around the table. 

For those of you who don't know, I have a thesis blog. This is what I write about. 

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Making Sense of Syria: Day 2

What a whirlwind, day two went quick. As soon as we got in this morning all the groups sat down and started working on the problems they were most interested in from the day before. There was a fair amount of cross collaboration and it was beautiful to see how many groups theories led into developing other projects in the room. 

A model was later surfaced by Richard that broke down the different problems surrounding data systems. In each system these are the actions: Framing, Configuring, Aggregating, Analyzing, and Publishing. Within these factors there are a lot of questions and holes that need to be confronted in order to make sure the intended framing and configuring are setup for the proper analyzing and publishing. Additionally in the aggregation process, especially in conflicts zones, how do you rely on a full and fair representation of the scenario through data? There are more-often than not political intentions with social videos, and even if there is a wealth of them they are only indicative of one side of the conflict. Also in this aggregation how do you set up the proper system that can quickly absorb and visualize new data when the barriers are low connectivity and individual risk for the purveyors of this information? It’s all very sensitive. 

What I realized today was that I’ve often been stubborn about the application of new technologies but I realize now that it’s because I hadn’t found the proper use case. Often “problems” in the tech world are merely social inconveniences and when designing for them you can get lazy about the layers of implication associated with your product. In conflict however the decisions you make about the tools and system you’re creating have a high risk for life or death consequences. What happens if local surveyors are caught with large sets of data on their person? How do you set up an encrypted mesh network with digital drop points? How does the effort of collecting data facilitate skill based learning for it’s purveyors? These all become questions of symptoms in the things we are mining and the implications of the data itself as a tangible object. I’m inspired because I see amazing work happening in humanitarian efforts that are using technology in incredibly clever ways.

At the end of the day today the group had generated nearly 12 projects. They are looking at things like data hygiene, contextualizing the intent of social broadcasters, building risk maps to give locals new forms of agency, and building tools to make the process of data aggregation more efficient and connected. For the next few weeks we will be refining these ideas and will be presenting them in a formal critique on April 12th 2014 at the Interaction Design Department. I’ll be working with Tom Osann from Syria Conflict Monitor to help annotate and index social media, and I’m so excited about it’s potential. 

Overall incredible and eye-opening weekend, completely worth neglecting thesis for.              

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Making Sense of Syria: Day 1

It’s been more than a year since the original “Making Sense of Syria” workshop. In that time the conflict has only become more complex and I feel there’s no better time to bring the group back together and re-contextualize the use of data and it’s implications on conflict mediation. Richard Tyson and the now official Special Projects Office, organized this event and they've done an incredible job of gathering a large group of thoughtful and talented participants. It’s only been one day and I am amazed at the diversity of perspective, the quality of challenging ethical considerations, and the imagination with the potential usages for the data we've gathered. 

This year the workshop will focus mainly on the town of Aleppo. For a large part of the conflict Aleppo was not involved in the fighting. Aleppo’s disinterest in the revolution was rooted largely in the presence of growing business and investments in the town, as well as it’s diversity in inhabitants (In 2011 Aleppo had the largest Christian population in the middle east). Currently it is in a stalemate, after already struggling through takeovers from the Islamic State of Iraq Syria (ISIS), Aleppo is now divided down the middle between the regime and the opposition. Checkpoints across the region prevent access and possibilities for travel, and there is only a single supply route through the city which dramatically affects the economics depending on who’s controlling it. 

This year we have the opportunity to work with four different data sets. Each offers insight into different levels of specification ranging from global rhetoric about Aleppo, all the way down to day-to-day utilities and perceptions on the streets. Although each of these data sets are rich in information, the conversation today revolved around some key questions that speculate on the function of the data. The high level question of course is how do we use the data? How do we understand the data? and to whom is it most valuable?

At this level of conflict it becomes superfluous to think in terms of who’s right and who’s wrong, or in other words who’s the good guy and the bad guy. There is no standard lens for legitimacy. The best we can do is to think about the data objectively and map it in a way that tells a story. The inherent problem to this pursuit however is that by aggregating data into a navigable system you are building a tool that shows relationships and these relationships in the wrong hands can have severely negative impacts. When speculating on the value of the data it becomes problematic. A tool has to be built to understand the raw data but once something that powerful has been built who do you show it to?   

It’s rare we are faced with these types of ethics in academia, or at least having them be a direct reality of our creations. Access to this type of information is relatively new, and the rule book is still being written on how to manage the unintended consequences of creative curiosity. I feel blessed however to be in a room full of people who are asking these types of questions. 

We ended today on a framework for processing this data, at least for our own purposes. Data doesn’t necessarily tell us what we don’t know but rather helps us hold more confidently what we do know and then allows us to see the gaps in our thinking. It became an important criteria to really check the validity of the data we’re picking apart. Why is it here in the first place? What was it’s intended use? Is it from a credible source? By creating a methodology of checking premises, we are bringing an ethical ideology into every step of the process. It’s this foundation that then allows us to confidently begin to ask the right questions of how it can be used. 

Looking forward to tomorrow.

You can look more into the event here.

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Vol.Three, about to pitch the perfect game tomorrow. 

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reblogged

I was photographing in Penn Station late last night when I heard screaming and loud music. A huge crowd of people came around the corner. Everyone was dressed in costumes and bright colors. One dude was dressed as a rabbit. Another had a giant, flashing, neon sword. Everyone was laughing, dancing, and singing, as very loud dance music blared from a portable sound system. “This is a new type of dance party!” someone shouted into a microphone, “Join us!” The participants fanned out through the station, encouraging onlookers to join them. “Don’t just stand there!” said the man with the microphone, “This works better if everyone is dancing!” I approached two participants along the edge of the crowd. “What is this?” I asked. “We’re not exactly sure,” they answered. “We joined two hours ago, and still haven’t quite figured it out.” After a few more minutes of dancing in Penn Station, the dance party moved on, heading for another location…

Incredibly epic way to end the conference experience. #Thefeast2013 (I'm the tiny yellow hat in the bottom)

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Letter of Commitment

Recently I came into a situation that has allowed me the opportunity to take a thoughtful look at what it is I'm actually doing in graduate school. There’s the easy answer: Graduate school is a place of higher learning in a specific vocation that gives you access to prolific mentors, real-world applications and the space to invest in your stance on the subject. And then there is the long-form answer, thus, this blog post. But before I get into it let’s do a quick history overview.  

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