Didn't anyone ever tell you it's okay to shine?

“who hurt you” me bitch i make bad decisions because i’m stupid

“People like music when they’re in love, but they don’t need it as much. You need music when you’re missing someone or you’re pining for someone or you’re forgetting someone or you’re trying to process what just happened.”

“There’s an old poem by Neruda that I’ve always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says “love is so short, forgetting is so long.” It’s a line I’ve related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we’re trying to move on the moments we always go back to aren’t the mundane ones. They are the moments you saw sparks that weren’t really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. These are moments of newfound hope, extreme joy, intense passion, wishful thinking, and in some cases, the unthinkable letdown.” 

“When you have a broken heart, the first thing a stranger will ask is ‘how long were you two together?’ As if your pain can be determined by how long you were with someone. Or if you were with them at all. I don’t think that’s how it works. I think unrequited love is just as valid as any other kind. It’s just as crushing and just as thrilling.”

“I tend to write a lot of songs about love and relationships. That tends to be the main topic covered. I think it’s because we need music the most when we’re feeling things really intensely, and I think the most intense times in your life are when you’re either falling in love, or losing it. Don’t you think?”

behind every girlboss is another, bigger girlboss

they call this a pyramid scheme i think

Dakota Johnson for Grazia Italia (2018) 

Photographed by Gia Coppola

film aesthetics -> the love witch (2016) dir anna biller 

Life imitating art.

Who wants to join my gang we’re gonna go to theme parks and boardwalks but never before sundown.

Requirements:

finally something I’m qualified for

queer girl starter pack

— Jeanette Winterson, Oranges Are Not the Only Fruit (via luthienne)

the energy i aspire to give off

domestic sweetness!!!! getting groceries together, buying home decor together??? making traditions??? cooking dinner while badly singing along to the radio??? making each other breakfast in bed??? leaving notes around the house for each other??? i’m so soft,,,,

HIM REFUSING TO WORK WITH A DIALECT COACH IS SO FUCKING FUNNY I LOVE THIS MAN HE’S INSANE

EeeYYEEENT GONTAKETHEBLAYME

“Part of why Pattinson’s performances in The Devil All the Time and The King rise above his hapless costars’ is because it seems as if he frequently operates on a totally different page than the rest of the cast and crew. In the moody and atmospheric The Lighthouse, where he plays more of a true co-lead, for example, Pattinson claimed that he “didn’t really think it was a horror film, because I thought it was so funny.” Some believed he was trolling with his over-the-top French accent in The King. Mashable’s Angie Han, in sharing her pan of The Devil All the Time, suggested that Pattinson was actually doing a sort of meta-performance with his campy, whining reverend, claiming he was the only one on set who seemed to recognize how comedic the movie actually was. Though I felt more generously toward The Devil All the Time than she did, I’m convinced by her argument; Pattinson stands out because his performances are often cleverer than the movies he’s in. When that’s the case, his more earnest costars don’t stand a chance.” - You don’t want to be in a movie with Robert Pattinson 

That’s it. You broke RPatz down into his fundamental elements.

The 1 // Taylor Swift