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Sour as sin

@sourassin / sourassin.tumblr.com

*muffled scream*
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actually for fusies, let’s make it a poll

original post for context:

14 hours a day work and 7-9 hours sleep a night leaves two hours to eat, shower, buy groceries, remember what fucking grass looks like, book in your therapy session for your crushing burnout, run yourself into an early grave and leave a stressed but incredibly wealthy corpse.

Or earn more than the median salary in Washington DC and have your whole life to spend it on doing the things that you enjoy.

"Do the hard things now for an easy life later."

That easy life is called a stroke.

"You always want more for yourself"

It's called a stroke

Also, I can still work and just have the extra 10k on top of my salary.

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reblogged
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copperbadge

Roma was knocked out of Europa Cup contention today, which was simultaneously sad and expected. With an inexperienced coach and an exhausted team, after a very rocky season, it was tough even getting this far, but it would have been spectacular to send this team and coach to the cup.

Truly, Leverkusen just played the better game. Daniele de Rossi, aka AS Roma Coach Hot Beardo, was disappointed but resigned.

He knew they were outmatched and accepted it, which is classy, and also means the homoerotic tension with Leverkusen coach Xabi Alonso can continue undisturbed.

It won't go anywhere, but it will entertain a bunch of fans.

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love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded

we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up

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hickeyknife

"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”

And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."

Oskar Eustis on ArtBeat Nation

I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.

This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."

I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)

  1. Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.
  2. Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.
  3. King Lear. Edmund has a speech in which he asks whether he should marry “Goneril? Regan? Both? Neither?” Again, the actor was legitimately asking the audience, and again he’d prepared for the audience to respond in favor of any of those choices. What makes it even cooler was that the next line is “Neither can be enjoyed while both remain alive,” which works as a response to any of those options. One night, though, Edmund got his answer as “KILL THEM BOTH AND TAKE THEIR MONEY!” To which he gleefully agreed, “Neither can be enjoyed while both remain alive!!”
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reblogged

I don't know what paddington is doing on that list, but it made me think of the time someone drew a picture of the queen with paddington after she died, and we had scores of people losing their minds at the idea that paddington bear wasn't the same kind of communist as them

I love the sorrow in which you wrote this

The tragedy of growing up british & left wing is realising all your beloved childhood animals in waistcoats were monarchists to the core

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prince-atom

I feel like in many ways "How'd he manage to grow up a middle-aged middle-class British man in Peru, anyways?" is the wrong question but it's still the one I am hung up on, years later.

Hold on let’s do this properly:

Paddington - regrettably a monarchist but in that specific immigrant way. The only actual immigrant on the list. May possibly just be a monarchist as part of the processing stage and is also canonically a child.

Winnie the Pooh - is canonically a stuffed animal, I genuinely don’t think he has this level of thought/agency and is not written as such. The real living breathing animals (owl, rabbit) are not just monarchists, but actively and cruelly bourgeois.

The Velveteen Rabbit - doesn’t wear a waistcoat but not a monarchist either.

Angelina Ballerina - a monarchist and a bit of a little bitch tbqh

The Brambly Hedge mice - really unclear. But like worryingly unclear. Clearly some kind of caste system in operation (lords and ladies) but not capitalist or explicitly feudalist either, it seems a thin overlay over their real political intentions: incredibly intense cheesemaking forming the backbone of a post-scarcity economy.

Beatrix Potter / Peter Rabbit - monarchists.

Richard Scarry - actually I can’t make a call on this one

Animals of Farthing Wood - I … don’t know.

Wind in the Willows - Toad’s a fucking Tory, but I feel like the Water Rat is kind of a comrade

Watership Down - unfortunately many of these rabbits are fashy, even the ones you like. Ursula le Guin said it, not me. They wouldn’t walk away from omelas. However, they touch a lot of grass - enough grass to not be interested in the house of Windsor - which is a point in their favour.

Redwall - monarchists, though not for the British monarchy. and also, somehow, Mouse Anglican verging on Mouse Catholic. Worrying, fascinating.

Oakapple Wood - monarchists

Hobbit - not a woodland creature but wears a waistcoat and is sympathetic to Thorin, Aragorn. Provisionally extremely monarchist and the very earliest interpretations of hobbits appeared to think they are somehow bipedal rabbits, which pissed Tolkien off.

Rupert Bear - British bear in clothes attributed partially for the decline in the usage of the name Rupert - but I don’t know a thing about him

The Highway Rat - all Julia Donaldson creatures lick the boot that crushes them, even the highway rat. Possibly not the Gruffalo. The Gruffalo however is the most naked that anyone has ever been, thus not an animal that would wear clothes.

The Narnia creatures - don’t all wear clothes, but THE definitive monarchists

Fantastic Mr Fox - not a monarchist. and in the wes Anderson film is not even British although the farmers and setting are (brilliant artistic choices, especially including an excellent but fucking random possum that calls the entire ecosystem into question: ultimately these are North American animals subverting and undermining the British landowners in a strange political statement whose intentions and direction are unclear.) Not monarchists, but what?

I also asked my own small British child to name more notable creatures in waistcoats, and after suggesting the obvious (brambly hedge, Angelina) they said, devastatingly, “viruses,” and when I delicately questioned what they meant by this, pointed out that viruses have a protein coat. Thus:

Viruses - possibly monarchists, wear coats, and present in children’s literature as exemplified by the Usborne “See Inside Germs.” Ultimately more data is needed.

Thoughts on Toad and Frog?

They’re American

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sourassin

Scarry was American, surely? That’s certainly the impression I had as a child. All those vehicles, for one thing. And little details like fire hydrants, which we don’t have.

Rupert was a Tory of the first water (he started out in the Daily Express, plus he has that smug little face)

The Animals of Farthing Wood were homeless because Farthing Wood was bulldozed; Late seventies eco-allegory, so unlikely to be monarchist, but I don’t actually remember their vibe. Definitely no waistcoats.

(And I’d put in a good word for the mouse in The Gruffalo - it’s a trickster, and it doesn’t wear clothes either)

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ellohcee

The idea of dragons in modern times is so fun because imagine a hot summer day on your vacay and go to use the hotel pool and staff is like "valued guests we regret to inform you that the pool area is out of service at the moment, we apologize for the inconvenience"

And people like "wtf why" looking out their hotel room window and there's this. This dragon just curled up in the pool chilling, literally, cooling itself down

Some of the staff are trying to gently shoo him away and the dragon does a soft little "rrrrrr" like a grumpy cat and a warning puff of smoke and they're like "fuck it i don't get paid nearly enough for this" and no ones using the pool today sorry!

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kawuli
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“And so comes snow after fire, and even dragons have their endings.”

New automata 1/3!

Going back to my nerdy roots here. Reading The Hobbit is one of my earliest memories; I have a tattoo from it and wrote my college admission essay on the unlikely heroism of Bilbo Baggins. I’ve been dying to make something with Smaug for a while!

These could easily be customized with a different quote/dragon color to fit Game of Thrones, House of the Dragon, etc, or hell even stuff like Pern or Fourth Wing for the book folks. Lots of dragons out there 🐉

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