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Thieves & Beggars

@theseabeours / theseabeours.tumblr.com

Yo, ho, haul together, hoist the colors high. Heave ho, thieves and beggars, never shall we die.
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liridi

not to give pirates of the caribbean too much credit but it really is the only major franchise Ive seen that was able to pull off the “historical and mythical exist at the same time” with any sort of success

Building on this its so funny how everyone has a globe but the moment the pirates hit the seas they sail off of the end of the (flat) world. its all in the details etc etc

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jeza-red

It’s one film of the recent decades that does fairytale logic right. There is no explanations z because no one questions thins - it jsut is.

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POTC Meme || Characters (5/6)

“Would you love me if I was anything but what I am?” - CALYPSO / TIA DALMA

[Companion to this poster / Inspiration in source!]

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Pirates of the Caribbean + @georgiansuggestion

Dear Editor, I apologize for the inclusion of a Number of known brigands and libertines in this humble offering of Appreciation, of the variety in relation to that which Bovine creatures Expel after Meals, which may offend the delicate Sensibilities of your Readership and Yourself. Hoping you are Well and will continue to avoid the Miasmas, Yours, a Fervent admirer from Afar
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thedisneyhub

Will Turner in Pirates of the Caribbean: Dead Man’s Chest (2006) dir. Gore Verbinski

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betsydobsons

Pirates of the Caribbean aesthetic

There are things worth more than gold and silver

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molinaesque
Hector Barbossa & Elizabeth Swann | Parallels & Developments

THIS.  Not only is Barbossa far more of a Proper (Cinematic) Pirate than Jack (with the outgrown Errol Flynn hair to prove it!), but he absolutely plays the role of Hades in Curse of the Black Pearl.

While Elizabeth first boards the Black Pearl (here functioning as both Hades’ chariot and Charon’s ferry) more or less voluntarily, Barbossa/Hades does indeed kidnap her and take her to the “land of the dead”—the Isla de Muerta.  The Black Pearl also serves as a kind of limbo, holding men halfway between death and life.  Much like Pluto of old, CotBP!Barbossa is strongly associated with both wealth and death, even more so than the other pirates.  When they get to the “Underworld”, we see that the cursed crew members require a blood sacrifice to regain (permanent) corporeality, paralleling the shades Odysseus encounters who require blood to regain the ability to speak (Odyssey 11.24-50).

By the time At World’s End rolls around, Elizabeth has begun to catch up to Barbossa in terms of piracy and command.  She visits another, more literal Underworld at Barbossa’s side; he knows the way, and she has more than learned from her previous experiences.  It was Elizabeth thinking more piratically—thinking like Barbossa—that made the trip to the Locker necessary, after all.

In the end, she eclipses Barbossa in power and is crowned King, with her own beloved ferrying souls between worlds as she sails the seven seas.  Like Persephone, Elizabeth straddles worlds and holds power in both, and it was Barbossa/Hades who first helped her get there.

(Anyway, this series owns my entire ass, follow for more irregularly scheduled Pirates content and hmu if you want a longer essay on how the Locker journey in AWE is a classical katabasis narrative with a sweet twist on Orpheus’ in particular.  Also Barbossa quotes the Aeneid.)

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filmgifs

Pirates of the Caribbean: At World’s End (2007) dir. Gore Verbinski

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filmgifs

Pirates of the Caribbean: At World’s End (2007) dir. Gore Verbinski

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filmgifs

Pirates of the Caribbean: At World’s End (2007) dir. Gore Verbinski

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