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reblogged
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anneursu

There’s going to be a panel at AASL (School Librarian conference) this weekend called “Boys Reading: A focus on fantasy.” There are six well-respected, very cool middle grade fantasy authors on this panel. And they are all men.

And I have to ask: Why? Why can’t female authors discuss their...

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“Reading was not a fallback position for her but an ideal state of being.”

Laura Lippman; What the Dead Know (via wordpainting)

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abcofreading
How would children see reading differently if we taught language arts as an art appreciation class? What if they discovered favorite authors and became fans? What if they knew we were fans, too? What if every lesson we taught and book we shared served these goals?
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peachstones
In the 101 top-grossing family films…from 1990 to 2004, of the over 4,000 characters in these films, 75% overall were male, 83% of characters in crowds were male, 83% of narrators were male, and 72% of speaking were male. When the American Psychological Association commented on this research, they said, ‘This gross under-representation of women or girls in films with family-friendly content reflects a missed opportunity to present a broad spectrum of girls and women in roles that are non-sexualised.’

Natasha Walter, Living Dolls: The Return of Sexism, pages 69-70, 2010. (via bitemebeautiful)

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explore-blog

Pie-charting the appalling gender imbalance of the literary world. Podcasting and academia don’t fare any better.

Fifty years later, “the problem that has no name” has both a name and numbers, but little seems to have changed.

Some female authors have been saying for several years now that this is a problem (and have been catching flack for daring to say that the refs aren’t doing their jobs). Well, here’s the numbers. For folks who live in the fact-based world, the argument is over. C’mon NEW YORK REVIEW OF BOOKS; C’mon TIMES LITERARY SUPPLEMENT. You gotta do better than that.

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