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for so it has been, time out of mind

@aphraseremains / aphraseremains.tumblr.com

This is my Les Miserables blog, created mostly to participate in Brick!Club. Also, at this point, a whole lot of stuff on 18th and 19th century French history and literature. And various other things that are peripherally related.
My more general tumblr is pentachord
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reblogged

Chimera

For Logic and Philosophy Week 2020.

“I’ve met a chimera,” Combeferre said. “Come and see him.”

Enjolras rubbed his tired eyes and looked up. Combeferre stood in his doorway, flushed and breathless with delight. He still wore his greatcoat, and he had brought in with him the scent of the cold evening streets, bitter with coming snow.

Enjolras had been writing for hours, marshaling his thoughts on the tightening censorship of the press, the revolt in Lyon, and the growing unrest in Paris. There were men from the Cougourde he was to meet at six. It would be wise in the remaining time to eat something.

But Combeferre had not looked this happy in months, and their plans for revolution were to blame for it. Enjolras could not feel guilty–Combeferre would do as he believed was right, and he would reconcile his warring moral impulses in the end. Even so, it disrupted the steady metronome of his heart to see Combeferre smile like this.

“A chimera?” Enjolras asked. “Where?”

“If one were to take that thick-pelted, paddle-tailed curiosity, the beaver,” Combeferre said, “whom we city dwellers know, alas, more as a hat than in his own person, and combine him with that patent absurdity, the duck…”

The last dry leaves rattled in the trees, and the sun slanted low and gold into their eyes as they walked. The freezing air was thick with scents of burning fuel: wood among the rich, charcoal among the poor, bits of refuse among the poorer still. Enjolras had no idea where they were going or what Combeferre was describing. He weighed the possibility that it was Louis-Philippe.

Combeferre was prone to a peculiar succinctness, occasionally difficult to follow. Enjolras supposed ducks referred to the newspapers; as to beavers, his suspicions were hazier. Combeferre may have meant entrenched wealth, in a reference to the use of beaver pelts in fashion. Or perhaps he was invoking Castor and Pollux–though who might be one twin and who the other Enjolras could not guess.

“It has been argued by some that he is born from an egg,” Combeferre said, “an absurdity based upon the presence of the anatomically baffling cloaca. But it is generally agreed he is a kind of aquatic mole.”

They had reached the Boulevard du Temple where laughing, red-cheeked crowds were massing for the evening. Combeferre paused amid the stands and jugglers and jostling pleasure-seekers, looking around with serious intentness. Barkers shouted over each other in an effort to draw passersby into their theaters.

“If this is a political metaphor,” Enjolras said slowly, “I fear I’ve lost the thread of it.”

“A what?” Combeferre asked. “No, no. I know he was around here somewhere–ah! Here he is.”

He drew Enjolras towards a brightly painted booth. Shelves in the dark interior glittered with bottles purporting to cure everything from indigestion to the plague. From its roof hung exotic curios and dried objects of questionable salubriousness.

In pride of place on the counter stood a small taxidermy animal. Enjolras took it at first for some dark-furred species of marmot, until he saw the duck bill and the beaver tail.

Combeferre gazed enraptured. “Is nature not a wondrous thing? To harbor such chimeras! To combine impossibilities into a coherent organism! If only man could bear his own contradictions with such grace.”

He fell silent. In the light of the street lamps, snow was beginning to fall.

Enjolras took his hand and settled quietly at his side, contemplating the platypus.

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lesmiszine

WE ARE HOSTING A GIVEAWAY!

Reblog this post for a chance to win a FLOWERBED BUNDLE and have it shipped to you free of charge!

The Giveaway will last from October 6th (starting at 8:00AM CET) until October 14th (ending at 8:00PM CET) and everyone will be granted ONE ENTRY EACH, to ensure a chance for everyone to win the prize!

here’s a link to our comprehensive Rule Book, please DM us or shoot us an answer in case you have any questions!

See you on October 20th, when we’ll announce THE WINNER!

Good luck to everyone~

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ohhicas

sorry at this point I really am just slamming the POST EVERYTHING button for stuff collecting at the base of my file folders

even the stuff I hate/dislike like this.

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«Ce serait ma petite fille. Je serais une dame. Je viendrais te voir et tu la regarderais. Peu à peu tu verrais ses moustaches, et cela t'étonnerait. Et puis tu verrais ses oreilles, et puis tu verrais sa queue, et cela t'étonnerait. Et tu me dirais : Ah ! mon Dieu ! et je te dirais : Oui, madame, c'est une petite fille que j'ai comme ça. Les petites filles sont comme ça à présent.» #lesmisérables #bookillustration #victorhugo #frenchliterature #pencilillustration #eponinethenardier #azelmathenardier #éponine #azelma (at Paris, France) https://www.instagram.com/p/Brvp_OHAwoP/?utm_source=ig_tumblr_share&igshid=16o4gmiyhk8b0

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Brickclub: 2.8.9

In Which We Understand Why The Convent Digression Was Necessary.

Just like we need Waterloo to understand Marius, we need the Convent to understand Valjean.

We’ll get to the prison comparison in a sec, but I want to take a minute to pull out this sentence: “Here, he saw enough of the sky for his own serenity, and enough of Cosette to be happy.” It’s not a direct echo, but it does feel very evocative of the Bishop’s finding serenity in his own small garden. Of course, the reasons for the two are different – Valjean’s sense of security comes from the knowledge that he is hidden away from the world, while the Bishop’s comes from knowing that he is a part of it – but the parallel is definitely there. Two old men, each with mysterious pasts, finding comfort and serenity in watching the sky from the safety of their small, secluded gardens.

(Sidenote: is anyone tracking JVJ’s names? Because here’s a doozy for that piece of symbolism: “The main room had been forced on Monsieur Madeleine by old Fauchelevent, for Jean Valjean had resisted in vain.” Talk about the complex overlap of self-identity, pubic perception, past and present, you name it.)

But the real meat of this chapter is, of course, the extended meditation on prisons and convents. And this is why I say the digression is crucial to understanding Jean Valjean – because the digression gave us all the things that he is coming to understand. What he observes and thinks about during the years he’s there are the things that Hugo spent two books explaining to us. And further, Hugo explained them to us, in part, from the perspective of the nuns. This chapter, explicitly, is from Jean Valjean’s own perspective, that of a former convict, a reformed sinner, someone who has to work constantly to stay on the right path. From his perspective, the nuns are more than human, are more angel than woman, are the picture of innocence and martyrdom. But we saw in the digressions how they had personalities and struggles and journeys to the convent.

Most importantly, we saw how impossible it is to accidentally become a nun.

Because therein lies one of the key differences between the prison and the convent – the nuns, whatever their reasons may have been, chose to devote themselves to this life. You don’t become a nun as a result of needing to feed your children, or being caught in the wrong place, or having a face like a criminal. (Which is the other reason why there are allusions to the Bishop – it’s to remind us about the distinction between voluntary poverty and involuntary destitution. Yes, to be a nun is to give up your liberty, as Hugo told us at length earlier, but that liberty is given up, it is not taken.)

Which isn’t to say that what the nuns endure isn’t pretty awful! Valjean’s outsider perspective really reinforces just how extreme this whole thing is, what with how he realizes that the prisoners were treated better than the nuns treat themselves. And it’s a valid point, that the one form of suffering is inflicted by the law on the guilty, to redeem them of their crimes, and the other is inflicted by the innocent on themselves, to redeem the world of the crimes of others. Hugo paints it, not as darkness and light, but darkness and shadow, as a place of no light at all versus a place with glimmers of radiance. And I think it’s because, even setting aside what we already know to be Hugo’s own feelings about convents, it’s because this is still a place of misery. It is misery in service of others, noble misery even, but it is still misery.

And so through exposure to this self-sacrifice, to a maryrdom that would never dream of being bold enough to claim the title, Jean Valjean grows kinder and more forgiving. And Cosette grows up, safe and loved and allowed to laugh.

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here’s my finished piece of les amis de l'ABC for the @foundfamilyzine! you can still pick up a copy over here. i’d never done a full canon-era group illustration before so this was very fun 

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