butihavejoy reblogged
butihavejoy reblogged
"dont do kink in public!!" do you WANT those bitches who host taskmaster to lose their jobs?????
butihavejoy reblogged
when i was a child i asked my grandad (who has a thick yorkshire accent) why he sometimes misses letters out of words and words out of sentences and he told me its because they had to ration letters during the war
butihavejoy reblogged
that quote like “god gave us transness for the same reason he made grapes but not wine; yeast but no loaves — so we may partake in the divine act of creation”
- Julian K. Jarboe, quoted in Something That May Shock and Discredit You by Daniel M. Lavery
Here's where they originally said it! And, with an icon I drew! We went to school together, I owe them a lot.
incidentally, from their website’s FAQ:
butihavejoy reblogged
2023 has been quite trying, but I'm happy that I discovered a love of making these horse animations this year.
butihavejoy reblogged
Sibling asked how ppl in star wars dance to jizz music and I had to give her an example
its literally not a typo,,,, thats what the genre of the music in the video is called in star wars canon
butihavejoy reblogged
butihavejoy reblogged
butihavejoy reblogged
"I would kill for you. I would die for you" would you take a break for me? Would you sit down and rest? For a day, a week, a year? Would you let others take care of your needs for me? Would you let yourself be held for me? By me?
butihavejoy reblogged
@kleefkruid your tag is golden.
butihavejoy reblogged
i am an ally to all embarrassing and uncool women forever and ever
butihavejoy reblogged
butihavejoy reblogged
butihavejoy reblogged
I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:
I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.
That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!
But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?
Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…
If we shadows have offended
Think but this and all is mended
butihavejoy reblogged
To The Substitute Art Teacher - Jordan Bolton
butihavejoy reblogged
ra ra rasputin something something sour cream
no, no, i have faith in the hellsite. this will reach its targeted audience when it’s ready