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Dis here's mah blog.

@silver-fox-of-azuchi / silver-fox-of-azuchi.tumblr.com

Icon and banner are screen shots of Takuya Satou as Ryuunosuke Tsunashi from the Reunion Tour. Please do not take what's not yours.
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The concepts of NSFW is being cleared of the Internet under the false pretense of children’s safety when it’s really about the people in power sanitising for advertisers and pushing evangelical narratives AND that not enough is done to keep legitimately harmful content off of spaces that minors have access to are ideas that can coexist

can adults have their own fucking space?

a lot of people are misunderstanding this post. minors arent taking away your spaces. the internet is not being made safer for children, it is being sanitised for advertisers.

And also: minors’ spaces are being taken away.

When I was a kid, “barbie.com” looked like this

But now, if you type “Barbie.com” you’re taken immediately to Mattel’s online shop, surrounded by nothing but “shop now” links and toy collections.

Disney channel’s website is now “Disneynow.com” which still has games and shows appropriate for kids, but is aimed towards a younger audience as it combines Disney Jr and Disney Channel properties, and the look of the entire site is very juvenile and not very appealing to kids in the tween and young teen demographics.

Nick.com has been similarly streamlined and is focused primarily on streaming its shows, and the only games still left are 10 apps that can’t be played on browser.

Kid-friendly sites like icarly.com, Poptropica, Club Penguin, Neopets, Webkinz etc used to be insanely relevant and popular spaces built for kids and tweens.

Now, kids are being funneled into less moderated, more exploitative, and more public spaces like Roblox (its dangerous and exploitative nature exposed in these videos from People Make Games: (x) (x)), Fortnite (known for its gambling and microtransaction issues), and social media sites like TikTok, YouTube, and Twitter.

My elementary aged cousins spend their time on Roblox, YouTube, and some less than reputable game sites that are full of ads and stolen/reposted/reskinned games. My sister was on Musically/Tiktok and Twitter in middle school. They don’t have the same options for having fun online that I did when I was a kid, especially not when they get too old for nickjr and disneynow.

The internet has been condensed into about 5 popular sites that are full of ads, and it’s not fair to anyone.

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I’m so tired of every show that takes place in the past (wild west, medieval, pirates etc) ALWAYS having so much sexual violence towards women like writers can cry “oh it’s realism” all you want but it’s very transparent how realism only applies when you want to hurt women on screen. If we’re talking staying realistic, why doesn’t everyone have brown teeth? Or bad skin? Or dying of dysentery? Just admit y'all want an excuse to brutalize women on screen lol

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squidsticks

This pisses me off so much. A lot of the time if you mention realism would also involve women having unshaved legs or pits, or bushy eyebrows, or syphilis, the answer is often “well that’s gross, no one wants to read about/see that” and like…. If you think that women being ugly is grotesque, but brutal depictions of rape aren’t, then I don’t really know what to say to you other than stay the fuck away from me.

To add to this: The pirate captains had personal codes (rules) about what was allowed on the ship, and some of them were very clear on the subject of sexual violence

IX. If at any time you meet with a prudent Woman, that Man that offers to meddle with her, without her Consent, shall suffer present Death. “ -From the code of Captain John Phillips

“ 9th: If any p[er]son or p[er]sons shall go on board of a Prize and meet with any Gentlewoman or Lady of Honour and should force them against their will to lie with them shall suffer death. “ -From the code of the company of Thomas Anstis

Or in other words, sexual violence against women was recognised as a crime punishable by death on actual pirate ships, don’t let anybody tell you it’s necessary for “realism” when the pirates themselves recognised how absolutely despicable it was.

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silentaugur

I will always reblog

also...and not that I'm suggesting it should be added cuz I"m not but sexual violence against men...specifically younger men and boys...is also historically accurate. ...and for some reason it's only women and girls in hollywood.

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memewhore
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bananahomo

I reblogged this last month, tagged it, and said “might as well see if it works.” I used this video as a reference to find all the forms that i needed (which is A LOT, especially if you’re a dependent) and sent them through the mail, not really allowing myself to hope.

dude.

$2,714 of medical debt from my top surgery - gone. im shaking this was such a weight on me for 2 years and it fucking worked. what the fuck.

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loveemailss

re-reblogging and thinking about when i have another collection agency calling that i can just do this

I have 100s in lab fees that get sent to collections cuz our hospital outsources that but I wonder if labs apply to this too…

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xxairchanxx

Anime: Idolish7

Game: Idolish7

Characters: Gaku Yaotome, Tenn Kujo, Ryunosuke Tsunashi, Momo, Yuki, Haruka Isumi, Touma Inumaru, Minami Natsume, Torao Mido

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100% Disagree

It’s an underdog story about classism in which the folk hero (Johnny) is confronted by a powerful man (the Devil) who tries to exploit the hero’s perceived ignorance and inferiority by offering a great reward with impossible odds. Although Johnny warns him that looks can be deceiving, and that he’s going to regret the dare because Johnny is the “best there’s ever been”, the devil is blinded by his greed and arrogance.

The devil creates an awful cacophony of technically excellent fiddle playing that would be impossible for Johnny to replicate. It’s a trick.

But Johnny just grins at him and starts to play “simple” classic country fiddling songs - Fire On The Mountain, House Of The Rising Sun, and Daddy Cut Her Bill Off. He doesn’t rise to beat the Devil - he simply creates his own music from his home, in the style that he knows, and his love of it and the familiarity of the music make his “backwoods” fiddling more perfect than the Devil could ever achieve.

It is thus the devil’s pride, not Johnny’s, that allows Johnny to Bugs Bunny his way into a golden fiddle.

(In that sense, I do agree that it is the most American song: in a land of prejudice and inequities, great power lies - dormant but ever-present - in those we underestimate and attempt to exploit.)

It’s so easy to underestimate the significance of the fact that all of Johnny’s songs are classic folk-americana tunes, honestly! Like, of course thematically what matters is meeting “technically challenging but obnoxious” with “genuinely skilled and beautiful, you just didn’t expect him to be good because he’s poor,” but the music choices are significant for another reason.

Bluntly: Standards.

Sure, the Devil’s portion of the song is extremely technically challenging to replicate....but that’s only relevant to us, retelling the story and trying to replicate it. He didn’t have that standard to be judged against. He just did a bunch of complicated lightning-fast screeching, and tried to set Johnny up to match him, and lost when the kid refused to play that game. The bargain, after all, wasn’t “anything you can do I can do better”. It was just “I’m a better musician than you” and Johnny is the one who actually understands what that means.

But also: all of those name-dropped tunes are incredibly iconic. They’re at least as extremely technically demanding, but more importantly, if Johnny had fucked up even one note it would have been immediately obvious. Every musician in that area knows those tunes. He had to play them perfectly, blend them seamlessly together, and put his own spin on them in order to meet the challenge, and there were no imperfections for the Devil to claim victory over.

All the Devil had to do was make noise. Nobody could tell him that he did it “wrong” because the obvious retort is “no, that’s exactly what I was trying to do, if you think I did it wrong then let’s see you do it better” and that, right there, is the trap. 

Johnny had more heart, of course--that’s the point, that lightning-fast fretting work is nice and all but if you don’t understand and respect the history and culture and the interplay of music you’ll always be lesser than those who do. But he also gave himself the better demonstration of skill, because he did the harder thing, and held himself to a pre-existing standard.

(Also he didn’t summon an entire goddamn backup band to do the heavy lifting for him, but like. Of course this is the American folklore Devil, the trickster-spirit archetype figure who is really more akin to the Fae and not the actual Christian concept of Satan, but “the Devil cheated” still isn’t exactly an instant disqualification. That’s kind of a given. He is, after all, the Devil.)

I would like to note my mother got to see Charlie Daniels play this live, and there’s one more reason the Devil lost:

Care.

See, apparently Charlie Daniels actually kept extra fiddles on the stage for this song, because playing the Devil’s part WILL snap the fiddle strings. Yes, both Johnny and the Devil have longer solos in the live version because this song is really just Charlie Daniels showing off (earned, though, lbr), but my mom said his fiddle strings were literally SMOKING long before he got into the extended part. And so by necessity, when one set of strings snapped he’d drop the fiddle and pick up another.

The Devil is using his fiddle the same way he uses people: he’s abusing it, treating it as something worth nothing but disdain. I want to pause here briefly and note that when this song was originally written, the best violins in the world were considered to be the Stradivarius violins; there are now modern violins that match or beat their sound, but that’s an EXTREMELY new innovation. This means the Devil is likely playing on a violin worth tens of thousands of dollars; even if he’s conjured an infernal violin for himself, the contempt he shows for Johnny’s (implied) poverty and simplicity says it doesn’t look like just any old violin. And yet, he treats it like garbage—and that’s exactly what comes out of it.

(If you’re wondering where the violin comes into this, a fiddle is a violin played differently, and this is one great way to show the difference between “high” and “low” art is spelled B-U-L-L-S-H-I-T.)

Meanwhile, Johnny is some backwoods hick who’s probably never even heard the word Stradivarius, wouldn’t know what to do with one if he had one, and likely plays an absolute shitkicker that looks like hell and cost him fifteen bucks at the pawnshop.

But Johnny VALUES his fiddle. He doesn’t so much play it as make love to it. What we hear is beautiful because he understands he’s not the only one with a soul; instruments have souls, too. He’ll take that solid gold fiddle because he can use the money, but he’ll go right on playing his cheap beat-up old thing until the day he dies. He loves it like he loves his home and his music, and that love makes magic.

The Devil loses because he doesn’t understand the concept that love will beat out greed every time. Johnny wins because he values and respects what he has.

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