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Sweden: Heaven and Hell, Luigi Scattini,1968

Death Becomes Her (1992) ⤷ Meryl Streep as Madeline Ashton ⤷ Goldie Hawn as Helen Sharp ⤷ Isabella Rossellini as Lisle Von Rhuman

This is why she’s my favorite author.

Check out “Barry Lyndon”, a film whose period interiors were famously shot by period lamp-and-candle lighting (director Stanley Kubrick had to source special lenses with which to do it).

More recently, some scenes in “Wolf Hall” were also shot with period live-flame lighting and IIRC until they got used to it, actors had to be careful how they moved across the sets. However, it’s very atmospheric: there’s one scene where Cromwell is sitting by the fire, brooding about his association with Henry VIII while the candles in the room are put out around him. The effect is more than just visual.

As someone (I think it was Terry Pratchett) once said: “You always need enough light to see how dark it is.”

A demonstration of getting that out of balance happened in later seasons of “Game of Thrones”, most infamously in the complaint-heavy “Battle of Winterfell” episode, whose cinematographer claimed the poor visibility was because “a lot of people don’t know how to tune their TVs properly”.

So it was nothing to do with him at all, oh dear me no. Wottapillock. Needing to retune a TV to watch one programme but not others shows where the fault lies, and it’s not in the TV.

*****

We live in rural West Wicklow, Ireland, and it’s 80% certain that when we have a storm, a branch or even an entire tree will fall onto a power line and our lights will go out.

Usually the engineers have things fixed in an hour or two, but that can be a long dark time in the evenings or nights of October through February, so we always know where the candles and matches are and the oil lamp is always full.

We also know from experience how much reading can be done by candle-light, and it’s more than you’d think, once there’s a candle right behind you with its light falling on the pages.

You get more light than you’d expect from both candles and lamps, because for one thing, eyes adapt to dim light. @dduane​ says she can sometimes hear my irises dilating. Yeah, sure…

For another thing lamps can have accessories. Here’s an example: reflectors to direct light out from the wall into the room. I’ve tried this with a shiny foil pie-dish behind our own Very Modern Swedish Design oil lamp, and it works.

Smooth or parabolic reflectors concentrate their light (for a given value of concentrate, which is a pretty low value at that) while flatter fluted ones like these scatter the light over a wider area, though it’s less bright as a result:

This candle-holder has both a reflector and a magnifying lens, almost certainly to illuminate close or even medical work of some sort rather than light a room.

And then there’s this, which a lot of people saw and didn’t recognise, because it’s often described in tones of librarian horror as a beverage in the rare documents collection.

There IS a beverage, that’s in the beaker, but the spherical bottle is a light magnifier, and Gandalf would arrange a candle behind it for close study.

Here’s one being used - with a lightbulb - by a woodblock carver.

And here’s the effect it produces.

Here’s a four-sphere version used with a candle (all the fittings can be screwed up and down to get the candle and magnifiers properly lined up) and another one in use by a lacemaker.

Finally, here’s something I tried last night in our own kitchen, using a water-filled decanter. It’s not perfectly spherical so didn’t create the full effect, but it certainly impressed me, especially since I’d locked the camera so its automatic settings didn’t change to match light levels.

This is the effect with candles placed “normally”.

But when one candle is behind the sphere, this happens.

 It also threw a long teardrop of concentrated light across the worktop; the photos of the woodcarver show that much better.

Poor-people lighting involved things like rushlights or tallow dips. They were awkward things, because they didn’t last long, needed constant adjustment, didn’t give much light and were smelly. But they were cheap, and that’s what mattered most.

They’re often mentioned in historical and fantasy fiction but seldom explained: a rushlight is a length of spongy pith from inside a rush plant, dried then dipped in tallow (or lard, or mutton-fat), hence both its names.

Here’s Jason Kingsley making one.

@lurkinglurkerwholurks look it’s Cherryh of the Cuckoo’s Egg!

give that girl a sword asap

My silly fakémons Pickerpie & Snagpie! I had sm fun trying to recreate fake gifs inspired by the anime recently, I can't wait to do more :3

It’s so good! It initially had me convinced it was from the anime!

Early machine-made corset, c1886. On display at Harborough Museum.

Made from a black sateen-type cloth known an ‘lasting’ and lined with white cotton twill. Finished with attractive gold stitching with decorative hand-stitching at the top and bottom. Narrow gold ribbon is also slotted through the black lace trimming at the top front. One of the earliest commercial corsets. 

This lace edging forms the main decoration on the corset. The ribbon threaded through the lace picks up the bold yellow of the reinforcing stitches at the top of the corsets boning.

panconesi

Another soldier, who served in northern and central Gaza, testified that soldiers “took rugs, blankets, [and] kitchen utensils,” and explained that there was no briefing on the matter from the army either before entering or while in the field. “There was zero talk about it from the commanders,” he said. “Everyone knows that people are taking things. It’s considered funny — people say: ‘Send me to The Hague.’ It doesn’t happen in secret. The commanders saw, everyone knows, and no one seems to care.”

The soldier offered his explanation for why the phenomenon is so widespread: “There is something about this reality in which the house is already [in ruins] that allows you to take a plate or rug. In one of the operations, in a destroyed house, there was a cupboard with antique kitchen utensils, special plates, special mugs. I saw them being looted, unfortunately.”

“[The commanders] didn’t really talk to us about it,” another soldier testified. “They didn’t say you couldn’t take things. And most people felt the need to take a souvenir.” 

The soldier noted that the looting was no secret; indeed, some of their seniors were doing it too. “The company sergeant major distributed Qur’an study books that he found and gave to whomever wanted them,” he said. “Another soldier took a set of coffee mugs, a serving tray, and a pot. Another unit, whom we met after they returned from a tour, brought a motorcycle, like the Nukhba [Hamas special forces] motorcycles. One of the soldiers declared that it was his. They [the soldiers] talked about renovating it.”

Another soldier who served in Gaza told +972 and Local Call that soldiers took “prayer beads, spoons, glasses, coffee pots, jewelry, rings. Whatever is easy and accessible is taken. Not everything, but people felt like the lords of the land.” He noted also that “maps from children’s textbooks were taken to show how they are taught there.”

made in honor of the now-extinct population of Falasteen crocodiles, the sunbirds that almost lost their names, and everyone else surviving the attempted erasure.

posted the other week as part of an ongoing fundraiser offering free prints and paid, with 100% of proceeds going to Care for Gaza. it has since been translated, wheatpasted, and flown on kites all over the world from Saigon to Scotland...!!!

monetary donations are never a substitute for holistic political action, and a push for a different world... but the shows of solidarity and support have lifted my spirits so much.

this is now available on a t-shirt too, screenprinted by hand in Texas!same deal: all profits go to food, medicine, and other critical supplies via Care for Gaza (& the PCRF). thank you for sharing.

image description below:

[ ID from Under the Cut: a Palestine sunbird holds red poppies in their beak next to the text RIGHT TO EXIST. a Palestine crocodile (a subspecies of the Nile, now extinct thanks to occupying forces) guards a shining key next to the text RIGHT TO RETURN. a Palestinian olive tree, full of fruit is next to the text RIGHT TO RESIST. a Palestinian family of five, all embracing each other next to the text RIGHT TO REMAIN. /End ID ]

NEW JERSEY "LONE STAR" PIECED QUILT, hand-stitched, various solid and print silk fabrics, center with a large eight-point star made from over 500 pieces, surrounded by eight eight-point stars, framed by on-point squares, triangles, and nine-patch blocks, three edges having solid outer border with corner blocks, featuring outline, diagonal, foliate motif, grid, and chain quilting with colored thread, applied Trenton tape binding, five-paneled muslin backing. First half 19th century.

Jeffrey Evans