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T.S.

@wontstopmovinn / wontstopmovinn.tumblr.com

Laura | 23 | dutch
Taylor Swift enthusiast
Taylor follows me and it makes my life 100% better
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“One of Swift’s primary gifts as a songwriter is her ability to conjure lyrics that are at once both intensely specific and also universally relatable. Her songs invite the listener to share in her glittering public life, as she dusts her lyrics with clues that die-hard fans can link back up to moments they’ve already seen through the lens of her much scrutinized-celebrity. In that way, her music is like Swift herself offering up a private director’s commentary on her public persona, lifting a curtain to reveal the three-dimensional interiority behind two-dimensional paparazzi photos.”

— Time magazine on Lover (x)

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repswitf

guys ... her mind fucking

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r-i-swift13s

YES YES YES YES

WAIT IT GETS BETTER

everything that happens in those rooms is literally the narrative of those albums.

Red room (red): her man makes her jealous/maybe cheating, the Taylor from the yellow room (fearless) is out of place, lots of friends

Black attic (rep): she holes up with just her lover and private time with nobody else

Pink room (lover): she's happy and close with him but also has happy time to herself here, a balance, happiness

Blue room (1989): when her fame spiked and her life became a fishbowl of voyeurs and any lover she had entered the fishbowl alongside her

Green room (debut): he's just putting up a frame showing they just began, she just plays instruments innocently enjoying her time with her lover, no real understanding of love yet

Purple (speak now): SHE IS JUST IN IT ALONE SINGING & PLAYING PIANO BECAUSE SHE WROTE IT BY HERSELF (they also have the cute dinner and dance in here, like the love she fantasized about on this album)

Yellow (fearless): playing board games and living life upsidedown - this one is the only one im not sure about? maybe that's the era where her life literally turned upsidedown from fame???

TAYLOR DID I GET IT RIGHT

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taylorswift

😃🐣🐥

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“Lover is, fittingly, evolutionary rather than revolutionary. But nevertheless it feels like an epiphany: free and unhurried, governed by no one concept or outlook, it represents Swift at her most liberated, enjoying a bit of the freedom she won for her cohort.”

— Rolling Stone on Lover (x)

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“BOOM! And there it is: The emancipation of TayTay. Still a bit of high-impact young woman, she’s willing to let go of the fairy tale in the name of an attainable and meaningful happily ever after. As all the little girls raised on impossible promises realize the world is often stacked against them, perhaps the very listenable Lover’s best aspect is its willingness to get real without rejecting the sweetness—the cat videos, the pulse-rushing notion of connecting and the thrill of hot sex, better conversation and speaking up for the marginalized with cold truth. It may not always be creamy unicorn goodness, but it can be pretty damn awesome. Even when it’s not Instagrammably perfect.”

— Hits Daily Double on Lover (x)

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