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The Paris Review

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For “the good writers and good poets, the non-drumbeaters and non-axe grinders. So long as they're good.” We are a quarterly literary magazine that was founded in 1953.
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“Sometimes just the pure luxury of long beautiful pencils charges me with energy and invention.” —John Steinbeck, The Art of Fiction No. 45

There’s only one way to stay sharp this fall: with a pack of Paris Review pencils and a subscription to our magazine. Subscribe today and we’ll toss ten writing implements your way.

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In 1963, The New Yorker published five articles on the trial of Adolf Eichmann, the Nazi chief of Bureau IV-B-4, a Gestapo division in charge of “Jewish Affairs.” Written by political thinker and Jewish activist Hannah Arendt, the articles and ensuing book, Eichmann in Jerusalem, unleashed what Irving Howe called a “civil war” among New York intellectuals. While some reviews cursed Arendt as a self-hating Jew and Nazi lover, the Jewish Daily Forward accusing her of “polemical vulgarity,” Robert Lowell termed her portrayal of Eichmann a “masterpiece,” and Bruno Bettelheim said it was the best protection against “dehumanizing totalitarianism.” Across the city, Arendt’s friends chose sides. When Dissent sponsored a meeting at the Hotel Diplomat, a crowd gathered to shout down Alfred Kazin and Raul Hilberg—then the world’s preeminent Holocaust scholar—for defending Arendt, while in The Partisan Review Lionel Abel opined that Eichmann “comes off so much better in [Arendt’s] book than do his victims.” …

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