shore of my life | víctor m. alonso

Byung-Chul Han, from an interview published in ArtReview

alexis doyle

Clarice Lispector, tr. by Stefan Tobler, from Água Viva

A selection of looks from the 18th Century equivalent of the MET Gala (aka The Queen's Drawing Room) in March 1789.

(To help with your mental images - this would have been roughly the court silhouette at the time.)

Queen Charlotte - "Was dressed in purple, silver and orange body and train; the petticoat likewise of purple and silver, richly embroidered upon crape. Her Majesty’s head-dress was the most superb and beautiful that ever appeared at Court. A bandeau of purple sattin was fastened around the cap, with a motto in diamonds of “GOD SAVE THE KING.

Round the Queen’s neck was a medallion, tied with a double row of gold chain, and across her shoulders was another chain of three rows of pearls, and five rows of diamonds fastened low behind, with a fine miniature portrait of the KING, studded with diamonds, hanging in front. The tippet was of fine lace, and fastened with the letter G. in diamonds."

The Duchess of Gordon - "White sattin, superbly spangled in gold, and drawn up with a bandeau of the most costly embroidery, imitating the sun [in] the fullness of its glory. The petticoat was festooned in a beautiful manner with branches of oak."

The Duchess of Devonshire - "A white sattin petticoat most superbly embroidered with wreaths of foil, flowers and stones, the gown of dark green sattin, richly embroidered with spangles; and a most beautiful diamond stomacher."

Lady Lloyd - "A crape petticoat, over one of white sattin, with stripes of purple velvet, ornamented with gold and stones, representing peacock feathers. The train purple, trimmed with crape.

Her Ladyship's cap had a painting, describing Britannia kneeling and offering praises to heaven for the recovery of the King, very richly ornamented with diamonds, blond, flowers, and feathers. In the front, "Dieu nous le rend," (God restores him to us,) embroidered in gold letters."

Mr. Pitt - "A green and rose striped velvet, richly embroidered with gold and silver stones; the waistcoat of white satin, embroidered as the coat."

The Hon. Mr. Edgecumbe - "A blue and brown shaded velvet, most superbly embroidered with diamonds and point lace, with beautiful bouquets of flowers; the waistcoat of white satin, embroidered the same"

Sir John Marriott - "Sea green striped velvet, with gold tissue embroidered waistcoat."

and my personal best dressed -

The Duchess of Rutland (who was making her first appearance at court since the death of her husband) - "The time allotted by the decree of fashion for customary suits of solemn black, and all the trappings of widowed woe, being expired, her Grace, lovely in her person, and attractive in her manners, came forward in all the fullness of splendor, and in imitation of the Heavens when they declare, by a rainbow, that the tears of the sky have stopped, wore a dress of embroidered crape, fashioned in such a manner as to resemble that variegated sign of an unclouded atmosphere. But we are at a loss to find out what was meant by the gold-spangled darts of lightning that appeared through this rainbow, unless that her Grace meant them as emblematical of what her eyes can do, now that the day of weeping’s over. To write, however, in more plain terms, we shall state exactly what her Grace had on. It was an embroidered crape, something in imitation of a rainbow, having variety in its colours, and being ornamented with gold spangles which really appeared like darts of lightning through the crape, and gave it a most superb appearance. Her head-dress of white crape, with a towering branch of ostrich feathers, and the motto of God save the King,  in white and gold."

(source: The Times, March 27, 1789.)

wtf is a situationship.. don’t ever put me in a situation

📍marylebone, london — vowing that one day i'll move here, and it'll be my forever home. truly never felt so in love with a city before

Cloud break

Marbled Monday

This Marbled Monday we return to the publications of the Trianon Press and their editions of English poet, painter, and printmaker William Blake's (1957-1827) works. Why so much Trianon Press and William Blake lately? Well, because we had a whole bunch of it out recently and couldn't pass up the opportunity to post the beautiful marbling used in binding each volume. This is Blake's The Marriage of Heaven and Hell in a facsimile edition published by the Trianon Press in 1960 for the William Blake Trust.

The marbling is the same pattern used for Trianon Press's edition of Visions of the Daughters of Albion, but in a green color palette instead of orange. This pattern can be called Octopus or Whirl and was likely not created until the 20th century.

View more posts about Trianon Press publications.

View more Marbled Monday posts.

-- Alice, Special Collections Department Manager

moments lately 💖

• 5.5.2024 •

Life lately ❣️ books, salt air, oat milk lattes

Last weekend was perfect: I went to my second book club meeting on a boat bookshop, ate delicious Pinterest standard cake and saw a rainbow in the Paris skyline ⭐️✨

Two knights on horseback rendered in Hebrew micrography in the margins of the Yonah Pentateuch, 13th century.

Source: British Library, Add. MS 21160 fol. 192v and 201v