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have you hugged your monster today?

@monster-hugs / monster-hugs.tumblr.com

Hello, my name is Hanna and this is my hodgepodge of stuff! art tumblr ✮ art ed tumblrmy website
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“ I’m an illustrator, animator and partnered Twitch Creative streamer. I was a 2016-2017 Adobe Creative Resident. | I created Trash Doves, a digital sticker pack for iOS and later licensed by Facebook.  | I helped develop and kickstart Jenny LeClue. I am represented by Deborah Wolfe of Illustration Online, and provide commercial illustration and animation on a subcontracting basis. (contact info)   I am a graduate of Ringling College of Art and Design, where I studied animation and illustration.   I am currently located in Wheeling, West Virginia. 

Instagram: @crossconnectmag

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“The paternoster elevator at Prague City Hall. These door-less, continuously moving lifts are the 1860s invention of Peter Ellis, an architect from Liverpool, and were once popular all over Eastern Europe and Germany before production ended in the 1970s over safety concerns. ” Video courtesy Jada Yuan

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gjume

you ever just instantly develop an irrational fear

my toddler brain immediately thought “in what brutal manner will you be crushed if you don’t get out at the last floor” but it turns out thats not one of the ways they will kill you

My university has one of these. It’s a really underwhelming going over the top or underneath.

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archatlas

Based in Tokyo, Japanese designer monde has created a new category of art and design—bookshelf dioramas. His wood inserts transform ordinary bookshelves into something magical and bring the feel of a Japanese back alley into your home.

Inspired by Tokyo, his work carefully mirrors the dizzying feeling of wandering the city’s back alleys. Monde has been working on the project for two years, using different materials to create the look and feel of the city. He’s even added lights to some models, which give a soft glow that emanates from the bookshelf. This newer model is also sized perfectly to sit between paperback novels.

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“Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.”

— Terry Pratchett, “Let There Be Dragons” (A Slip of the Keyboard)

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aiweirdness

How to make high-tech pies sound really old

A while ago I made a bunch of new pies. Well, I didn’t *make* them because they were neural network invented titles and although it tried to imitate the list of pies I gave it, the neural net’s imitations are imperfect.

The neural network, after all, is a computer program with about as many neurons as an earthworm. It doesn’t understand what the ingredients are, or why some combinations don’t work. Some of its titles were intriguing, though. They sounded mysterious. Potentially delicious and/or magical?

Or maybe it just helps that they’re vague. I decided I wanted more like these. To help it along, I spiced up the pie dataset with the names of cookies and apple varieties from the 1905 edition of Apples of New York. I filtered the names for those that had possessives: Mcaffee’s Nonesuch, Cornell’s Savewell, Wile Ox’s Winter (all apples), combined with Goldy’s Dungeon Bars, Esther’s Bracelets, and Fido’s Rewards (all cookies). Then, to give it added old-school flavor, I added all the Dungeons and Dragons spells that had possessives as well (for example, Ivy’s Irresistible Scent, Freedom’s Toast, and Leomund’s Tiny Hut).

I arranged the training data so the pies would be last (so they would be freshest in the neural net’s virtual mind). Then I gave it one single look at the data.

It turns out that I didn’t manage to prevent the neural net from coming up with bad ideas. Perhaps what I should have done instead was remove all the meat pies from the training data.

But some of the pies were exactly what I’d hoped for.

And some even went a little past “ancient” and into “legendary”

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she-ramen

this is too real

It’s both.

It’s also because they’ve convinced themselves the REASON girls don’t like them is because of their nerdy interests and if girls have nerdy fantasy shows that we love then it proves that wrong

^^^this too

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skeletonize

i was looking at old photos and i wanted to show you how our story went, a little

bronwyn and i met at age 12 but i dont have any photos from then, really, but this is from grade 9 science class when we were being goofs and i was 13

this is from our first ever sleepover, we couldn’t stop laughing and we were sleeping on a mattress on the floor and we went to boston pizza and got plastic rings that we both still have (bronwyn kept hers on a necklace after that)

i went to bronwyn’s cottage for the first time in the summer after grade 9

we had our first kiss in grade 10 when i was 14 and were in a weird kind of dating limbo period

then i moved to the states and turned 15 and told bronwyn i was in love with her and we visited every chance we could and she sent me flowers and packages

then i went to junior prom with her and bronwyn cut her hair

then we had the most beautiful summer where i spent 5 weeks at her cottage and i cut my hair

then i went back to miami for 12th grade and turned 16 and bronwyn was 17 and we went to senior prom together

then i moved back to canada for university when i was turning 17 and we finally lived in the same place again and we loved each other so much and got breakfast together every day

then after a beautiful summer we started living together when i was 18 and bronwyn was 19  and we went to bahrain together and bronwyn dyed her hair brown and now i get to see her every morning and every night and we adventure in our city and have a coffee shop and love each other more than i could have thought. there were periods of scary intense darkness but we love each other so much and i’ve never been happier. i’ve known bronwyn since i was 12 and now i’m almost 19 and i love her more and more.

i’m never on here anymore, but i wanted to share that almost a month ago bronwyn and i got engaged!! under a beautiful tree on a perfect day and for the rest of my life i get to pursue her and care for her and make her laugh. i’ve said this so many times but now more than ever: if this is all i get, it’s so much more than i could have hoped for.

This makes me so happy

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theubergrump

sometimes I forget that rulers work with tablets and I get really frustrated with my inability to freehand straight lines

I NEVER

REALIZED

YOU COULD DO THIS

BUT IT MAKES SO MUCH SENSE

WHY DID THIS NEVER OCCUR TO ME?

pspspss

you can also trace things

Because true.

OH SWEET JESUS I WAS SO DUMB AND BLIND THIS CHANGES EVERYTHING—

This is like the most obvious shit I feel like I’ve just ascended or something. How the fuck did nobody realise any of this?… HOW DID I NOT SEE THIS I AM DONE

reblog to save an artist’s life.

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The Incas may not have bequeathed any written records, but they did have colourful knotted cords. Each of these devices was called a khipu (pronounced key-poo). We know these intricate cords to be an abacus-like system for recording numbers. However, there have also been teasing hints that they might encode long-lost stories, myths and songs too.  
In a century of study, no one has managed to make these knots talk. But recent breakthroughs have begun to unpick this tangled mystery of the Andes, revealing the first signs of phonetic symbolism within the strands. Now two anthropologists are closing in on the Inca equivalent of the Rosetta stone. That could finally crack the code and transform our understanding of a civilisation whose history has so far been told only through the eyes of the Europeans who sought to eviscerate it.

I’ve been loosely following developments in research about khipus since reading about them in an obscure paragraph in the back of my high school history textbook and every time I read more about them, it’s more and more exciting. 

The full article is fascinating. Here’s another excerpt: 

Earlier this year, Hyland even managed to read a little of the khipus. When deciphering anything, one of the most important steps is to work out what information might be repeated in different places, she says. Because the Collata khipus were thought to be letters, they probably encoded senders and recipients. That is where Hyland started. She knew from the villagers that the primary cord of one of the khipus contained ribbons representing the insignia of one of two clan leaders.
She took a gamble and assumed that the ribbons referred to a person known as Alluka, pronounced “Ay-ew-ka”. She also guessed that the writer of this letter might have signed their name at the end, meaning that the last three pendant cords could well represent the syllables “ay”, “ew” and “ka”.
Assuming that was true, she looked for cords on the second khipu that had the same colour and were tied with the same knot as the ones she had tentatively identified on the first khipu. It turned out that the first two of the last three cords matched, which gave “A-ka”. The last was unknown. It was a golden-brown fibre made from the hair of a vicuna, an alpaca-like animal. Hyland realised that the term for this hue in the local Quechua language is “paru”. And trying this alongside the other syllables gave, with a little wiggle room, “Yakapar”. That, it turned out, was the name of another of the lineages involved in the revolt that these khipus recorded.
“We know from the written testimony that one of the khipus was made by a member of the Yakapar clan and sent to Collata, and we think this is it,” she says. Hyland claims that the Collata khipus show that the cords really do hold narratives.
Yet even if she is right, it is possible these later khipus were influenced by contact with Spanish writing. “My feeling is that the phoneticisation, if it’s there, is a reinvention of khipus,” says Urton. Equally, the Collata khipus might be a regional variation. Possibly even a one-off.
Hyland is the first to admit that we don’t understand the link between these khipus and those dating from before the Spanish arrived. That doesn’t make them any less interesting though. “Even if these later khipus were influenced by the alphabet, I still think it’s mind-blowing that these people developed this tactile system of writing,” she says.
She will spend the next two years doing more fieldwork in Peru, attempting to decipher the Collata khipus and looking for similar examples elsewhere.
Read the whole thing
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did-you-know

In 1930, a patent was issued to Helene Shelby for a giant, glowing-eyed skeleton that was designed to make criminals confess. The idea was for police to scare suspects into telling all by sitting them in a dark room, raising a curtain to reveal the device, and questioning them through a megaphone in the skeleton’s skull - which contained a camera to record their statements for use in court. Source Source 2

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