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RMNS Author and Editor

@dreamwriter12 / dreamwriter12.tumblr.com

An avid reader who has an incurable need to research everything I come across, I'm the YA author of the paranormal horror series, THE PORCELAIN SOULS. I currently work as a professional editor who is passionate about writing in layers and helping authors find their voice. When I'm not busy chasing my kiddos or plotting out my next series, you can find me baking cupcakes or building snow furniture. My writing and editing advice blog (From Mind to Paper) can be found at fmtpextended.tumblr.com.
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10 Things 2018 Taught Me About Writing

It’s about that time again: Another year has passed—another opportunity to grow and learn who I am as a writer. In many ways, 2018 was my most challenging year yet. I didn’t meet most of my goals, I had unexpected health issues, and I had to step outside my comfort zone on multiple occasions. However, it was also a vastly rewarding year. Amazing new opportunities fell into my lap, I attended a fabulous writing conference, and I was reminded yet again why I love writing so much.

Writing is a tough journey for all of us. I’ve been writing since I was six, and one thing has never changed: Life can and will get in the way. But how you react to life’s trials determines how successful you are. I strongly encourage any writer, no matter how long you’ve been writing, to reflect on what the past year has brought you. You might be surprised how much you’ve grown!

For me, these were 2018’s life lessons about writing:

  1. Writing takes perseverance. Some days, our muse is cooperative and shows up when we need it to. On others, it hoards those much-needed ideas. Stories don’t always hit us full in the face either; they often come in chunks—snippets, scenes, flashes of characters and conflict. And just as with any good idea, those tidbits need time to simmer, giving them a chance to meld. So this year, rather than waiting for my ideas to lead me where they want, I’m go to poke them, prod them, and show them who’s boss. In fact, I’ve dedicated a set number of weeks per stage on each project before transferring it to the next one. That way my mind is constantly churning out ideas and no one project sits for too long.
  2. Burnout is a real thing. As much as I love writing, there still comes a point where I’ve had enough and getting the words down is like prying teeth loose. Don’t get me wrong; I feel immensely blessed to do what I love every day and have a career in it. But all of us need a break sometimes, even from the things we love most. Our bodies need rest and time to recover, giving new ideas a chance to foster. I’m trying to be more aware of that and have even built in two vacation weeks into my writing schedule for the year as well as two months at the beginning of each year to prepare and plan my goals for the next season. Staying focused but allowing time off as a reward is the type of organization I’ve sorely needed since the beginning of my current project, and so far, having that is paying off.
  3. Being bold can boost your confidence. I’ve often spoken about writing what you don’t know but found it much harder to heed my own advice. After organizing my files on my computer, a task I’d put off for years until recently, I discovered a gem: a scene I’d written ages ago that had a narrative voice unlike anything I’d ever written, but in the best way possible. It was a snippet where I’d let myself go in my thought process, allowing myself to be as bold as I wanted in a character’s shoes, no matter if it fit my normal “style” or not. The result was a phenomenal narrative that stood in stark contrast to the pieces I’ve written up to this point. And you’d better believe it’s a tactic I’ll be using in the future.
  4. The more accountability you have from others, the more you’ll push yourself. A few months ago, I took a leap of faith as a writer. I joined a weekly critique group and gained an incredible accountability partner. I wasn’t sure if I’d be able to keep up with everything, but I’m so glad I made the commitment. Both have had a tremendous impact on my productivity, resulting in more words down on the page and more edits completed even when I’m not writing something new. As it turns out, when you have six people expecting you to get something done, you’re more likely to deliver.
  5. Spreadsheets are glorious. In the past, I’ve given myself deadlines, albeit flimsy ones, and I’ve made promises of word counts, release dates, etc. It’s not like I wasn’t on the right track with those steps, but there’s something about visual maps that really gets you in the right headspace for conquering the world—or at least finishing your book. It’s taken me two full weekends to do so, but I’ve created a detailed plan for the entire year. I’ve factored in time for my own writing projects while still accommodating my pre-existing deadlines I have from clients, and I’ve even thrown a marketing plan in there too. I made schedules, timelines, and even a chart to show my progress. And let me tell you, it’s changed EVERYTHING. I’ve been more productive in the last two weeks than I was in the last six months of 2018. Months! I’m sure spreadsheets and charts don’t hold that same kind of power for everyone, but for me, I needed that visualization, the reminder of where I am and where I want to be. Being able to track my progress is such an effective reward that I’m now hitting my goals every week.
  6. Speaking of goals, setting detailed ones (and using apps to help you reach them, such as Todoist) can be a game changer. As I said, this isn’t the first year I’ve tried making a schedule—or using an app to help me. In past years, my halfhearted attempts have always failed when I get overwhelmed by the enormity of the task. (Needless to say, having anxiety really stinks.) But what changed this year was my approach. I didn’t go in expecting the first thing I tried to work. I used a more methodical mindset, trying different spreadsheets and ways to map things, and tossing out things that didn’t help me progress. It took trial and error before I hit on the right combinations, but it’s proven to be a successful endeavor, and I have the numbers to back it up.
  7. I don’t read often enough. After having a miserable 2018 in terms of meeting my reading goals, I picked up a new book called Write Smart, Write Happy that was recommended to me by my editor. It’s motivated me to recommit to both my writing and reading goals, something I know will only help me further in growing in my craft. After all, we can learn a ton from reading others’ work, especially those who write better than us.
  8. My writing muscles are flabby—too flabby. In my latest podcast episode, I talk about how writing is like exercising. Muscles don’t stay strong unless you use them. However, I once again did a terrible job at heeding my own advice, and I found that even writing something as simple as a blog post had become immensely difficult. It was like learning a second language all over again: The info was there, but recalling it was a nightmare. Now I have to rebuild that habit.
  9. Pacing is everything. I didn’t even realize it was a struggle of mine, but as I’ve been editing book three of The Porcelain Souls, my critique group pointed out how my paragraph breaks and the structure of my sentences could be better. And they were absolutely right. Many of the scenes in the current book I’m working on for the series are so intense that they call for shorter, snippier sentences in parts to keep the pace where it should be. So now I know a specific area I need to study more and am adding it to my goal list for the year. I’ve already found a ton of great resources on the topic, including this article on the Helping Writers Become Authors site: https://www.helpingwritersbecomeauthors.com/scene-breaks/
  10. I have a bad habit of making excuses, but even more than that, I’m an expert at psyching myself out. Last year, I became enemy #1 . . . to myself. I set weak goals that couldn’t stand up to the inner procrastinator in me. I’d see these tasks, and rather than turning them into manageable chunks, I’d let them lord over me as monumental obstacles whose proportions were so overblown they were basically caricatures. Piles upon piles of sticky notes laughed at me (okay, maybe not, but they did clutter my desk). And the idea of finishing the editing process for my book so I could finally publish it? Forget it. But the truth of the matter is, once I actually sat down and worked on something—anything—for just ten minutes, the words started flowing, and it was like I’d never quit. We writers are great at making things out to be harder than they have to be, swearing that we’re not good enough at x, y, or z to accomplish something worthwhile. And I get it; confidence can be a struggle for me too. But as the saying goes, sometimes you just have to park your butt in the chair and WRITE.
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fmtpextended

WDC Series: Villains with Positive Character Arcs

Ah, villains. Quite possibly my favorite characters of all time. They’re swift talkers, fast thinkers, and they earn the best internet memes. Everyone knows who they are. But what really makes these characters special for me is they tend to be complex, holding a depth that protagonists and other supporting characters sometimes lack. (Don’t throw things at me yet—I did say sometimes.)

Truth be told, stellar characters need complexity no matter whose side they’re on. Authenticity, depth, a clear goal, an irrefutable lie, and obstacles make for exquisite layers that form a powerful, relatable, and realistic character.

What Is a Character Arc and Why Are They Important?

A character arc can best be described as the change in a character from the start of a story to the end of it. If a character gains redeemable traits throughout, their arc is considered positive, or one of growth. If there’s no change (which, when done right, will still result in changes from surrounding characters), the arc is considered flat. When good characters go bad, taking on negative traits, that change is considered a falling arc.

One book I love recommending is K.M. Weiland’s Creating Character Arcs: The Masterful Author’s Guide to Uniting Story Structure, Plot, and Character Development. In it, she goes into depth about each type of arc and how things like goals, lies, truths, and obstacles are set up in a story. For those of you who don’t want to spring for the book, her website does a great job of providing details about arcs as well: https://www.helpingwritersbecomeauthors.com/write-character-arcs/

Another resource I’d like to share is the Writers Helping Writers site, which has a fantastic article about why writing characters with depth is so important and how that translates to a better book for readers: https://writershelpingwriters.net/2019/01/the-key-components-of-a-compelling-character-according-to-psychology/

As you’ll see in the article, the key is making the characters relatable—not necessarily likeable.

How Positive Character Arcs Can Create Compelling Villains

For those of you who are familiar with my fiction books, you know I love writing unlikeable characters. Their stubborn personas draw me like a moth to a flame, and for whatever reason, creating them has become my little niche, so I proudly wear that badge.

It’s challenging finding new ways to reach readers through darker characters though. One approach I use is taking a complex villain and having them change sides. I do the same with my protagonists. For one, it makes them more relatable. For two, just as in real life, good and evil isn’t always clear-cut. Things get a little muddied in the middle, causing character to cross lines they wouldn’t normally cross. Sometimes really good people make bad decisions, because we’re complex creatures and have the freedom to make choices. My favorite characters are ones who tread in the gray space, because you never know where they stand until it’s too late.

I’ve found when characters hit rock bottom and are in a rut, especially mentally, one of two things will happen: They’ll either pull themselves out and change for the better, or they’ll go down the path of self-destruction. In my current work in progress, The Lost Souls, I have two characters who face such a dilemma. One is faced with extreme loss, and it forces her to take action, ultimately changing her for the better. The other has faced life-altering traumas as well, but he spirals out of control into a deeper pit of anger, revenge, and self-destruction.

When it comes to character development, characters can change as much as people can (which now has me humming “Hot N Cold” by Katy Perry), and sometimes those changes result in positive character arcs—think Ebenezer Scrooge from A Christmas Carol or Hans Solo from Star Wars. Whether you’re dealing with a protagonist or an antagonist, combining complex traits with a transformative arc can yield captivating results, especially when those characters are less than likeable.

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The worse the explanation, the better.

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tlbodine

You’re maybe being held prisoner in a house full of werewolves but mostly they just want love and acceptance

Local girl should have probably just stayed home.

Philosophy professor is unbothered by discovery of vampires but worried about everything else.

Alcoholic demon thinks dying his hair will solve all his problems and it kinda does.

Empty suit of armor tries to stab a ghost.

Teen boy discovers he should really had listen to his parents when they told him not to trust strangers

Is loneliness a person? Bitch, it might be

Porcelain dolls are creepy. Bad guy is creepier.

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uchidachi

Me: Alright, are you ready, Hattie?

Hattie: Meow

Me: *sings* ♪ If you’re happy and you know it, say “meow” ♪

Hattie: Mraaow

Me: ♪ If you’re happy and you know it, say “meow” ♪

Hattie: Mrah

Me: ♪ If you’re happy and you know it, and you really want to show it, if you’re happy and you know it, say “meow” ♪

Hattie: *rolls over* Mwraaah!

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wizardyangst

This is exactly the kind of A+ content I come to see on this website

WHAT A GOOD VIDEO

This made my day. 😊

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extrasad
Anonymous asked:

What happens once you kill yourself? Because I'm ready to go.

You wanna know what happens once you kill yourself? Your mother comes home from work and finds her baby dead and she screams and runs over to you and tries to get you to wake up but you won’t and she keeps screaming and shaking you and her tears are dripping onto your face and your dad hears all the screaming and runs into the room and he can’t even speak because the child that he loved and the child that he watched grow up is gone forever and finally your little sister runs into the room to see what all the fuss is about and she sees you dead. The person she looked up to and loved. The person she bragged about to  her friends, the person she wanted to be just like when she grew up, the person that made her feel safe. But she’s never really going to get to grow up and smile and laugh and love because she’ll always be consumed with this feeling of missing you. And now there’s something missing from your family and they can barely look at each other anymore because everything reminds them of you but you’re gone and hurts more than anything. and you think that your mom never cared because she was always busy and yelling at you to finish your homework and clean your room and forgot to say I love you sometimes but really, she loved you more than anything and she doesn’t leave the house anymore, she can’t even get out of bed and she’s getting thinner and thinner because it’s too hard to eat. Your father had to quit his job and he doesn’t sleep anymore, every time he closes his eyes he sees his baby dead, and the image never goes away no matter how much alcohol he drinks. And at school your best friend sees that your seat is empty and she gets this sick feeling in her stomach and that’s when she hears the announcement. You killed yourself. And suddenly she’s screaming and crying in the middle of class and no one even bothers comforting because they’re all  busy sitting there staring at your empty seat with tears dripping down their cheeks and all she wants is for you to hug her and tell her it’s gonna be okay like you always did, but this time, you’re not there to do it, everything is dark now that you’re gone and her grades are slipping, she barely goes to school anymore and she ended up in hospital after taking too many pills because she wanted to see you again. the girls who used to make fun of the way you dressed feel their throats get tight, they don’t talk to each other anymore, they don’t talk to anyone, they’re all in therapy trying so hard not to blame themselves but nothing works. and your teacher who always gave you a hard time stares blankly at the wall, she quits her job a few days later. And then your boyfriend hears the news and he can’t breathe, he still calls you a lot just to hear your voice and he talks to you on facebook but you never message him back, he can’t fall in love again because every girl he meets reminds him of you, he’s never going to get over you, he loved you and he cries himself to sleep every night, hating himself and slicing his skin because he couldn’t save you and he’s never going to hold you in his arms or hear you laugh again. Now everyone who knew you, whether they were a big part of your life or someone you passed in the hallway a few times a week, they carry this aching feeling around inside them because you’re gone, and they miss you, and they don’t know why you left but it must’ve been their fault and they should’ve stopped you and they should’ve told you they loved you more and that feeling is never going to go away. And so you killed yourself

but you killed everyone else around you too. 

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this need to be on everyone’s blog

this makes me think..

God bless whoever wrote this.

im crying

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phanscuddles

I never usually reblog things like this.. but if it saves just one persons life… please take thime to read this even if you think there is no point in living. Please.

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sent-imental

please please PLEASE reblog this

Never forget that there’s a lot of people loves you

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hopelxss

!!!!!!!

this needs to be reblogged again.

!!! STOP SCROLLING !!! i do not care if this doesn’t “fit” your blogs style,, this thing could save lives, like, real ones, so don’t even think about not reblogging it and

❤❤❤

I needed this, I needed reassurance that I’m worth it, and this makes me see the light

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starssight
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disneyfab

this literally gave me chills.

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dansrules

I’ve never hit the reblog button so fast in my life.

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kulkum

Rapunzel was the best in this. The others were selfless to be sure, but he KNEW he was dying. 100% chance of death and he didn’t hesitate. That moment made the movie for me. That, and when bitchzilla took a nose dive out the window. :D

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Last Sentences Challenge

I was tagged by @scribbledwriting, to post the last sentence I wrote in my WIP, and I’m just now finally getting around to sharing it. Thanks. :)

The first two “last sentences” are from the opening scene in The Lost Soul, part 3 of The Porcelain Souls series.

A single shot rang out, reverberating off the walls. At once, Tom’s body crumpled into a heap on the floor, a steady stream of blood trickling from his temple, his eyes wide and lifeless.

This next line is the last sentence I’ve written so far in the same piece as I’m reworking it.

She collapsed in the hallway in front of the office door, her arms wrapped around her knees as she swallowed hard and let the sobs come. No amount of rocking, reassurance, or endless gifts of promised prayers could replace what had been taken from her.

I don’t want to overload people with tags, but I’ll throw out a few of them, and if anyone else wants to join in, go ahead. 😊

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brynwrites
Anonymous asked:

I wanted to ask for beta readers for my 2nd draft when I'm finished and I don't know how to go about picking them/distributing my work. I just wanted to know how you send chapters to people, format questionnaires, etc. Just everything I can do on my end to get the best feedback possible. Thanks!

About The Beta Reader Process.

First off, if you haven’t read this post regarding beta readers you should probably take a look at it! 

Some other things to consider:

1. Beta reading takes time and energy. While many readers can finish a good book in a single day, when it comes time to give chapter by chapter feedback, the majority of readers can only handle 10-15k words a week, and half of those will have one or two weeks were they’re sick or preoccupied and can’t beta read at all. Keep that in mind when you plan your schedule.

(Note that a beta reading round is a really good time to take a nice long break and write something entirely different!)

2. Screen your beta readers first. Having applicants beta read your first chapter before you accept saves the time and energy of both you and the reader because:

  • It weeds out anyone who doesn’t want to put in the effort or doesn’t have the time or energy for a beta read.
  • It allows readers to familiarize themselves with your writing style and the story so they can decide if it’s the right fit for them.
  • It lets you to identity readers who may not be your target audience, or who may wish your story was something that it’s not.

3. Write your questionnaires as you edit. This way you don’t overwhelm yourself trying to write them all at once, you know everything worth noting in that chapter, and (most importantly) you know the specific things you weren’t quite sure your editing smoothed out so you can include those in your questionnaires.

Beyond that, here is a (in no way complete but still incredibly useful) list of things to utilize when devising beta reader questionnaires:

Narration:

  • Does the story flow on a sentence level?
  • Does the way it’s narrated give you clues into the PoV character’s personality?
  • Can you feel the PoV character’s emotions through the narration?
  • Is the narration immersive?

Characters:

  • Can you visualize all the characters (as well as is normal for you)?
  • Can you differentiate between them, both in appearance and personality?
  • Can you pinpoint the main characters’ goals and/or desires?
  • Do you relate to any of the characters?
  • Are you interesting in knowing them better or seeing them interact further?
  • Do any characters feel flat?
  • Do the character’s relationships feel natural? Can you decide them?

Dialogue:

  • Does the dialogue feel natural? (If not, in which places is it stunted?)
  • Do the topics of conversation flow?
  • Do the characters seem to have their own voices or does everyone sound the same?

Setting:

  • Can you picture the setting well enough?
  • What does the setting imply about the world as a whole?
  • What does the PoV character feel about the setting?

Worldbuilding [not all are applicable for every story]:

  • Do you have some basis for the level of technology and cultural influences of this world?
  • What is the magic system composed of?
  • Are there any rules, customs, or standards specific to this world?
  • What is the political atmosphere like, and who holds the most control within it?

Plot:

  • Do you have an idea of where the story is going from this point?
  • What challenges might the characters face while trying to reach their goals?
  • Does the pacing at the scene/chapter/arc level feel natural? Where is it dragging or abrupt?
  • Have you noticed any plot holes?
  • Does the story seem to have any prominent themes?
  • Is the plot forcing the protagonist to develop? How so?

Overall:

  • How connected to this story do you feel? What produced this connection or lack thereof?
  • How interested are you in continuing reading? Why or why not?

To be clear, don’t simply copy and paste these questions into your beta reader forms. Translate the questions in a way with makes sense for your story, plot, and characters. :)

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