Elisabeth/Noah ; the end is the beginning
how morally corrupt is your 19th century love interest on a scale of “aloof rich guy who doesn’t know how to express his feelings” to “has a secret wife in the attic” and “tries to dig up your grave so he can embrace your dead body”
She remembered how to kill and how to hate, but she’d forgotten how to grow.
Nizar Qabbani, A Green Lantern on Damascus’ Door (via lesgardenias)
what wall?, eric owen moss, 1998 | culver city, california
ig: phdonohue
Call Me By Your Name (2017) Dir. Luca Guadagnino
Helene Cixous. I was obsessed with this for a long time / obsession as a way of seeing / obsession as a working method / a dream we all know.
“How right that the body changed over time, becoming a gallery of scars, a canvas of experience, a testament to life and one’s capacity to endure it.“
Danai Tsouloufa . 2012
// the napoleon of crime
UNRAVEL3
Midnight Door, “Everybody Is Dreaming,” Tomorrow Was (The Cello Quartets) LP (Music Is The Road Records, 2011)
Composer: Luke Janela
Pablo Neruda, 100 Love Sonnets (via arebirthofwonder)