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🐱🌒🌕🌘🐱

@basic-witches-not-welcome / basic-witches-not-welcome.tumblr.com

The gay witch your church warned you about. non-binary, a-gender he/her/she/him/they/them no preference. My life is about duality, love my makeup and heels as well as my jeans and a tshirt with cowboy boots. favorite color is fringe.
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*me, owning a strange boutique housegoods/book store selling a variety of mystic, occult objects but no one realizes I live there, this is literally my living room*

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cxsolis

How much for this stick I can shake at God?

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can i get these three backscratchers with a bundle discount

15% discount for 3 or more

How bout this book? I think it’s look cool with a cosplay I’m planning

40 bucks but never attempt to read or open it

How much is the doll?

Oh that? Just take it. Take it far far away and do not allow it to return

How about this?

$29.99. Just be careful not to leave the candles burning at night, the gremlin comes alive and likes to wander around and go through your stuff

Hey this chair looks cool, how much?

the chair chooses its owner. sit down and see if it likes you

How bout this

Excuse me that’s my great-uncle, he is family

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𝒮𝓉𝑜𝓅 𝒮𝓅𝑒𝓃𝒹𝒾𝓃𝑔, 𝒮𝓉𝒶𝓇𝓉 𝒮𝒶𝓋𝒾𝓃𝑔 𝐵𝒾𝓃𝒹𝒾𝓃𝑔 𝒮𝓅𝑒𝓁𝓁

With the holiday season coming up and hours getting increased at work + seasonal jobs opening up, as well as companies screaming at you constantly “BUY, BUY, BUY!”, this is the time of year I feel most inclined to spend. We may even feel inclined to buy the most extravagant presents for our loved ones when we know we can’t afford it. Or maybe you just have a chronic reckless spending problem, and you need to stop buying for now and save for the future. This spell will bind you from reckless spending so you won’t feel caught up in the materialism that is the Christmas season. ✨

Moon phase;

preferably a new moon, but you can perform this on any night of the waning cycle (I’m performing mine this upcoming new moon on November 7).

Materials;

1 blue candle for willpower, patience, and focus.

1 piece of green aventurine (or any crystal that represents money for you)

1 receipt from something you bought but didn’t need (I had a few in the bottom of my purse, but if you can’t find any, you could even print out your bank statement, cut out a transaction of something you didn’t need, & wrap it in that)

1 black ribbon

Incantation;

“My need to recklessly spend money is tightly bound

And I bury those urges deep into the ground.

I want and am able to save money.

I am financially responsible so my future can be comfy.

This is my will, so mote it be.”

Directions;

As you say the incantation, wrap the crystal in the receipt and then bind it together with the black ribbon. When finished, circle it around the flame of the candle counter clockwise before blowing it out. Then bury it outside so you will never see it again.

Happy casting! 🌙✨

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✨🕯️ “fresh start” spell 🕯️✨

This spell is for major life transitions. It could be a move to a new home, a new school, or the start of a big project. Or it could be a more personal transition, like ending a bad habit or changing your worldview. Either way, this spell is all about letting go of the things that are dragging you down and moving forward with a light heart. 

Note: I am not a Wiccan, so my spells do not include a lot of Wiccan ritual steps like casting a circle, calling on the God and Goddess, etc. This is just my preference, and if you want to add those or any other steps that aren’t included here, please feel free! Your craft is your craft, so personalize it as you see fit!!

What You Will Need:

  • something to cleanse yourself and your ritual space (good ol’ white sage does just fine)
  • small white candle (symbolizes new beginnings, attracts positive energy)
  • small green candle (promotes healing and growth, attracts material prosperity)
  • small pink candle (promotes love, especially self-love)
  • powdered allspice (attracts luck and material/spiritual abundance) 

Optional Components

  • cinnamon (powdered or in the form of a cinnamon stick) (attracts abundance of all kinds, boosts the energy of spells)
  • an amazonite stone (promotes self-empowerment)
  • a citrine stone (attracts abundance and prosperity, aids in manifestation and in accomplishing goals)

Casting the Spell

  • Do what you need to do to get in the mood. Maybe meditate for a few minutes, put on some instrumental music, burn your favorite incense, etc. Take a moment to ground and center yourself.
  • Begin by cleansing your workspace with your favorite purifying incense (some of my favs are sage, frankincense, and cedarwood!!). Make sure to cleanse yourself as part of this process – the focus of this spell is letting go of the things that hold us back and embracing the future, so you don’t want to bring any negativity into the working with you. 
  • Rub some of the allspice into each of your candles (if you’re using powdered cinnamon, rub some of that in, too) and then arrange them in a triangle pattern with the white candle front and center. The white candle should be the one closest to you, with the green and pink candle behind and slightly to either side of it. (If you’re using the amazonite and/or citrine stones, set them in the center of the candles.) 
  • Light each of your candles in turn, starting with the white candle. As you light each one, focus on the changes that you are planning to make in your near future. 
  • (If you’re using a cinnamon stick, hold it over one of the candle’s flames until it begins to smoke – being careful not to burn yourself, of course. Waft this smoke around your ritual space, and breathe deeply as the scent of cinnamon fills the room.) 
  • Focus on the flames of the candles, the light, the warmth. As you stare into the fire, turn your mind to your goals for this next phase of your life. Where do you hope this next step will take you? What are you hoping to bring into your life, and what are you hoping to let go of? Keep this goal in your mind’s eye and focus your energy on it. Allow the energy of the spell to build, slowly but steadily, like a fire coming to life from kindling. 
  • Once you feel ready, recite the following incantation: “I am embarking on the next phase of my journey. I am leaving behind all unnecessary burdens. I am stepping into a brighter future. The light embraces me, and the dark fades away.” (This one is kinda long, so feel free to write it down and read it aloud if you need to!) 
  • Repeat the incantation as many times as you feel you need to. (I like to work with the number nine in my magic, so I recited it in three sets of three, pausing between each set to refocus my energy.)
  • Once you finish your last incantation, don’t feel like you have to end the spell immediately. Sit with the energy you’ve created for a while. Let it continue to build. 
  • When you feel ready, end the spell by blowing out the candles. Ground yourself before you begin cleaning up. You can smudge again if you want to, but I personally don’t smudge after positive spells like this one. 

And of course, the most important part is to go out there and follow through! Once you’ve decided to make a change and have started to manifest your desired outcome, you have to commit to seeing it through. Believe in yourself, believe in your magic, and embrace this new chapter in your life. 

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Having her get to confront Blue and drop a house on her was cathartic. The Diamonds don’t take care of the Gems they make. It’s part of the problem with their entire system according to Rebecca. Lapis struggled to “take a side,” being that she felt manipulated by everyone; now that she’s begun to make choices, she can have some control over her life. Lapis always worries she’ll do something horrible with power if she has it.
Garnet has a history with Blue too, they point out; Garnet has lots of fear and anger toward Blue, so it was nice to have her standing-up-to-Blue moment tied into Lapis’s. This whole arc, from Lapis to Garnet, was about characters making choices for their own reasons. Garnet was ready to stand up to Blue now that she is 100% solid in who she is and why she is together. (x)
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Kitchen Magic for a sinus Headache

Taking the advice you lovely Witches suggested the last time I had a sinus headache, I have compiled a recipe for a cup of herbal tea that worked for me. And since it has reared its ugly head again, its a good time to bring this back around.

What you’ll need

🍵 A large tea cup or mug

🍬 Peppermint tea bags or peppermint leafs

🍯 Large pot of locally grown wildflower honey (If you have allergies its usually recommended to buy locally grown honey to consume, as you will lesson the affect of local wildflowers aggravating your allergies in the spring.) But if you cant get a hold of some at a farmers market, store bought should be fine.

🥄 A tablespoon (or more to taste) of Cinnamon.

🥛 Cream to taste (Some people like their tea with or without cream. I go either way its up to you.)

⌛ Steep for about 4-5 minutes to let the Cinnamon dissolve and steep in the tea.

🔮 For extra bit of magic, stir your tea clockwise and repeat these words.

As I stir this tea

Soothe and relax me

Lift the burden for my sake

and cleanse me of this Headache

So mote id be.

Drink up and enjoy!

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Lesser known tools of witchcraft pt 1

Darksome night and Shining Moon, East, then South, then West, then North, Harken to the Witches Rune: Here come I to call thee forth.
Earth and Water, Air and Fire, Wand and Pentacle and Sword, Work ye unto my desire, Harken ye unto my word.
Cords and Censer, Scourge and knife, Powers of the Witches Blade, Waken all ye into life, Come ye as the Charm is made:
Queen of Heaven, Queen of Hell, Horned Hunter of the Night, Lend your power unto the Spell, Work my will by Magic Rite.
If chant is used to reinforce a work already begun, end with this:
By all the power of land and sea, by all the might of moon and sun,
What is my will- “So mote it be,“What I do say- “It shall be done.”
The Witches’ Chant or Rune

In the next series of articles, I will be focusing on the subject of lesser known tools of the craft. I’ll even talk about items that potentially could have been used based from folklore and record account. 

PART 1: The Moon Rake, Scourge, and Bull-roarer 

The (Moon) Rake

I’ve spoken about this tool briefly before, but I feel it deserves a bit more attention. I’ll also include regular rakes as well, since they were also used in folklore.

A moon rake is described as a 6 foot wooden pole with a large horse shoe attached to the end. Described in two different rites, it is used to coax items into the light of the full moon, as it is being reflected upon a large body of water (such as a lake or pond). It is also described as being used to gather the power of the moon, which is done by raking the reflection in the water.

Both normal looking rakes and the one described above were used in water magic, specifically relating around the moon. 

Then his mother went in quest of him; she questioned the trees, she questioned the pathway, she questioned the golden moon in the sky. But the trees, the pathway, the golden moon in the sky, all had their own troubles, and they would take no trouble for any woman’s son. She questioned the sun in the heavens, and the sun told her that her son was in Tuonela’s River.
Then to the smith Ilmarinen went Lemminkainen’s mother. For her Ilmarinen fashioned a rake, a rake with a copper handle and with teeth of steel–a hundred fathoms was the length of the teeth, five hundred fathoms was the length of the handle. To Tuonela’s River she went: there she chanted a Magic Song.
She prayed the sun to shine with such strength that the watchers in Manala would sleep and that the powers of Tuonela would be worn out. And the sun stooped upon a crooked birch-tree and shone in his strength so that the watchers of Manala were worn out–the young men slept upon their sword-hilts; the old men slept resting upon their staffs; the middle-aged men, the spearmen, slept resting upon the hafts of their spears. Then Lemminkainen’s mother took her rake; she raked the river against the current; once she raked it, and she raked it again. The third time she raked the river she brought up the hat and stockings of her son Lemminkainen. She went into the river, and she waded in its deepest water. She drew up the body with her rake of iron.
-LEMMINKAINEN, HIS DESTRUCTION AND HIS RESTORATION TO LIFE

The rake tended to be used for healing based rites. As described by Cecil Williamson and Gemma Gary, it was used to to push a copper bowl of urine into the water, so that the light of the full moon could purify it.

Though, it could also potentially be a tool used to raise the dead and call upon spirits by the power of water and the moon. The tale above depicts a mother going out on the night of the full moon and using a rake to gather up her dead son from the river.

The same could potentially be done in rights of necromancy and raising the spirits from the waters, essentially dragging them from the underworld across the river Styx.

It could also be used to drag the waters of the moon’s reflection for such rituals as “Drawing down the moon” or various purification rites. 

The materials that make the rakes vary. Specifically, the Moon rake was made with an iron horseshoe, though other rakes could be made of various materials like copper, steel, wood, and even bronze. The specific materials being dependent upon what the rake is being used for.

The Scourge 

A Scourge is a whip like item multi-thong whip. It is best known for its use in Gardnerian Wicca, though it also has uses in various other neopagan religions and witchcraft practices. 

It has a number of different uses. In the Gardnerian 2nd degree initiation, it is quoted as such…

Priestess or Magus: “To attain to this sublime Degree it is necessary to suffer and be purified. Art willing to suffer to learn?”
Initiate: “I am.”
Priestess or Magus: “I purify thee to take this great oath rightly”.
Strike three strokes upon the bell. Scourge 3, 7, 9, 21. “I now give thee a new name: …” [kiss]
-source

Like above, it is used in rites of purification stating to “purify the soul.” Besides this, it is used in a number of other uses. It can be used to raise up spirits from the land, cleanse the ground for ritual work, be used like an aspergillum, chase spirits out from a possessed item/creature/person, raise the fetch, and so on.

A scourge can be made from a number of different things, though usually has the whip’s thongs be made of leather and the holder made of wood. It can also be made of horse hair. Below is an example of such use in Gemma Gary’s “The Devil’s Dozen”. 

From reading folklore, the scourge could even be used to whip a person’s soul out for spirit flight. In “The Witches’ Reel”, the whips the one lagging behind. The scourge could easily be used in a similar way to assist with spirit flight during the Witches’ Sabbat. 

Bull-Roarer

A rather simple item. A bull-roarer is an oval or rectangular shaped piece of wood tied to a long cord. It is twirled around to make a sound. As it is twirled, it vibrates and makes a uniquely roaring type sound.  

Bull-roarers come in a variety of shapes a, sizes, and colors.

Compared to the other tools, it has been around a lot longer. Some are dated back to 17,000 BC. 

Today, it is used in rituals for calling up spirits. It could also potentially be used to magically charge a space or to place spirit wards upon ritual areas (in order to keep them hidden).

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Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.

“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”

The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.

“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”

“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”

“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”

The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”

Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”

“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”

Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.

“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”

“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?” 

The god rattled around in the temple and sighed.

A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer. 

“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”

“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”

“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”

The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.

And one fateful day, from across the wine-dark seas, came War.

Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.

“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”

“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”

“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.

“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.

“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”

“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”

And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.

Sora found the temple with the bones within it, the roof falling in upon them.

“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.

“His name was Arepo,” it said, “He was a sower.”

Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.

“Bury him,” the god said, “Beneath my altar.”

“All right,” Sora said, and went to fetch her shovel.

“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”

Sora sat back on her heels and looked at the altar to listen to the god.

“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.

“I think you are the god of something very useful,” she said.

“What?” the god asked.

Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”

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stu-pot

Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.

The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.

He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.

So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.

“Hello, God of Every Humble Beauty in the World,” called a familiar voice.

The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.

“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.

“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”

“No,” Arepo smiled.

“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”

“No, I will not go there, either,” Arepo shook his head and chuckled.

“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.

“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”

The other god was struck speechless. “…. Why would you want to live here?”

“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”

I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.

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threefeline

This is amazing!

It’s back again, and I have to reblog.

*messy sobbing*

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witchkitch

On Kitchen Magic

There are a lot of misconception about kitchen magic on here.  (It’s nobodies fault this is how social systems work) I’d like to clarify somethings out of my years working professionally and decades of cooking experience and the effect it has on people and lives in general.

The magic isn’t in the intention, or correspondences, or the direction your stir, or sigils and designs you draw into dough, or the herbs you grew in your window.

The magic is in the cooking. Want to be an amazing practitioner? Want to get to the level where you can wield real power with it like other forms of craft? Practice Cooking.

Forget everything about magic and learn:

1. Knife skills- your knife should become an extension of yourself. Practice different techniques. Supreme, Brunoise, Chiffonade, etc. Your knife is more than a wand it’s also a weapon. There’s something incredibly grounding about it. 2. Mise en Place- Just like with ceremonial work- everything in its place. Make sure you’re keeping your work space clean as you go. Prepare things ahead of time like- peeling & blanching veg, prepping meat, anything you can ahead of time. When everything has a place nothing can slow you down or get lost. 3. Food Knowledge- Sure you know basil is good for attracting wealth but what color does it turn water when its boiled? How to keep it from bruising while making pesto? How long it takes to blanch? What species do you buy at the market and how does it differ in flavor from others? Just an example. You need to know everything about everything. A chef never stops learning. Learn how to eyeball measurements. Start baking by weight. Make something from every country. Make old old old ancient recipes. Ferment! Never! Stop! Learning!

4. Cook- You can’t just read. or watch. You need to apply yourself in the kitchen. Get yourself a good chef’s knife if you dont have one, a solid cutting board, a decent saute pan, a pot made of non-reactive metal, tongs, and a plating spoon. Do not pay more than like 5 dollars for a plating spoon. These are all you’re really gonna need to make just about anything. Certain things you’ll acquire when you take interest in specific things (say candy thermometer, silicone brush, uhh, baking pans, all sorts of things) but you don’t need a lot to start with at all. Your fuck ups will teach you something and might actually be your best creations. Do not ever be afraid to make something even if you think you’ll fail. 5. Passionate and Getting Good?- DO NOT GO TO COOKING SCHOOL Cooking school is a scam unless this is something you know you want to do for life. I cook professionally and even I don’t want to cook for life this business isn’t cut out for everyone and that’s okay. Go stage at a restaurant looking for work. TONS of restaurants hire people with no experience because they want to teach. I’ve quit positions because i’ve been over qualified thats how bad they want to teach sometimes. Seriously! Go learn from real chefs who are in the shit everyday. You’ll learn far more this way, you’ll get paid for doing it, and you’ll start building your cooking resume up. This is obv an optional step but if you really wanna hone your skill and love cooking I just gotta beg you dont waste your money on cooking school. My most successful peers never went or dropped out. Everyone who did go and is still actually cooking works middle management and hates their life.

In conclusion- Until your technique is second nature your magic will be weak. Start worrying about the flips, tricks, correspondence n glitz after. Obviously I’ve got the teaching bug myself and I’d love to continue to share industry tips some secrets. Maybe even teach some classes. You don’t need a lot to get started but it’s an overwhelming field to jump into just like anything else. Consider this a 101. Keep your nails short and clean. Keep your hair up. Wear a clean apron. Wash your hands on entrance. -Chef 🔪

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☀️🌙🌿W I T C H Y  F R I E N D S🌿🌙☀️

Merry meet everyone!!!

SO

I’m in DESPERATE need of some witchy friends

Reblog if:

  • You’re a witch
  • You want to be friends

OKAY COOL THANKS 

BLESSED BE!!!

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