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Born Azaad

@inquilabipoet87 / inquilabipoet87.tumblr.com

inquilabi wannabe poet & photographer. lifelong student, trying to map the constellations between health, justice, and an emancipated world. on Haudenosaunee and Mississauga of New Credit Territory (in toronto) from (india-occupied) Kashmir through Punjab (still bleeding from partition).
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Cultures of domination rely on the cultivation of fear as a way to ensure obedience. In our society we make much of love and say little about fear. Yet we are all terribly afraid most of the time. As a culture we are obsessed with the notion of safety. Yet we do not question why we live in states of extreme anxiety and dread. Fear is the primary force upholding structures of domination. It promotes the desire for separation, the desire not to be known. When we are taught that safety lies always with sameness, then difference, of any kind, will appear as a threat. When we choose to love we choose to move against fear—against alienation and separation. The choice to love is a choice to connect—to find ourselves in the other.

bell hooks, All About Love (2000)

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I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn’t really come out as a drag queen until the late 60s. When drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn’t even in full drag. I was walking down the street and the cops just snatched me. We always felt that the police were the real enemy. We expected nothing better than to be treated like we were animals-and we were. We were stuck in a bullpen like a bunch of freaks. We were disrespected. A lot of us were beaten up and raped. When I ended up going to jail, to do 90 days, they tried to rape me. I very nicely bit the shit out of a man. I’ve been through it all. In 1969, the night of the Stonewall riot, was a very hot, muggy night. We were in the Stonewall [bar] and the lights came on. We all stopped dancing. The police came in. They had gotten their payoff earlier in the week. But Inspector Pine came in-him and his morals squad-to spend more of the government’s money. We were led out of the bar and they cattled us all up against the police vans. The cops pushed us up against the grates and the fences. People started throwing pennies, nickels, and quarters at the cops. And then the bottles started. And then we finally had the morals squad barricaded in the Stonewall building, because they were actually afraid of us at that time. They didn’t know we were going to react that way. We were not taking any more of this shit. We had done so much for other movements. It was time. It was street gay people from the Village out front-homeless people who lived in the park in Sheridan Square outside the bar-and then drag queens behind them and everybody behind us. The Stonewall Inn telephone lines were cut and they were left in the dark. One Village Voice reporter was in the bar at that time. And according to the archives of the Village Voice, he was handed a gun from Inspector Pine and told, “We got to fight our way out of there.” This was after one Molotov cocktail was thrown and we were ramming the door of the Stonewall bar with an uprooted parking meter. So they were ready to come out shooting that night. Finally the Tactical Police Force showed up after 45 minutes. A lot of people forget that for 45 minutes we had them trapped in there. All of us were working for so many movements at that time. Everyone was involved with the women’s movement, the peace movement, the civil-rights movement. We were all radicals. I believe that’s what brought it around. You get tired of being just pushed around. STAR came about after a sit-in at Wein stein Hall at New York University in 1970. Later we had a chapter in New York, one in Chicago, one in California and England. STAR was for the street gay people, the street homeless people and anybody that needed help at that time. Marsha and I had always sneaked people into our hotel rooms. Marsha and I decided to get a building. We were trying to get away from the Mafia’s control at the bars. We got a building at 213 East 2nd Street. Marsha and I just decided it was time to help each other and help our other kids. We fed people and clothed people. We kept the building going. We went out and hustled the streets. We paid the rent. We didn’t want the kids out in the streets hustling. They would go out and rip off food. There was always food in the house and everyone had fun. It lasted for two or three years. We would sit there and ask, “Why do we suffer?” As we got more involved into the movements, we said, “Why do we always got to take the brunt of this shit?” Later on, when the Young Lords [revolutionary Puerto Rican youth group] came about in New York City, I was already in GLF [Gay Liberation Front]. There was a mass demonstration that started in East Harlem in the fall of 1970. The protest was against police repression and we decided to join the demonstration with our STAR banner. That was one of first times the STAR banner was shown in public, where STAR was present as a group. I ended up meeting some of the Young Lords that day. I became one of them. Any time they needed any help, I was always there for the Young Lords. It was just the respect they gave us as human beings. They gave us a lot of respect. It was a fabulous feeling for me to be myself-being part of the Young Lords as a drag queen-and my organization [STAR] being part of the Young Lords. I met [Black Panther Party leader] Huey Newton at the Peoples’ Revolutionary Convention in Philadelphia in 1971. Huey decided we were part of the revolution-that we were revolutionary people. I was a radical, a revolutionist. I am still a revolutionist. I was proud to make the road and help change laws and what-not. I was very proud of doing that and proud of what I’m still doing, no matter what it takes. Today, we have to fight back against the government. We have to fight them back. They’re cutting back Medicaid, cutting back on medicine for people with AIDS. They want to take away from women on welfare and put them into that little work program. They’re going to cut SSI. Now they’re taking away food stamps. These people who want the cuts-these people are making millions and millions and millions of dollars as CEOs. Why is the government going to take it away from us? What they’re doing is cutting us back. Why can’t we have a break? I’m glad I was in the Stonewall riot. I remember when someone threw a Molotov cocktail, I thought: “My god, the revolution is here. The revolution is finally here!” I always believed that we would have a fight back. I just knew that we would fight back. I just didn’t know it would be that night. I am proud of myself as being there that night. If I had lost that moment, I would have been kind of hurt because that’s when I saw the world change for me and my people. Of course, we still got a long way ahead of us.
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7 Things I Wish Parents Would Stop Teaching Their Children:

  1. That nudity is inherently sexual
  2. That people should be judged for their personal decisions
  3. That yelling solves problems
  4. That they are too young to be talking about the things they’re already starting to ask questions about
  5. That age correlates to importance
  6. That interacting with someone of the opposite sex is inherently romantic
  7. That the default for someone is straight and cisgender
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sillicuntxo

Friendly reminder that estrogen doesn’t change your voice so please do not make fun of trans women with non-cis sounding voices vocal training is hard thank you.

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untumbl

This is no joke. So hard. Especially if you’re older.

Support trans woman who chose not to undertake voice training. Support trans woman with non-cis sounding vocal resonance.

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kiriamaya

Also remember: Trans women’s voices are women’s voices; ergo, trans women sound like women. No matter what.

And self reminder: allyship means practice. it means defending against cuts to voice training services/all health & social services that trans women may or may not chose to undertake.

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hohohorbible

support fat nonbinary folk who cannot make themselves look ~typically androgynous~ no matter how much they might want to 

support dfab nonbinary folks who can’t or don’t want to hide their chests 

support dmab nonbinary people who don’t have willowy figures 

thin and masculinely androgynous is not the only way to be nonbinary 

SUPPORT FAT NONBINARY PEOPLE 

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tanknaka

hey

hey friend

dont kill yourself tonight ok

you have a really pretty smile and i know its not always easy to manage one but itd be a bummer if we never had the chance to see it ever again

youre really important and you matter a lot so stay safe and try and have a nice sleep

I would like a moment to thank the people who reblog post like this so that it eventually shows on my dash.

It is keeping me alive

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dalini27

God knows I need this some nights

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The thing that sucks about mental illness is that if you aren’t depressed enough, suicidal enough, bad enough, nobody cares. Nobody cares until you reach their standard, and that standard is when your problem is bad enough to effect them

The amount of people who can relate to this makes me equally incredibly sad and immensely angry

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heartcountry
You are not the heaviness sitting inside of you. You are not the battlefield where the bodies fall, and you are not the sound of cannons breaking the sky open. You are what happens after the war. The surviving. The healing. The rebuilding.

Y.Z, for the bad nights (via rustyvoices)

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Myth Creation is a Form of Our Collective and Individual Liberation

(Painting by Komi Olaf)

Myth Creation is a Form of our Collective and Individual Liberation: We have the power to create our own stories to empower ourselves and our communities. We can change, write and rewrite our stories of ourselves and our people where we control the outcome. The history that has been sold us, is no more than a myth, thus we brilliantly, fiercely create our own.

10th Tenant of Alien Nation

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It is known that i absolutely adore D’BI YOUNG, an inspiration for my own writing and performance techniques. She just recently posted a great article review done by  Sandra Alland of BOOK MADAME & ASSOCIATES of her work ART OF BLACK , which speaks of art, language,  accessibility and the power of performance. This woman is a power house with such a beautiful spirit. Here is a quote from the article:
“I grew up watching my mother tell stories. The biggest lesson mom taught me was integrity. No matter how poor, how alienated, how other you are, you always have the choice to act with integrity.”

photo by the amazing Nanky Rai

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fail splendidly. fail comfortably. use failure as a redirect. not as a measure of your worth or value. fail beautifully.

nayyirah waheed (via nayyirahwaheed)

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you are a power. a force as strong and strange as any element of nature. don’t shrink. don’t hide. be the thing you were meant to be.

nayyirah waheed (via nayyirahwaheed)

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“For what it’s worth: it’s never too late to be whoever you want to be. I hope you live a life you’re proud of, and if you find you’re not, I hope you have the strength to start over again.”
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