Twilight may be trash but at least they cast actual native americans to play natives
The Twilight franchise was basically a great cast all trapped in hell together
@unhappy-in-society / unhappy-in-society.tumblr.com
Twilight may be trash but at least they cast actual native americans to play natives
The Twilight franchise was basically a great cast all trapped in hell together
Millennials and Gen Z: Trump shows signs of being a genocidal dictator, we shouldn’t vote for him
Baby boomers: OOOOO Is your Safe Space being violated by his comments snowflake??? How AWFUL IT must be to have a REAL man for president instead of OoOoBamA
Trump, after being voted into office: *leaves the UN human rights council, puts hundreds of young children into prison camps and tent cities, takes away valuable items like rosaries similar to the removal of rings during the Holocaust, puts babies and toddlers into foster homes/orphanages, literally treats ACTUAL CHILDREN like prisoners for wanting a better life elsewhere*
Baby boomers: oh….oh no….
Millennials and Gen Z: *stare into the camera like they’re on the office*
bold of you to assume the boomers have reached the “oh no” point
bold of you to assume they ever will.
When are we gonna stop pretending like this is strictly a generational gap as if there aren’t a shit ton of alt-right millennials
UNfriendly reminder that whiteness was a MUCH stronger predictor of voting for Trump than age.
When my therapist points out how fucked up something from my childhood was
So I went to an art conference at my school. We discussed things there, like how colors can be very powerful and our subconscious picks up the subtlest of hints. Pixar’s UP was a very unforgettable example. The colors of UP had a lot to do with why we cried. You all know what I’m talking about, right??
Ellie’s death.
We were told that her color was pink. That’s why her hospital room had pinkish hue.
And the next scene had strong pink hues. He misses her. I think it’s got strong colors because of her personality.
Also, It’s like her presence is still lingering.
When he got home, only a small part of the frame (window on the right) has a pink hue as the sun is setting. By now, we know her presence is drifting away.
Mr. Fredricksen walks up the porch and goes into his house.
And when he shuts the door, the final frame looks like this:
Ellie is gone.
The entire frame is desaturated and cold because the warmth in Mr. Fredrickson’s life is gone.
And that’s another reason why this masterpiece is heart-wrenching. And that’s how powerful colors are in films.
Thanks, I hate it!
This is the greatest two seconds of my day.
this is the greatest two seconds the world will ever see
The Lobster (2015) dir Yorgos Lanthimos