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jackshiccup
Anonymous asked:

Omg, you bound a fanfic? Can we see the finished project? It must be beautiful!

hello hehe yes i did :) i was only going to show friends but i guess this is a good excuse to post pictures of it šŸ«¶šŸ½

itā€™s my first ever hardcover bind so i was prepared to make a lot of silly little mistakes and this one definitely does, but i love how it turned out still, i think sheā€™s so cute .. iā€™m also just happy to finish a personal project that took up so much time to make šŸ„¹

anyways, enjoy the pics and most importantly: stream otnwas on ao3 and youtube teeheešŸ¤žšŸ½ā„ļø!

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i don't want a career, i want to do crafts

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alkalinefrog

Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

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Heya Secret, great to hear from ya! Well, what you donā€™t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

Iā€™ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

  • Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)
  • Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking
  • Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!
  • Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

  • Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.
  • If the character's small on screen in a wide shot, edit out most details and focus on the silhouette
  • Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you donā€™t even know thank you so much!! Good luck dude!! Youā€™ve more than got this!!

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sboochi

I've always liked the idea of a sequel for RotG set during summer. Cold never bothered Jack anyway but scorching sun sure does

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BLEACH - Name Games

Havenā€™t done one of these in a tickā€¦Ā  Iā€™m short on families to bundle together but hereā€™s a nice bundle of characters I hadnā€™t tackled yetā€¦

Hitsugaya[ę—„ē•Ŗč°·] Toushirou[冬ē…郎]:

Hi[ę—„]=ā€œSunā€, Tsugai[ē•Ŗ]=ā€œTurnā€, Ya[č°·]=ā€œValleyā€.Ā  A locational surname, very common in Japanese and in naming conventions in most any language, but thereā€™s some fun in unpacking this one.Ā  The phraseĀ ā€œSun Turnā€ here is evocative of a ā€œturnā€ in a game, or a place in rotation order, as well as a hinge, which suggests a reference to the ā€œSunset,ā€ The sun turning, or the sun rotating (as if on a hinge).Ā  And the geographical implications of a place called ā€œSunset Valleyā€ is of a place where the sunsets past the hill tops, meaning night (and thus the cold) comes sooner.Ā  Basically his name is telling us heā€™s from ā€œa cold placeā€ which has obvious associations with his overall themes.

Tou[冬]=ā€œWinterā€, Shi[ē…]=ā€œLionā€, Rou[郎]=ā€œSonā€.Ā  This one is pretty self explanatory.Ā  ā€œWinterā€ to associate with ice; ā€œLionā€ in reference to his hair; and ā€œSonā€ as a generic male name suffix.Ā  There is of course also the pun here that the phonetic ā€œShirouā€ is a homonym with Shiro[ē™½]=ā€œWhite.ā€Ā  So WhiteLionBoy from SunsetValley.

Matsumoto[ę¾ęœ¬] Rangiku[ä¹±čŠ]:

Matsu[ę¾]=ā€œPineā€, Moto[ęœ¬]=ā€œOriginā€œ is another locational name, this one seems to have been made specifically with Rangikuā€™s partnership with her captain in mind.Ā  Pine trees are of course associated with winter, the cold, sturdiness, andĀ  longevity ā€”all broadly derived from it being an evergreen tree, and able to survive the winter and cold climates.Ā  Matsumotoichi is also a city near the Japanese alps, home to the historical Matsumoto castle, known for its stark black walls.

Ran[ä¹±]=ā€œDisorder,ā€ Giku[菊]=ā€œChrysanthemum.ā€Ā  Curiously this is the name of a very particular kind of pattern, generally used in family crests(Kamon[家ē“‹]).Ā  It depicts a chrysanthemum flow with its many petals in some form of disarray, usually laced or intertwined, rather than held together in the uniform round shape the flowers are known for.Ā  The chrysanthemum itself is the Japanese national flower, and like the pine tree, a symbol of longevity, and is the crest of the emperor of Japan. (among many, MANY other family crests.Ā  make no mistake, it is not exclusive to the emperor.)Ā  It is also emblematic of Autumn, the season it blooms in, and is in some ways an opposite of the sakura(cherry blossom) another deeply seasonally associated flower considered an icon of Japan.Ā 

So, I donā€™t actually know entirely what to make of thisā€¦Ā  The most readily available reading, to me, is that the name Rangiku is used to reflect Rangikuā€™s personality as a sloppy, lazy, frivolous and drunken beauty.Ā  Again, noting Japanā€™s affinity for naming girls after flowers and the implied beauty, grace, and/or daintiness of them, the idea of a disheveled or out of order chrysanthemum suggests a thing of innate grace and dignity, and even power, rendered disorderly and unpresentable.Ā  All pretty basicā€¦

But then thereā€™s this kind of secondary set of associations with longevity, and even immortality in both plants, as well as Matsumotoichiā€™s well known castle and the chrysanthemumā€™s association with imperial royalty that leaves this lingering motif of nobility.Ā  I wonder if it had something to do with her surviving Aizen feeding a part of her soul to the hougyoku that Kubo just never got around toā€¦

Also, Hitsugayaā€™s little golden buckle on his sword sheath is a crysanthemum, but it doesnā€™t really seem to mean anything??

Hinamori[é››ę£®] Momo[ꔃ]:

Hina[雛] in this context is a diminutive, so it doesnā€™t quite translate into its own word.Ā  (The same kanji in other uses refers to a specific kind of small traditionally crafted Japanese doll, just called a ā€œHina doll;ā€ or to baby birds like ducklings or chicks.)Ā  The implications of it as a diminutive are of physical smallness, but also of youthfulness, and implicitly cuteness.Ā  Mori[ę£®]=ā€œForest.ā€Ā  So depending on how you want to really read it, it can meanĀ ā€œSmall/Little Forest,ā€Ā ā€œYoung Forest,ā€œ orĀ ā€œCute Forest.ā€Ā  And technically a young forest would probably be small anyway, so the imagery is the same.

Momo[ꔃ]=ā€œPeach.ā€Ā  Momoiro[ę”ƒč‰²] (and thus also the shortened Momo) is also the Japanese word for ā€œPinkā€ (lit.ā€œPeach Colorā€) so her name could also be read as ā€œPink.ā€Ā  I specify that because her swordā€™s name is Tobiume[é£›ę¢…], which has generally been translated as ā€œFly[ing] Plum*,ā€ so rather than identify her by two different fruits, it might be referencing Momo for the color and identifying her with Plums exclusively.

*although theĀ ā€œflyā€ here means broadly to ā€œmove through the air,ā€ so it can, in different contexts, also refer to ā€œjumping,ā€ ā€œfalling,ā€ being ā€œlaunched,ā€ or even justĀ ā€œdisappearingā€ as in to move quickly out of sight.Ā  (A falling or disappearing plum could refer to immature fruits that naturally drop from their branches when an otherwise healthy tree is at its fruit producing/sustaining limits ā€”keeping its ripe fruit, and dropping those it doesnā€™t have the nutrients to continue growing.)

In any case, you catch the meaning: pink, small, young, sweet, cute, etcā€¦Ā  as an extra detail, her sword is styled after the Shichishitou[äøƒę”Æ刀] = ā€œseven branch sword.ā€œĀ  The Seven-Branch Sword is an ancient ceremonial relic tied to the history of Japan and Korea, circa 200AD.Ā  The specific use of the wordĀ ā€œBranchā€ to describe the arms or auxiliary blades is the basis of relating its shape to a tree, hence Tobiumeā€™s shape.Ā  Also Hinamori meaningĀ ā€œYoung Forestā€ is reflected in Tobiume having only 2 (later 3) branches, instead of Seven; it is a young and underdeveloped tree.

So, since these have gone and gotten more numerous than I ever intended, hereā€™s a little table of contents:

  1. The Kuchiki family
  2. The Kurosaki & Shiba families
  3. The men of the Ishida family
  4. Shihouin family +Kisuke & Tessai
  5. Abarai family
  6. The Visored
  7. Shunsui, Nanao, & Ukitake
  8. Kotetsu sisters, Kotsubaki family, & Iba family
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