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15 year old Coco Gauff defeats Venus Williams to advance to the second round at Wimbledon

Gauff on the exchange at the net on BBC: “She said congratulations. I told her thank you for everything that you did. I wouldn’t be here without you. I always wanted to tell her that.“
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yemme

This is beautiful.

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reblogged

this is too real though

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girlsandart

SNL has pretty much never given any fucks but lately they’re at the point of giving negative fucks

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fuocogo

You can tell the audience is struggling to not aknowledge accurate this is since the accuracy is the funny part.

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robotlyra

Don’t confuse my hatred of the hyperwealthy for jealousy over what they have. I don’t want a six figure sports car, or a 40 room mansion, or a gold leaf truffle wagyu steak dinner. I want redistribution of wealth that allows for infrastructural support of all citizens’ basic survival needs.

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yiffmaster

most tumblr jokes are utterly embarassing to say in public but today i said to someone “bold of you to assume i have dignity” and i won’t lie it was the most powerful I’ve felt in years

I was in the car with my family and my mom was talking about how much time she thinks “our generation wastes on the internet” or whatever. And I was explaining how I use the internet to read and curate more interests and hobbies and expand my social horizons etc. and she was just like “Well fine if that’s how you want to live. You can waste all your time on the internet if that’s what you want but I beg to differ” and without thinking I just said “then beg.” and the entire car went silent until we got home. it was the biggest power move i have ever made to date

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krokodile

i think one of my favorite thing about bob’s burgers is bob’s complete lack of gay panic (or transphobia, depending on how you interpret marshmallow’s gender).

- bob picks up transvestite hookers in his cab.  they good-naturedly flirt with bob, and he just good-naturedly flirts back (”hey, who’s picking up who?”) 

- linda makes a joke about him being gay for torpedo jones, and there’s no declaration of “what no i’m not gay!!!!” or even a hint of acknowledgement of bob’s heterosexuality.   

- he’s gotten into some weirdly, awkwardly homoerotic moments with mr. fischoeder and seems more amused than anything else. 

- marshmallow shows up in the restaurant, and linda gleefully declares it a fulfillment of a premonition of a “tall, dark and handsome” visitor.  bob points out “marshmallow’s not handsome, she’s beautiful!” 

- louise suggests bob wishes to marry sandy “can can” frye and become “bob can can.”  bob’s response is to simply scoff, “i wouldn’t take his name.”  no mention of “i’m not gay, louise.” 

- gene may be canon genderfluid, or he may just be experimenting with life, but either way, bob has never once told him to “man up” or that he can’t, say, dress as queen latifah for halloween, be in a girl group or identify himself as bob’s daughter.  sometimes you see him thinking “man, my kids are weird,” but he rolls with it every time.  

i’m sure there are other examples i’m forgetting, and it’s part of a larger reason i like this show; the fact that people by and large treat each other with respect (even louise, agent of chaos, wouldn’t out a kid as a bedwetter).  and it’s still funnier than anything else on television. 

the conversation with the deli worker in the supermarket during the thanksgiving episode is basically concrete proof that bob is bisexual

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prokopetz

Trainability in cats is a funny thing.

My cats understand and will obey a number of verbal commands, one of which is “go away”. I don’t use it often, but if they’re bugging me and I’m trying to work or doing something that could be dangerous for cats, I can tell them to go away, and off they go - they’ll only keep pestering me if there’s a serious problem they need me to look at.

That said, their idea of a serious problem that requires my attention is somewhat eccentric. Previous instances have included:

  • There was an unfamiliar car parked across the street
  • Their water bowl was four inches to the left of its usual position
  • One of them had puked on the stairs and they didn’t want to walk past it
  • It was raining
  • One of them saw a weird bug
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hollowedskin

These are all very important things that required your attention. They’re doing a good job.

Dogs really aren’t much better.  I teach all my dogs the command “show me”.  How it works is if the dog needs something but I’m having trouble understanding what exactly they’re trying to tell me, I say “show me” and they lead me to whatever the problem is.  Usually they lead me to a real problem (like a toy that got stuck under the couch, their water bowl is empty, etc).  But sometimes they want me to fix things like this-

  • They pulled the covers off my bed and now they want me to put the covers back
  • They put their ball on top of the ottoman but the ottoman won’t throw it for them
  • The cat is sleeping and won’t chase them
  • A flower fell off the potted plant
  • The cat is sitting in a box and they don’t like it
  • One of them lost their bandana
  • The cat won’t take the toy they’re trying to give her
  • The cat DID take the toy they gave her and now they want it back
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calanoida

Susanna and the Elders, Restored (Left)

Susanna and the Elders, Restored with X-ray (Right)

Kathleen Gilje, 1998

wow

Oooh my gosh this is rad. This is so rad.

For those who don’t know about this painting, the artist was the Baroque artist Artemisia Gentileschi.

Gentileschi was a female painter in a time when it was very largely unheard of for a woman to be an artist. She managed to get the opportunity for training and eventual employment because her father, Orazio, was already a well established master painter who was very adamant that she get artistic training. He apparently saw a high degree of skill in some artwork she did as a hobby in childhood. He was very supportive of her and encouraged her to resist the “traditional attitude and psychological submission to brainwashing and the jealousy of her obvious talents.”  

Gentileschi became extremely well known in her time for painting female figures from the Bible and their suffering. For example, the one seen above depicts the story from the Book of Daniel. Susanna is bathing in her garden when two elders began to spy on her in the nude. As she finishes they stop her and tell her that they will tell everyone that they saw her have an affair with a young man (she’s married so this is an offense punishable by death) unless she has sex with them. She refuses, they tell their tale, and she is going to be put to death when the protagonist of the book (Daniel) stops them.

So that painting above? That was her first major painting. She was SEVENTEEN-YEARS-OLD. For context, here is a painting of the same story by Alessandro Allori made just four years earlier in 1606: 

Wowwwww. That does not look like a woman being threatened with a choice between death or rape. So imagine 17 year old Artemisia trying to approach painting the scene of a woman being assaulted. And she paints what is seen in the x-ray above. A woman in horrifying, grotesque anguish with what appears to be a knife poised in her clenched hand. Damn that shit is real. Who wants to guess that she was advised by, perhaps her father or others, to tone it down. Women can’t look that grotesque. Sexual assault can’t be depicted as that horrifying. And women definitely can’t be seen as having the potential to fight back. Certainly not in artwork. Women need to be soft. They need to wilt from their captors but still look pretty and be a damsel in distress. So she changed it. 

What’s interesting to note is that she eventually painted and stuck with some of her own, less traditional depictions of women. However, that is more interesting with some context.  

(Warning for reference to rape, torture, and images of paintings which show violence and blood.)

So, Gentileschi’s story continues in the very next year, 1611, when her father hires Agostino Tassi, an artist, to privately tutor her. It was in this time when Tassi raped her. He then proceeded to promise that he would marry her. He pointed out that if it got out that she had lost her virginity to a man she wasn’t going to marry then it would ruin her. Using this, he emotionally manipulated her into continuing a sexual relationship with him. However, he then proceeded to marry someone else. Horrified at this turn of events she went to her father. Orazio was having none of this shit and took Tassi to court. At that time, rape wasn’t technically an offense to warrant a trial, but the fact that he had taken her virginity (and therefore technically “damaged Orazio’s property”. ugh.) meant that the trial went along. It lasted for 7 months. During this time, to prove the truth of her words, Artemisia was given invasive gynecological examinations and was even questioned while being subjected to torture via thumb screws. It was also discovered during the trial that Tassi was planning to kill his current wife, have an affair with her sister, and steal a number of Orazio’s paintings. Tassi was found guilty and was given a prison sentence of…. ONE. YEAR……. Which he never even served because the verdict was annulled.

During this time and a bit after (1611-1612), Artemisia painted her most famous work of Judith Slaying Holofernes. This bible story involved Holofernes, an Assyrian general, leading troops to invade and destroy Bethulia, the home of Judith. Judith decides to deal with this issue by coming to him, flirting with him to get his guard down, and then plying him with food and lots of wine. When he passed out, Judith and her handmaiden took his sword and cut his head off. Issue averted. The subject was a very popular one for art at the time. Here is a version of the scene painted in 1598-99 by Carivaggio, whom was a great stylistic influence on Artemisia:

This depiction is a pretty good example of how this scene was typically depicted. Artists usually went out of their way to show Judith committing the act (or having committed it) while trying to detach her from the actual violence of it. In this way, they could avoid her losing the morality of her character and also avoid showing a woman committing such aggression. So here we see a young, rather delicate looking Judith in a pure white dress. She is daintily holding down this massive man and looks rather disgusted and upset at having to do this. Now, here is Artemisia’s:

Damn. Thats a whole different scene. Here Holofernes looks less like he’s simply surprised by the goings ons and more like a man choking on his own blood and struggling fruitlessly against his captors. The blood here is less of a bright red than in Carrivaggio’s but is somehow more sickening. It feels more real, and gushes in a much less stylized way than Carrivaggio’s. Not to mention, Judith here is far from removed from the violence. She is putting her physical weight into this act. Her hands (much stronger looking than most depictions of women’s hands in early artwork) are working hard. Her face, as well, is completely different. She doesn’t look upset, necessarily, but more determined. 

It’s also worth note that the handmaiden is now involved in the action. It’s worth note because, during her rape trial, Artemisia stated that she had cried for help during the initial rape. Specifically she had called for Tassi’s female tenant in the building, Tuzia. Tuzia not only ignored her cries for help, but she also denied the whole happening. Tuzia had been a friend of Artemisia’s and in fact was one of her only female friends. Artemisia felt extremely betrayed, but rather than turning her against her own gender, this event instilled in her the deep importance of female relationships and solidarity among women. This can be seen in some of her artwork, and I believe in the one above, as well, with the inclusion of the handmaiden in the act.

So, I just added a million words worth of information dump on a post when no one asked me, but there we go. I could talk for ages about Artemisia as a person and her depictions of women (even beyond what I wrote above. Don’t get me started on her depictions of female nudes in comparison to how male artists painted nude women at the time.) 

To sum up: Artemisia Gentileschi is rad as hell. This x-ray is also rad as hell and makes her even radder.

I love art history.

I’m reblogging this again to add something that I also think is important to know about Artemisia Gentileschi. Back in her time and through even to TODAY, there are people who argue that her artworks were greatly aided by her father…. As in he either helped her paint them or just straight up painted them himself. Hell, there are a number of works only recently (past several years or so) that have been officially attributed to Artemisia because people originally saw the signature with “Gentileschi” in it and automatically attributed it to Orazio. So, not only was Artemisia Gentileschi an amazing artist and amazing historical figure, but I don’t want it to be ignored that there are people over 400 years later who still won’t give her the credit she deserves, just because she’s a woman and obviously women can’t paint like she did.

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The fiddle-string snake (Imantodes cenchoa), also known as the blunthead tree snake, is a species of rear-fanged colubrid snake endemic to Mexico, Central America, and South America. They are known for their slender bodies and large heads, of which the eyes make up 26%. Their excellent vision helps them hunt for frogs, lizards, and reptile eggs.
(Photo sources: x x x x x x x x x)
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bunjywunjy

this is a shoelace with a couple of googly eyes hotglued on the end

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