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Notational

@notational / notational.tumblr.com

Justin Lincoln's notational productions. Thoughts, text, images, sounds, and videos.
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"Optimism is often unbearable; so is the fact of openness to life, which is inevitable but often feels forced, coerced, or uncomfortably constrained, even when we want whatever stands for "life." The optimism that sex tends to trigger is for an impossible state of things: the perfect rhythm of being in and out of control, of being open and closed in the right or bearable ways, achieving a smooth, unambivalent holding environment for our own and the world's incoherence... Think of the clumsy physicality sex induces, in the body, the voice, and the face; the confusions and resignations of knowledge even in a scene of delight; the small and large breakdowns of concentration and confidence all throughout any episode, and the work of quieting those down so things can proceed. Think of how unreadable the lover is, even when response is well-amplified. Think of the sometimes desperate, sometimes bitter, sometimes dejected, sometimes funny rage to stay in sync in the middle of all the internal and external noise, and of the aggressive desire that must be mobilized not just to stay in the zone while keeping the inconvenient other in it, too, but to maintain one's own openness to openness. ... What happens in sex, therefore, is not just a figure for the social at its best and worst extremes, but a training in how simply hard it is to be in the room with another person, even someone you want there: because it is hard to show up fully to sociality in general, and once there, to maintain an openness toward the objects about which one feels aggressive, has variable confidence, few skills, and little trust that the world will be patient for your self-inconstancy. It is toward building skills for recognizing, explaining, and finding temporary housing for the discomfort of these inconvenient genres of the intimate that this chapter is written." Lauren Berlant, "Sex in the Event of Happiness", On the Inconvenience of Other People

Remembering this brilliant, beautiful piece.

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Correlated Diagram shot by Noritoshi Hirakawa for Purple Fashion S/S 2009

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Interview - Noritoshi Hirakawa

Noritoshi:
Catholic education teaches that sexuality is purely functional; sex must not give you pleasure; you must not wear coloured underwear; you must get sex over with very quickly, just as you should not enjoy your food too much. And most of all, sexuality is trapped inside matrimony.
Carmen De Vos:
So is Japan open to polyandry or polygamy? Japanese people marry too, don't they?
Noritoshi:
Having one sexual partner is a very Anglo-Saxon custom. A marriage is just another undertaking to ensure that you meet the minimum requirements of society. Your partner becomes a part of your identity and secures your position in society. It has nothing to do with sexuality. As I see it, sexuality should not force people to marry and marriage should not be the means of making sex a permissible act. When sex becomes a legal obligation, it's no fun anymore. What's more, Western marriages often make the partners dependent on one another. It is not the done thing to think separately anymore. Marriage should not halt your own personal development.
Carmen De Vos:
Independent thinking or not, if my partner doesn't like another man touching my breasts, then I cannot simply ignore this. I have to take his feelings into consideration too.
Noritoshi:
But why? Are you afraid of losing his trust; his confidence in you? Is he not sure enough of your love? Japanese women don't have this struggle. Trust between partners goes further than them allowing each other to explore their sexuality.

Raster effect is a a mediating and distancing lens on these kinds of formative visual influences on my imagination. British style magazines and the 1990s blending of beauty, sleaze, music , art, and fantasy fired my imagination in my 20s before going back to school to study art. As I now work with AI/ML  I keep thinking about data sets. Besides the seeds planted by that media I also think about another decade and a half absorbing and scanning images on sites like Tumblr, Instagram and now Are.na. I want to turn these materials into something else. Programming with #processing has something to do with that project. And writing, and thinking, and feeling, and stumbling through life with big feelings has something to do with that project. I may start adding voiceovers soon. I really am happy with this material......I think it is leading me somewhere.

Source: youtube.com
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โ€œAll God does is watch us & kill us when we get boring. We must never, ever be boring.โ€

โ€” Chuck Palahniuk

Trying CozyAI lately. Early practice product.

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[...] the transformation of artistic research into an academic discipline. There are discussions about curriculum, degrees, method, practical application, pedagogy. On the other hand, there is also substantial criticism of this approach. It addresses the institutionalization of artistic research as being complicit with new modes of production within cognitive capitalism: commodified education, creative and affective industries, administrative aesthetics, and so on. [...] A discipline hints at a conflict immobilized. It is a practice to channel and exploit its energies and to incorporate them into the powers that be. Why would one need a discipline if it wasnโ€™t to discipline somebody or something? Any discipline can thus also be seen from the point of view of conflict. [...] Actual artistic research looks like a set of art practices by predominantly metropolitan artists acting as ethnographers, sociologists, product or social designers.

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In America the arrival of night-time or periods of rest cannot be accepted, nor can the Americans bear to see the technological process halted. Everything has to be working all the time, there has to be no let-up in man's artificial power, and the intermittent character of natural cycles (the seasons, day and night, heat and cold) has to be replaced by a functional continuum that is sometimes absurd . . . You may seek to explain this in terms of fear, perhaps obsessional fear, or say that this unproductive expenditure is an act of mourning. But what is absurd is also admirable. The skylines lit up at dead of night, the air-conditioning systems cooling empty hotels in the desert and artificial light in the middle of the day all have something both demented and admirable about them. The mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.

Jean BaudrillardAmerica

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โ€œTo defund libraries, museums, archives (where our history is stored) and help for the homeless is to be a beast: less than an animal, since most social animals do care for each other. Libraries and public art galleries, in particular, are a ladder up and a solace. A place where anyone can go and experience the flower of human imagination, leave this world aside for a time and enter the worlds of creation. The internet is not a substitute, we can not be sure that the free resources here will remain free, and there is something extra to the physical presence of art and writing.โ€
Source: ianwelsh.net
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