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Ashley Barnes

@ashleybbarnes / ashleybbarnes.tumblr.com

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  I saw the best minds of my generation destroyed by      madness, starving hysterical naked, dragging themselves through the negro streets at      dawn looking for an angry fix…                 —Excerpt from “Howl” by Allen Ginsberg 

Jonathan Williams (1929-2008), a poet most strongly identified with the Black Mountain College group and founder of Jargon Press, turned down the opportunity to publish Allen Ginsberg’s celebrated poem “Howl” with no regrets. He later rationalized, “If Jargon had published it … it would have sold 300 copies.”[1]

Williams was a generous publisher, known for rooting out obscure but gifted poets, hence the lofty title “truffle hound of American poetry,” bestowed on him by literary critic Hugh Kenner. A gentleman — some would say gadfly — from Highlands, North Carolina, where he lived most of his adult life, Williams was incredibly active until his death at age 79. Today, the Jargon Society at Black Mountain College is a continuation of his efforts.

Williams’s own poetry, and that of the Black Mountain College poets of the 1950s, was “visual.” The poetry, much like his personality, entailed the use of wit and was heavily influenced by painting and music.[2] 

We know that “Howl” was later published by Lawrence Ferlinghetti’s City Lights.  In fact, the Beat poets were a tight group of associates spanning all of North America. Ginsberg, Williams, and Ferlinghetti, as well as Gregory Corso, Robert Creeley, Kenneth Koch, Kenward Elmslie, and Michael McClure came together at the National Portrait Gallery in April 1996 for a symposium and marathon poetry reading held in conjunction with the exhibition “Rebels: Painters and Poets of the 1950s.”

This video of Williams reading his 1958 poem “O, For A Muse of Fire!” is an excerpt from that event. It’s evident that Williams lived up to his self-declaration, “If my eyes stay open and my ears stay open, very little bores me.”[3] The video of the entire poetry reading is held in the National Portrait Gallery’s audio-visual archive.

Jonathan Williams reads his 1958 poem, "O, For A Muse of Fire!" about baseball legend Stan Musial's 3000th hit. 

This post was written in conjunction with Archives Month 2014. Fittingly, it also falls at the time of the World Series! Cool!

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mattsgifs

I’m officially naming this award season “the year stars stopped giving a fuck”

Far be it for me to dispute Cate Blanchett, or the larger point she’s making, but the guys are all wearing the same thing.  If the camera were to do that to the guys, it’d just be black pants over… and over…. and over…

I agree. In this particular case, it’s apples and oranges. Tuxes versus gowns. Photocopies versus unique work. Perhaps their real foul was not running the shot by her before hand.

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lohelim

I would like to point out, though, the salacious nature of the slow pan up a woman’s body. In this particular case, detail isn’t usually put on the hem of a dress (because no one wants to see hand beading or embroidery get dirty or ripped out by an errant stiletto), and a full-body shot would be better to showcase the drape and design of these beautiful gowns like in the fashion plate glossies. Starting at the bottom and slowly panning up dehumanizes women because you don’t see their faces until you’ve seen the rest of their bodies. Their identities don’t matter.

That’s a really good point, thank you.

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sssammich

#I’ve never seen such a calm exchange on tumblr

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reblogged

When Paul Ryan proposes completely eliminating IMLS & NEH funding in the 2015 budget.

Paul Ryan, the House Budget Committee Chair, has proposed that the Institute of Museum and Library Services and the National Endowment for the Humanities be COMPLETELY AXED from the FY 15 federal budget.

Oh yes he did.

Take a few moments and contact your congressperson and let them know this is unacceptable. You can look up their contact info here

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nypl

In a recent blog post, Shelly Smith of NYPL’s Preservation Division describes how we keep the original Winnie-the-Pooh teddy bear that once belonged to Christopher Robin Milne, son of A. A. Milne, and the basis for the character Christopher Robin in the beloved Winnie-the-Pooh stories, safe and well tended.

You can currently find Winnie-the-Pooh and his friends on display in the exhibit The ABC of It: Why Children’s Books Matter, which has recently been extended to September 7, 2014 due to popular demand.

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reblogged

Who were the Real Monuments Men?

German loot stored in church at Ellingen, Germany found by troops of the U.S. Third Army. 4/24/45. 

Can’t make tonight’s The Monuments Men talk with Robert Edsel at the National Archives? (Watch it online on the usnationalarchives Ustream channel). Or want to brush up on your history in advance? Read about the real “Monuments Men.”

Made up of art historians, museum curators, archivists, and architects, the men and women from the Monuments, Fine Arts, and Archives (MFA&A) Section of the Allied Expeditionary Forces, aka the “Monuments Men,” were assigned to protect Europe’s cultural heritage. 

Learn about individual Monuments Men in the recent series on the Text Message blog:

Read up on the author of many of these pieces: Greg Bradsher: Monuments Men expert at the National Archives

More on the Monuments Men at:

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reblogged

Free screening of The Rape of Europa on Thursday, January 23, at 7 p.m. The film chronicles Nazi Germany’s plundering of Europe’s great works of art during World War II and Allied efforts to minimize the damage.

For 12 years, the Nazis looted and destroyed art on a scale unprecedented in history. But young art professionals as well as ordinary heroes, from truck drivers to department store clerks, fought back to safeguard, rescue, and return the millions of lost, hidden, and stolen treasures.

Joan Allen narrates the documentary film. (2006; 117 minutes.)

Don’t miss our featured document, Einsatzstab Reichsleiter Rosenberg recently discovered album donated to the National Archives by Monuments Men Foundation President Robert M. Edsel. East Rotunda Gallery, January 23-February 19.

Image: Monuments, Fine Arts, and Archives (MFAA) Officer James Rorimer supervises U.S. soldiers recovering looted paintings from Neuschwanstein Castle in Germany during World War II, April-May, 1945.

We <3 the Monuments Men and Women who restored these plundered artworks to their rightful owners. Stay tuned for more as we build up to our exhibit on the Monuments Men which opens Feb. 7.

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smithsonian

"One Life: Martin Luther King, Jr." on view at the National Portrait Gallery until June 1, is a collection of portraits that show he was more than iconic orator; he was a man of action. The exhibition includes photos of him linking arms with fellow protesters, riding a recently desegregated bus after a successful boycott, rallying from the pulpit, and more intimate photos of his family life.

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artnet

“I have decided to stick with love. Hate is too great a burden to bear.”

Leonard freed took this photo of Martin Luther King, Jr. being greeted on his return to the United States after receiving the Nobel Peace Prize in 1964. 

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