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@bellemrdch / bellemrdch.tumblr.com

Isabelle, 18, currently studying Animation at QCA Australia. This blog is a mix of my art and things I like.
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We will never be the same again. But here’s a little secret for you—no one is ever the same thing again after anything. You are never the same twice, and much of your unhappiness comes from trying to pretend that you are. Accept that you are different each day, and do so joyfully, recognizing it for the gift it is. Work within the desires and goals of the person you are currently, until you aren’t that person anymore, and everything changes once again.

(Cecil, Welcome to Night Vale, Episode 75) That is legitimately some of the most helpful advice I’ve ever heard. (via sleuths)

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Of what good is knowing one’s fortune, if the Wheel can only be turned in one direction?

A personal work, loosely inspired by tarot! 

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It’s been almost 17 years and I still don’t know why Padme Amidala develops a crush on 11 year old Anakin Skywalker when she’s been traveling with a young and hot Ewan McGregor

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cesperanza

Dudes wrote it.

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laikaworld

LAIKA, the award-winning animation studio nestled in the heart of the Pacific Northwest, celebrates 10 years of bold and memorable filmmaking this month. For a company whose name means “little barker” in Russian, Portland, Oregon-based LAIKA has made quite a noise in the global film industry over a relatively short time. With its world-class filmmaking team, LAIKA pushes the boundaries of family entertainment and animated movies, redefining what stories can and should be told through the art form. Take a look at some of the artistry in this 10th Anniversary video.

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Tragedy in Hälsingland! A maiden embroiders a shirt for her new sweetheart, but her old admirer shows her there’s much more that metal can do. 

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ryanpanos

Room Portraits by Menno Aden

Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.

-Miriam Nöske

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