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Jargogle

@carlaspeedmcneil / carlaspeedmcneil.tumblr.com

Art, notes, and brainmess from Carla Speed McNeil, award-winnin' author and artist of FINDER.
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shoomlah
I have a feeling that beneath the little halo on your noble head There lies a thought or two the devil might be interested to know You're like the finish of a novel that I'll finally have to take to bed You fascinate me so

You Fascinate Me So, Blossom Dearie

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rebeccasugar

Early concept for the Famethyst!

Love it, love it, love it... they’re all awesome, but that skinny, goofy Jasper, boy! I so wanted this mob to come back to Earth and be Crystal Gems!

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New episode of Steven Universe this Thursday 8/25/16 at 7:00 PM on Cartoon Network!

~Mindful Education~

We were lucky enough to collaborate with the immensely talented Takafumi Hori for a few sequences in this episode. Thank you so much Hori-San!

Storyboarded by Jeff Liu and Colin Howard

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rebeccasugar

Please, please tune in for this one

Sooooo sweet, so poignant, so kind. With a visual reference to SPIRITED AWAY I found very appropriate.

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rebeccasugar

Smoky Quartz - this was a 3rd pass on Smoky’s design, incorporating ideas from Danny, Paul, Raven, Lauren, Hilary, and Kat, (I had also worked with Lamar and Katie on some earlier concepts) Raven suggested small hands for Smoky, which I got really excited about. I tend to give everyone huge hands, or long hands, so I love tiny hands on Smoky!

Smoky Quartz might be my favorite Gem EVERRR.

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aidosaur

BARBAROUS IS HERE!!

The first chapter cover has been posted at johnnywander.com, the next four pages will be posted this Thursday!!!  We hope you enjoy it!!!!!

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mckitterick

“It’s a monster. It’s unforgiving. It’s relentless,” Juno principal investigator Scott Bolton says of the planet in a video trailer for the mission (done in awesome, over-the-top Hollywood style).

The NASA Juno spacecraft reached Jupiter yesterday (July 4, 2016), and we’ll begin seeing new photos from it soon. In the mean time, I thought you might enjoy a few great photos of my favorite planet. Go here to see the official Juno mission site: x

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ca-tsuka

European animated feature film projects presented at Cartoon Movie 2016 festival :

- “Spirit Seeker” by Bo Juhl Nielsen, Sun Creature studio (The Reward) and Norlum. - “Moustique, Cigale et Cambriole” by Cédric Babouche (Dandelooo). - “Louise en Hiver” by Jean-François Laguionie. - “Night of the Trampires” by Mike Mort (Trampires, Blue Dolphin Films, Animatrix). - “Heart of Darkness” by Rogério Nunes (Les Films d'Ici). - “Domenica” by Ugo Bienvenu & Kevin Manach (Miyu Productions). - “Funan” by Denis Do (Les Films d'Ici, Epuar). - “Old Man Coyote” by Aron Gauder (Cinemon Entertainment). - “Nayola” by José Miguel Ribeiro & Jorge António (Filmes da Praça, S.O.I.L., Geração 80). - “Privisa” by Platige Image, Animoon, and Juice. (more informations)

Aiii yayayayayaya

Source: catsuka.com
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woonyoung

Witches went on a road trip together! Thank you very very very much for liking and re-blogging the with talk image :):):):)

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The more I see those “love is love” memes, the angrier I get.

First of all:

If you’ve never been afraid to hold hands in public, don’t you fucking dare tell me that our love is the same.

At the same time:

You support love? Bully for you. But guess fucking what? Love isn’t in danger. No one is murdering love in its places of refuge. As @superstarellecollins pointed out yesterday, homophobia isn’t just or even mostly about whom you love. It’s about gender norms: the way you walk and dress, the way you talk and look. And when you’re looking at the margins from the center, professing your love for love is significantly easier and less socially risky than professing love for people who break those rules.

And that’s what makes your allyhood cowardly half-assed bullshit. If you’re going to be an ally, be an ally to the people, not just the attractive abstract concept. Put your money where your mouth is. Don’t just love love. Love nonconforming queers who dare to walk alone as themselves in public.

Love people it’s dangerous to love. Stand in solidarity with those of us who don’t have the option of retreating to the comfort of platitudes. Love queens & bulldykes & trans people who don’t pass. Don’t buy into the HRC love-looks-the-same-for-everyone gentrified queerness. It doesn’t. It shouldn’t have to.

Love doesn’t need you to defend it. Love will be okay. But we are human and real. We are vulnerable and terribly, terrifyingly fragile. Don’t love love. Love us; because your love is the only thing that has a chance in hell of keeping us alive.

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firemoon42

Ways to un-stick a stuck story

  • Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.
  • Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.
  • Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.
  • Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
  • Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.
  • Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.
  • Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.
  • Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.
  • Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.
  • Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.
  • Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.
  • Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.
  • Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.
  • Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.
  • Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.
  • Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).
  • Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.
  • What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.
  • Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.
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crowguts

this was gonna be a tutorial and i guess it still is but if anything it’s just a really long and drawn out “essay” on drawing people with epicanthic folds. one of my biggest pet peeves is people drawing asian people exclusively with the same type of eye they’d give white people or anyone else who typically doesn’t have the fold! however i know that most people are taught with the standard white person eye (google image search for “eye” and it’ll all be pictures of white people’s eyes) so learning to draw epicanthic folds is a consciously learned thing. 

therefore i bring you this, which attempts to break the mechanics of epicanthic folds down into something that’s a bit easier to digest and implement in your own art! 

style can be argued i guess but it’s not that hard to stylize eyes with folds if you do proper observation and research. eyes with epicanthic folds are as diverse as eyes without so it’s not like you have to adhere to a strict model for them (although many people think that you have to) and all it takes to distinguish the two in stylized art (and even in semi/realism once you think about it) is a few lines! like i said this is a learned process but it’ll make your asian characters (and characters of other races even) a bit more interesting and believable.

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