hi!
The French Dispatch of the Liberty, Kansas Evening Sun (2021) dir. Wes Anderson
COWBOY BEBOP カウボーイビバップ (1998) Session #2 Stray Dog Strut
talesfromthecrypts’ 2021 Film Award Show Picks
Best Director: Saint Maud dir. Rose Glass
ROBINS #2 variant cover by Nick Robles
Bite
the constellations sparkle in my dreams and so i wonder if it’s a blessing as if by fate we’re born on the same planet just like a miracle romance
chaotic
OCEAN’S EIGHT ATE
2018 | dir. Gary Ross
SHIRLEY (2020) dir. Josephine Decker
A Filmic Tour of Hatfield House: the Long Gallery
The Favourite (2018) dir. Yorgos Lanthimos The Crown (2016 - ) Sherlock Holmes (2009) dir. Guy Ritchie The Great (2020 - ) Paddington (2014) dir. Paul King Mr. Holmes (2015) dir. Bill Condon All The Money in the World (2017) dir. Ridley Scott F9 (2021) dir. Justin Lin Lara Croft: Tomb Raider - The Cradle of Life (2003) dir. Jan de Bont Orlando (1992) dir. Sally Potter Wonder Woman (2017) dir. Patty Jenkins Pride and Prejudice and Zombies (2016) dir. Burr Steers Rebecca (2020) dir. Ben Wheatley
“It’s all stuff that I fantasize about wearing, outfits I would wear if I was that put together. I used to put a lot of time into my own wardrobe, but since I’ve been making films I’ve put a lot of that energy into film wardrobes instead. I love vintage-inspired clothing, and I used vintage patterns to create her wardrobe. I wanted her to look really stylish, but also to be dressed how I imagine a 1960s witch would dress. I know some girls who dress like Elaine, and I love the way they dress and do their makeup.
Elaine’s style definitely follows a narrative path. One of her most important outfits is the white dress she wears in the last tearoom scene with Trish. It’s a stylish mod short linen dress with a high collar, so it looks Victorian like her other dresses, but it’s short. More importantly, it’s white. Elaine feels she is going to get married, so she unconsciously is dressing like a bride. The white is also in stark contrast to Trish’s black outfit, that she wears while mourning her dead husband. So Elaine goes from red for danger, to pink for female fantasy, to black with a rainbow lining to signal inner danger, to yellow for aggression, to purple for magic, to multicolored for deception, to white for bridal, then back to red for transgression and finally back to black, for death.” — Anna Biller
a 9 panel tribute to Princess Mononoke, one of my favorite movies in the world
i haven’t stopped thinking about this since last night
Faye Wong in Chungking Express (1994) dir. Wong Kar-wai
Animaniacs Opening Side-by-Side Comparison (1993 vs 2020)
Even like this, dying is a luxury.
The Handmaiden (2016) dir. Park Chan-wook