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insanity by bad habits and political excitement.

@emily-getout / emily-getout.tumblr.com

emily // 20 // bisexual // theatre major // memphis // hipster try-hard
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theydjarin

Best Play

  • Eclipsed
  • The Father
  • The Humans
  • King Charles III

Best Musical

  • Bright Star
  • Hamilton
  • School of Rock-The Musical
  • Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
  • Waitress

Best Revival of a Play

  • Arthur Miller’s The Crucible
  • Arthur Miller’s A View from the Bridge
  • Blackbird
  • Long Day’s Journey Into Night
  • Noises Off

Best Revival of a Musical

  • The Color Purple
  • Fiddler on the Roof
  • She Loves Me
  • Spring Awakening

Best Book of a Musical

  • Bright Star, Steve Martin
  • Hamilton, Lin-Manuel Miranda
  • School of Rock-The Musical, Julian Fellowes
  • Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed, George C. Wolfe

Best Original Score (Music and/or Lyrics) Written for the Theatre

  • Bright Star: Music: Steve Martin and Edie Brickell; Lyrics: Edie Brickell
  • Hamilton: Music & Lyrics: Lin-Manuel Miranda
  • School of Rock-The Musical: Music: Andrew Lloyd Webber; Lyrics: Glenn Slater
  • Waitress: Music & Lyrics: Sara Bareilles

Best Performance by an Actor in a Leading Role in a Play

  • Gabriel Byrne, Long Day’s Journey Into Night 
  • Jeff Daniels, Blackbird 
  • Frank Langella, The Father 
  • Tim Pigott-Smith, King Charles III 
  • Mark Strong, Arthur Miller’s A View from the Bridge

Best Performance by an Actress in a Leading Role in a Play

  • Jessica Lange, Long Day’s Journey Into Night 
  • Laurie Metcalf, Misery 
  • Lupita Nyong'o, Eclipsed 
  • Sophie Okonedo, Arthur Miller’s The Crucible 
  • Michelle Williams, Blackbird

Best Performance by an Actor in a Leading Role in a Musical

  • Alex Brightman, School of Rock-The Musical 
  • Danny Burstein, Fiddler on the Roof 
  • Zachary Levi, She Loves Me 
  • Lin-Manuel Miranda, Hamilton 
  • Leslie Odom, Jr., Hamilton

Best Performance by an Actress in a Leading Role in a Musical

  • Laura Benanti, She Loves Me
  • Carmen Cusack, Bright Star
  • Cynthia Erivo, The Color Purple
  • Jessie Mueller, Waitress
  • Phillipa Soo, Hamilton

Best Performance by an Actor in a Featured Role in a Play

  • Reed Birney, The Humans
  • Bill Camp, Arthur Miller’s The Crucible
  • David Furr, Noises Off
  • Richard Goulding, King Charles III
  • Michael Shannon, Long Day’s Journey Into Night

Best Performance by an Actress in a Featured Role in a Play

  • Pascale Armand, Eclipsed
  • Megan Hilty, Noises Off
  • Jayne Houdyshell, The Humans
  • Andrea Martin, Noises Off
  • Saycon Sengbloh, Eclipsed

Best Performance by an Actor in a Featured Role in a Musical

  • Daveed Diggs, Hamilton
  • Brandon Victor Dixon, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
  • Christopher Fitzgerald, Waitress
  • Jonathan Groff, Hamilton
  • Christopher Jackson, Hamilton

Best Performance by an Actress in a Featured Role in a Musical

  • Danielle Brooks, The Color Purple
  • Renée Elise Goldsberry, Hamilton
  • Jane Krakowski, She Loves Me
  • Jennifer Simard, Disaster!
  • Adrienne Warren, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Scenic Design of a Play

  • Beowulf Boritt, Thérèse Raquin
  • Christopher Oram, Hughie
  • Jan Versweyveld, Arthur Miller’s A View from the Bridge
  • David Zinn, The Humans

Best Scenic Design of a Musical

  • Es Devlin & Finn Ross, American Psycho
  • David Korins, Hamilton
  • Santo Loquasto, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
  • David Rockwell, She Loves Me

Best Costume Design of a Play

  • Jane Greenwood, Long Day’s Journey Into Night
  • Michael Krass, Noises Off
  • Clint Ramos, Eclipsed
  • Tom Scutt, King Charles III

Best Costume Design of a Musical

  • Gregg Barnes, Tuck Everlasting
  • Jeff Mahshie, She Loves Me
  • Ann Roth, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
  • Paul Tazewell, Hamilton

Best Lighting Design of a Play

  • Natasha Katz, Long Day’s Journey Into Night
  • Justin Townsend, The Humans
  • Jan Versweyveld, Arthur Miller’s The Crucible
  • Jan Versweyveld, Arthur Miller’s A View from the Bridge

Best Lighting Design of a Musical

  • Howell Binkley, Hamilton
  • Jules Fisher & Peggy Eisenhauer, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
  • Ben Stanton, Spring Awakening
  • Justin Townsend, American Psycho

Best Direction of a Play

  • Rupert Goold, King Charles III 
  • Jonathan Kent, Long Day’s Journey Into Night 
  • Joe Mantello, The Humans 
  • Liesl Tommy, Eclipsed 
  • Ivo Van Hove, Arthur Miller’s A View from the Bridge

Best Direction of a Musical

  • Michael Arden, Spring Awakening 
  • John Doyle, The Color Purple 
  • Scott Ellis, She Loves Me 
  • Thomas Kail, Hamilton 
  • George C. Wolfe, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Choreography

  • Andy Blankenbuehler, Hamilton 
  • Savion Glover, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed 
  • Hofesh Shechter, Fiddler on the Roof 
  • Randy Skinner, Dames at Sea 
  • Sergio Trujillo, On Your Feet! The Story of Emilio and Gloria Estefan

Best Orchestrations

  • August Eriksmoen, Bright Star 
  • Larry Hochman, She Loves Me 
  • Alex Lacamoire, Hamilton 
  • Daryl Waters, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Tony Nominations by Production Hamilton - 16 Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed - 10 She Loves Me - 8 Long Day’s Journey Into Night - 7 Eclipsed - 6 The Humans - 6 Arthur Miller’s A View from the Bridge - 5 Bright Star - 5 King Charles III - 5 Noises Off - 5 Arthur Miller’s The Crucible - 4 The Color Purple - 4 School of Rock - The Musical - 4 Waitress - 4 Blackbird - 3 Fiddler on the Roof - 3 Spring Awakening - 3 American Psycho - 2 The Father - 2 Dames at Sea - 1 Disaster! - 1 Hughie - 1 Misery - 1 On Your Feet! The Story of Emilio and Gloria Estefan - 1 Thérèse Raquin - 1 Tuck Everlasting - 1

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not-angiee

Here’s Lin freestyling to a frog. It’s camripped but the most adorable thing ever.

What is this from?!

Apparently this is from Freestyle Love Supreme, which I somehow just now learned exists

The scream at the end kills me

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jasonapham

Elle Woods was hollering back before the movement. This is why i love this movie. It’s so progressive. Elle is a femme feminist who comes by it the hard way. She doesn’t change for the bookish people, the elitists, or for the feminists. She just does what she needs to do, and what she wants, even when at first it was chasing a boy. Then the movie drops the romance. IT DROPS THE ROMANCE. chick flicks don’t do that. Emmett asking her out is a footnote at the very end. And this whole time, she is classy, and lady like, and has pride in herself and her work. She’ll go to a costume party as a playboy bunny, but like hell will she sleep with her professor for an internship. Elle is my feminist role model

Same.

Elle Woods 4ever

I remember listening to my DAD defend Legally Blonde. An uncle was saying “Oh look, it’s that stupid movie again.” as he flipped through the channels. My dad responded with “Oh yeah, that movie where the blonde girl with great grades works really hard to get into pre-law, studies hard and proves herself to her peers and bosses while maintaining her integrity and not sleeping with her boss? What a terrible message to send girls.”

Also, I love this movie because Reese Witherspoon. 

And don’t forget that she has serious female friends and wins the case by way of her specialist knowledge of so-called “feminine things” that no one else takes seriously enough to even bother with.

The movie also passes the Bechdel test.

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bookshop

LET’S NOT FORGET that even though it starts with a situation where two girls are rivals for the same guy, they BOTH choose to ignore the social codes (and hollywood bylaws) that tell them they should be cat-fighting and trying to one-up each other, and instead they realize that they make good working partners and better friends and screw rivalry, AND ALSO HAVE EACH OTHER’S BACKS RE: WORKPLACE SEXUAL HARASSMENT. And that it portrays sororities as places where women can learn to work together and respect each other and help each other out, which sets the stage for the way Elle treats everyone she meets for the rest of the movie. OH AND IT HAS A FAT SIDE CHARACTER WHO OVERCOMES EMOTIONAL ABUSE, IS NEVER FAT-SHAMED OR USED AS THE BRUNT OF A FAT JOKE, AND LANDS THE HOTTEST MAN IN THE ENTIRE FILM. 

And of course both Elle and Vivian dump Warner because he’s a terrible boyfriend and person, and they become great friends.

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why are people even questioning obesity in america

why is your tea liquidised?

….. Where exactly do you live that the tea isn’t liquid?!?

ENGLAND. WHERE IT IS IN A BAG AND YOU MAKE IT YOURSELF.

like what do you do with already liquid tea? Microwave it?

No it’s sweet tea you drink it cold

WHO DRINKS COLD TEA???

HAVE YOU NEVER HAD ICED/SWEET TEA BEFORE?!?

so i reblogged this from a british person and i’ve been laughing at their tags for 600 years

England, you stole tea from China.  You’ve had it a mere 4 centuries compared to their 30+.  Don’t play like you’re some kind of authority.

[skeletons ooh-ing]

Shots fired. World War Tea has officially begun.

Englad doesn’t own anything

except that time we owned most of the world

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