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molto fab

@peachesthecello / peachesthecello.tumblr.com

hi my names michelle and i play the big violin also im rostropovich's great grand student
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reblogged

gentle reminder

it‘s okay to express your emotions; even if you’ve been taught otherwise, please know that it is - your feelings are important and wanted

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Yo Yo Ma on practicing:

I actually enjoy practicing more and more. […]  As a child, I practiced because I had to practice and you didn’t want to mess up. But that’s not a good thing. You want to please your teacher, you want to please your parents, you want to please your peers. 
And now I practice because I’ve experienced so much love that you practice out of loving a phrase, loving motivic change, loving a structure or harmony change or the way a sound can get to something.

from an interview in the Sept 2016 issue of Strings. image via ]

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During a music lesson

Me: *rushes quavers and semiquavers*
My teacher: Don't rush these notes. Imagine if you were using a washroom cubicle and someone started barging in before you were ready. Don't barge into their cubicles. Give these notes their own space.
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Me: *messes up in rehearsal*
Me: tO PlaY a WrONg nOtE Is INsIgNifICanT; tO pLAy wIThOUt paSsIOn iS iNExcUsAbLe
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Violin update I got the ribs off of the mould and I carved the blocks to their final shape (not in this picture… I’m too lazy to go take another picture). I also cut and glued the top and bottom soundboards which will be in another post soon enough

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playing with too much espressivo

accidentally playing a minor 2nd with your section

ignoring 1st time repeat and 2nd time repeats and getting lost af

ignoring time and key signature changes and making the worst sounds ever

sight reading contemporary scores

playing a solo and faltering on one note

missing your sectional cue and hits

wasting your time instead of practising your new part and then getting to rehearsal trying to sight read the whole part

double tounging

excessive articulations

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