all shall be well

“I mean I think movement has been interesting to Zal and I for a long time. I think in the beginning we talked about, a lot about the idea that violence is a uniquely cinematic thing. You can read a violent passage in a novel and it’s intense and visceral, but when you see it on screen, it’s something else entirely in terms of how it shocks your senses, and so I think for us we were interested in exploring what a kind of antidote to that might be. What is something else that’s uniquely cinematic that could come up against that, and for us that was the idea of movement and thinking about making a language of movements and building mythology around that.”

Mitski for Pitchfork // Richard Siken for TinHouse

“At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don’t need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.”

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