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symfinity

@symfinity / symfinity.tumblr.com

We are a symphonic rock/metal band from New York, NY! @symfinity www.facebook.com/symfinity
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Thank you so much to Ethereal Metal Webzine and Ryan for writing this amazing review of our album Anthem! It's always a pleasure to hear about what kind of meaning people find in our songs! I am posting this link here...you can cut and paste into browser or DM us for link...since IG still doesn't have link support for posts: https://etherealmetalwebzine.wordpress.com/2021/02/19/anthem-by-symfinity/?fbclid=IwAR3gF5E91wkBeTvXnN-h3nQWBqAh6OVnMBqYTMvaOzoGwlolNEIXFxlPN9Y It's a fun read. Really enjoyed reading it. And it's an excellent overview of our songs! Thanks again!!! #etherealmetalwebzine #symphonicmetal #symphonicrock #symfinity #anthem #progressivemetal #folkmetal #nirvana #nightwish #lacunacoil #comalies #jethrotull #gramercytheater #nycmetal #albumreview (at New York, New York) https://www.instagram.com/p/CLfIUbcAcMC/?igshid=bi8czp3ixaou

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The 12 Days of Anthem

Part 2: Flipside

Here’s a continuation of our blog on our new album Anthem! Here is the second track on the album and the most recent single we released. It’s pretty much a song about being strong and moving on from situations and people that have held you back.

This song itself was a huge barrier for us to getting the album done as it is probably the most complicated in terms of orchestration: 50-piece orchestra with two guitars, bass, piano and vocals. Once this song was finally ready to be released that’s when we knew the album was ready.

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The 12 Days of Anthem

Part 1: Anthem

On the first day of Anthem, Symfinity gave to me, an Anthem in a pear tree.

Our album Anthem is out! And to celebrate, I am creating a series of blogs for 12 days...one for each track! Anthem is the intro and the title track of the album. It is mostly orchestra powered and features an opening theme that comes back in other songs of the album. And maybe a second theme shows up in another song as well! This song also lyrically reflects back to who were are as a band and our first album Intangible Dreams. 

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Interview with Symfinity

Interviewed by Jessica Clingempeel & Joshua Becker 7/25/2018

Jumping right into things, I could not help but notice the uniqueness of the band name: Symfinity. My assumption was a combination of the name “symphony” and “infinity,” but I could be wrong. Care to share how that came about?

Seann: Symfinity is absolutely a combination of symphony and infinity. The name originated when we were searching for a name in our early days.  We had been performing without a name for a while and we had delayed finding a name because we wanted to have the perfect name! We wanted to get something relating to symphony in our name. One night, it randomly popped into my head, so I quickly wrote it down before falling asleep.

I noticed no mention of a label anywhere on your site, Facebook, or bio - do you have a label, or are you independent? If you are independent, have you had any opportunities to send demos to labels or try getting a record deal?

Seann: We have always been independent. We have mainly been working so hard on this new album and I think any label we are going to be involved with needs to hear it to understand our voice. I would be open to working with a label once we have it finished. With our single done, it already seems like we are getting some promotional opportunities coming our way - and hopefully we will continue to do so with our album coming out.

Being that you are in New York City, one would assume it would be easy to get recognition and be a big name in music with all the resources there. Would you say it is easy, or is that just a common misconception?

Doc: It definitely is not easy, especially as a band going about with a very DIY work ethic. The music scene is not the same as it used to be, and you have to be different to stand out - particularly for a band like us where everything we do is powered directly by the efforts of the band members ourselves. To get to where we are now has taken years of artistic development, networking, promotion, and pushing forward - even when others don’t believe in you. However, I would say that “making it” here (at least locally) is probably easier than it would be elsewhere simply because New York has such a high population density, which makes it easier to make a decent number of fans within a small area. But if you’re talking about expanding your reach beyond your hometown, then it doesn’t really offer much of an advantage at that point.

I hear you are all huge fans of Tarja and that you will be headlining her show in New York. How were you contacted about being a headliner and what were the feelings when you found out?

Seann: We absolutely love Tarja - whether it’s her solo albums or her work with Nightwish. I found out about the opening for the show when they switched dates in New York. A friend who has seen us immediately let me know when there there was a vacancy on the bill and had me contact the booker. The booking agent already knew us from when we opened for Sonata Arctica back in 2016, so it was pretty easy from there.

Speaking of Tarja, have you met her before, or seen any of her live concerts?

Tubes: No, but of course we are long-time fans.  We owe a lot to Tarja artistically.  And as far as not seeing her live, we plan on rectifying that in September! :)

Besides Tarja, what are some of your other influential bands? What other band would you love to open for?

Seann: Nightwish is obviously an influence. Lacuna Coil has been one of my favorite bands for years. There are quite a few European bands I love. Bands like Within Temptation and Delain have some lighter pop elements and we have some of those. On the American side, I love Metallica. Modern rock bands like Evanescence and Three Days Grace would also be awesome to play with. There are too many bands for me to list!

Looking at your profile, you have done a lot of high profile shows. What would you say the highs and lows are of being on stage and touring?

Doc: Touring always involves some kind of adventure. The highs I would say are showcasing our music to new people from other regions and making friends with the local bands. We’ve made friends with some great bands like Ketosis, Raviner, and Stitched Up Heart. I always love to hear new bands and expose myself to the local music scene. I really feel you can’t be a musician without also being a music fan. For the lows, I would say cramming ourselves into a car packed to the brim full of equipment and driving on and on all day… that’s pretty low for me. However, this low is mitigated by… Sheetz! We all love that place, but there are none in New York, so we basically stop by any of them we could find. Where else can you find a gas station that also has burritos stuffed with tater tots and guacamole?! If you have an answer to that please let me know!

Avery:   … and reconnecting in person with our fans, newcomers, and other bands when we are playing familiar places!

You have been working on a new album for some time now which is entitled “Anthem”. Can you tell us a bit about this album and how it will differ from your previous works?

Seann: “Anthem” is quite a bit different. For those who have heard our first album “Intangible Dreams”, this is quite a progression. We’re older and wiser, and better musicians. The songs are darker, less happy, and emotional yet hopeful. People will relate to the songs a lot more. We were a very young band when our first album came out. “Intangible Dreams” was a symphonic rock album with a huge variety of songs. “Anthem” is, first and foremost, more of a symphonic rock/metal album.  We have a unique sound that is best described as simply a heavier version of what Symfinity used to be, versus trying to emulate what other bands in our genre sound like.  Additionally, this will be our first album to feature a real 50-piece orchestra. “Intangible Dreams” had real flute. Our EP “Apocrypha”, which was an acoustic EP, had a mix of real instruments and orchestra samples. “Anthem” has real everything. I had a lot of fun with the orchestration for “Anthem”, which included a few atypical instruments (such as bass oboe and oboe d’amore) that I had the pleasure of writing for and hearing recorded by live musicians. While the songs are generally heavier, we do have a few ballads as well.  This is also the first album where Doc and myself have added a few growls. We’ll never be death metal, but using a growl for an accent here or there when we want to be extra heavy is nice to have in our arsenal.  

Avery: Yes… the vast contrast of styles that we share with our listeners is what leads us to feel we are a middle ground between symphonic rock and symphonic metal.

Have there been any challenges while recording “Anthem” as there seems to have been some delays in the release. How did the band overcome the challenges

Avery: There were none.  It actually only took a day!  JUST KIDDING - there have been many challenges, and it took years of hard work.  

Seann: When we first started working on this album, we had no idea what we were getting into. Writing out orchestra parts and having a synth play them is easy, but having real musicians play them is a whole other journey. Instead of maybe having two violin audio files per song, you end up with maybe 10 or 12 with live instruments.  The sheer vastness of the files and the hard drive space they take up make them cumbersome to deal with. The recording process was another obstacle.  We had four different drummers record on this album, where three of them made the final cut on various songs. I re-recorded guitars and vocals as I became a more-trained guitarist and singer. Doc added some guitars as we upgraded our instruments and as he started playing the parts live while transitioning from bassist to guitarist of the band. We’ve had hard drives fail spontaneously before we could transfer newly-recorded files. There were orchestral players who inaccurately played triplet rhythms and we had to fix them. And then we had to make sure everything lined up after we recorded it separately. In short, it has been an editing nightmare, but I have become quite experienced at editing in Pro Tools as a result. We overcame the challenges by staying determined and fixing what needed to be fixed - no matter how annoying it was. As a result, we’ve acquired quite a long list of strategies to make our future albums happen faster.

Was it hard to incorporate more than 50 different instruments into the album?

Seann: From a compositional and number-of-parts standpoint, writing “Anthem” was very similar to “Intangible Dreams” because both feature the full orchestration of a symphony orchestra.  However, “Anthem” dealt with writing for individual, live (instead of MIDI) string players - which allowed me to have the creative license to write more expressively, and include additional instrument parts and solo sections. This freedom also extended to woodwinds - where we got to use some atypical, unique instruments we otherwise couldn’t have used because synths and samples don’t really exist for them. Because I was not limited by specific sound libraries and MIDI capabilities, it was easier to write and arrange the music.

When is the anticipated release date for “Anthem?

Avery: Our anticipated release date is September 2018 – hopefully right before the show!

Seann: We finally have a single finished and most of the album is mixed now, so we are in the final stage of finishing the album.

I have noticed that Kickstarter has been used to fund your projects. Have there been any downfalls to Kickstarter?

Seann: We’ve done one campaign - to help fund our new album “Anthem”.  Kickstarter was great; it’s just tricky getting the word out without annoying people too much.

Avery: One downfall of Kickstarter might be that you don’t receive any of the money unless you meet your goal - and that you can’t edit the timespan of your project once it’s launched.  This can be problematic when a project get donated to right away but then doesn’t see activity for a while after.  It results in a scramble for very last-minute, or past-last-minute, donations - which cuts it too close for comfort in terms of a project meeting its goal and receiving its funding.

What inspires the lyrical themes and music in your songs? You did state that your music is for everyone and your music does offer a variety that could appeal to any audience.

Seann: It really depends on the song. I think about life and the universe a lot…probably more than I should. A lot of the songs are about overcoming hardship or toxic people. Some songs are about happiness or pondering the potential for happiness. These are things that everyone deals with in life.

In such a crazy, chaotic, and downright scary time we live in, what hope do you have for your music and the listeners?

Avery: We hope that our music not only offers a little bit of respite from everything going on, but also some beauty and hope for a brighter tomorrow.  We seek to promote tolerance, love, respect, compassion, and empathy through our music.  

I read that cosplay is part of the band and that can be seen in some photos… do you enjoy cosplay as a hobby outside of the band, and have you been to any conventions?

Seann: We don’t have any characters in particular that we dress up as; rather, we are focused on inventing our own characters. It’s a work in progress as we develop thematically as a band. I personally have been to smaller board gaming conventions and also larger ones such as MAGfest and Awesome Con.

Speaking of hobbies, what do each of you like to do outside of touring and recording?:

Tubes: We are a very diverse bunch.  In NYC - go figure.

Seann: I have quite a few interests. I love going to see other bands and supporting our growing metal community here.  In addition to composing for our band, I enjoy writing music for solo piano and other types of ensembles. Outside of music, I am a board gamer - and enjoy a wide variety of modern games. Aside from having attended some gaming conventions, I am an aspiring game designer. I also enjoy making food and tinkering with recipes.

Doc: Outside of activities related to the band, I enjoy seeing/listening to music by other artists too, across various genres. I also enjoy just hanging out with friends, making my way through different TV shows that catch my interest (usually thriller, drama, or superhero related), and then there’s also my day job. I’m a physician, which of course is why people call me “Doc”!

Avery: Thankfully, I do music in different facets all the time, but have other hobbies as well.  I enjoy seeing friends and family, going to live shows, supporting other musicians, traveling, learning languages, playing tennis, boating, swimming, hiking in the woods, and walking on the beach.  Oh - and eating Tex-Mex! :)

Seann, you are originally from Oregon, but moved to NY to attend college. How was the transition, and was there a big culture shock? Do you find more inspiration in the Big Apple or back home?

Seann: The transition was quite an undertaking, and a huge culture shock. I went from feeling like a promising young composer to feeling like no one. There are just so many talented people here, and everyone is so competitive. I’m not a competitive person for the most part (outside of boardgaming), and I had to try to find my own unique voice as a musician to feel like I was successful at anything. I find that all my frustrated lyric-writing inspiration comes from New York and my experiences here. My life here over the years has entirely shaped our new album and a lot of other new songs we are working on for future releases. For everything else music-related though, Oregon is where I find my inspiration. The parts of my music that are peaceful or relaxing have to come from a place where I can find those feelings, even if I’m just imagining that I’m there - and that place is still Oregon.  

Moving onto the random curiosity questions: if you could be any animal, what would you be and why?

Avery: I would be a bird, because I want to fly around and explore everywhere - while cheering people up with song-like tweeting in the process!  Or, I would be a dog because they’re loyal, fun, energetic, and silly!

Seann: I would be a cat, because I like cats and I’m unfortunately allergic to them.  I suppose if I was a cat, I might not be allergic to myself and my feline cohorts.

If you were stranded on an island, what are three things you would bring?

Seann: Water, food, and a bag of office supplies including pen and paper, so I could write music and stories.

If you found out the world was ending tomorrow, what’s something you have always wanted to do, that you’ve never had the chance, and would do before the world ends?

Seann: Fly to the moon (assuming space travel ever became cheap and safe). Conveniently, I would also not be on the world as it ended, so it would be pretty awesome. ;)

How do you feel about the LGBT community? Do you know if you have any LGBT fans?

Doc: The LGBT community is great! I myself am gay, and I have a bisexual boyfriend. We’ve also had other LGBT musicians join us onstage for shows multiple times. We definitely do have LGBT fans! We love all our fans regardless of orientation, gender identity, race, or anything else that is a basic attribute of being human. Let music unite us all, regardless of who one is, and may our differences be our strength!

If you had the power to change the world, what would you do with it? Would you end world hunger? Initiate world peace?

Seann: I would give everyone empathy, because not everyone has it. It’s sad that in the world today just a few people without empathy can ruin everything for everyone else. Giving those few people empathy would solve most of the world’s problems.

What are some of the pet peeves of the band?

Seann: Venues that don’t give sound checks. We’ll still play venues that at least give us good sound, but it can be hard to balance a band with a complicated instrumentation. This is just the way it is though unfortunately.

Do any of you have a favorite place to go when you feel overwhelmed, sad or depressed?

Doc: When I feel like things are stressing me out, nature is my number one go-to. It doesn’t really matter where I am, but as long as I can just go outside and take a walk for 30 minutes, I find that I feel a lot better by the time I get back. If I only have a few minutes, then my next best thing is sitting down and meditating to clear my mind. Even just a couple minutes can make a difference.

Seann: Definitely nature. Specifically, Oregon in the woods or on the beach. I try my hardest to meditate during stressful situations. It’s extremely hard. Sometimes I have to go into my head away from everything else in order to get out of my head. Call it “My Hidden Manor” if you like.

Avery: I recharge by walking through the woods, or along the beach, while listening to meaningful music in my headphones.  I’m all about Waldeinsamkeit.

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symfinity

Our recent interview with Ethereal Metal Webzine!

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News etc.

Our instagram is coming to life! And we have a new music video coming! Want to know more? Just ask!
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Spotify Took Down My Album: The Day I Broke Online Streaming

Hello, everyone, this is Seann from Symfinity here. Some of you may have heard that I have been working on a symphonic solo album about board games. That is true! In fact, it was released this October! It is entitled Board Game Symstrosities, Vol. 1 and you can even find it online at CD Baby now: http://www.cdbaby.com/cd/seannbranchfield2 As you can imagine, it is very symphonic in style, and the songs are....about board games. I wrote a song about Chess, a song about The Settlers of Catan, a song about Risk, and some really obscure ones that a lot of my gamer friends play that are pretty popular right now. Now, this was never intended to be anything serious since Symfinity is my main passion. I did not bother pressing CDs, the songs are all rather short and poke fun at games that I mostly love, and who makes an album like this? Seriously. I follow a lot of my friend's post about the music industry. A lot of people have been saying the "future is in streaming". If that is the case and if that is where musicians are going to making money, then why not be efficient? If an artist gets paid the same about for a 7-minute song as a 30 second song, then why not just write 14 short songs and make 14 times as much money? We are about to enter into a philosophical debate about this in the near future and maybe this is where that starts. Of course, I'm still going to write my serious songs for my band and not sell out completely. This is all besides the point. So, maybe a week ago, I notice my album is up on Spotify. So I streamed it myself like any logical person would. Being busy with teaching and tutoring this week as well as working late at night, I did not really get a chance to properly promote the album as I would have liked. I made an announcement on my blog on boardgamegeek.com http://boardgamegeek.com/blogpost/35001/album-officially-released-board-game-symstrosities made a few obligatory Facebook and Twitter posts and that was about it. I didn't even get around to streaming my album at a certain point.

I eventually went to go check on it a few days ago, and that's where things get interesting. Apparently my album had been removed from Spotify. In fact, "Seann Branchfield" the artist, seems to have been removed from Spotify. All that remained was an empty playlist of a good chunk of the songs.

Kinda sad right? Now, Spotify removes albums all the time as you may notice. Whenever a label or artist or copyright holder tells them they want their music removed or posted, they fulfill that request. As for removing an artist without having the request of the artist, as far as I know, this is the second instance in which this has happened in the history of Spotify (There probably are others, but they have not seemed to make their presence known). The first such instance of this was highly publicized. A band by the name of Vulfpeck, made a 10-track album that consisted of 31-32 second long songs of complete silence, appropriately named Sleepify. They got their fans to stream it over night making thousands of dollars in a matter of days, angering Spotify who removed their album, citing the fact that it was derivative of the work of John Cage 4'33". They pulled a scam and mostly won in the end of the day by making an album that is essentially not an album.

Spotify issued no such statement when removing my album. In fact, they did not even tell me about it, probably thinking that I would not question it and let it slide. Here is the big controversy here. Unlike Vulfpeck, I made an album of actual music. The songs may not be serious, BUT the arrangements are symphonic and sometimes lavish, in addition to the majority of songs I composed that were 31-35 seconds long there is also a 50-second song and a song over 3 minutes. To top it off, I had the whole album mastered by a professional audio engineer! And of course, I have been blogging the about the album for weeks AND I ordered download cards from CD Baby (If you want one, let me know; I'm selling them for 25 cents!). The album is also still on CD Baby, iTunes, Amazon and Spotify's competitor, Rhapsody! The point here is, I made actual music, I contribute to their service, I regularly promote the fact that Symfinity's albums are on Spotify because I think that is a great platform for our fans to share music. And NOW, they are possibly overstepping their boundaries of what they think is music and what is not. I know artists stream their own music. That is a given. But if Spotify simply dismisses an album on the grounds that "one or a few people play it too much", does that not leave the door open for rival artists to sabotage each other? The fact here is, like Vulfpeck, I could have had DOZENS of fans streaming my album, but I did not get the chance to properly communicate to them that it was online since I was so busy this week. If anyone from Spotify is reading this, I have this much to say: I'll gladly never stream Board Game Symstrosities, Vol. 1 by Seann Branchfield ever again! I will make that promise. But please put the album back online so I can share it with my fans, some of whom are paying customers. Besides, I did have a Vol. 2 planned for next year!

-Seann

Update: Got e-mail saying it was removed since someone had played it took much from the "same computer" within MINUTES of posting this blog. The really funny thing is that they backdated the e-mail (Is that possible????) to October 30th! (three days ago) Why?

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A candid look on my music influences: A confession

What are your influences? This is the single most annoying question I get from people who find out that I am a musician in a band. In a large part, it is due to the fact that my actual influences, vs. what I listen to vs. what my band sounds like are three separate things.

Symfinity sounds like orchestrated modern rock, somewhere in the middle of the spectrum between Nightwish and The Moody Blues. And I typically listen to symphonic metal or melodic metal bands, but my influences are a much larger story.

Part of why I am writing about this now is due to the fact that U2 released an album that was forced upon anyone with an iPhone and people are complaining about it, as they probably should! What people don't realize though (since I'm a little older than some of our fans and I remember the 90s) is that U2 used to be cool back in the 90s. In fact, I have a couple U2 albums, and while I wasn't the biggest fan, they have some great songs. Were they an influence? Maybe. I have to assume that everything I have ever heard is a potential influence, because that's the way my composer brain works. It assimilates all kinds of music whether I want it to or not!

While we are on this topic, I'd like to bring up all my embarrassing listening habits that I've had over the years and leave them out in the open! I'm not here claiming that any of these are good (although I think some are). I'm just giving our fans a wide perspective on who I am.

1. I do in fact like some old U2 songs. As I have mentioned, they were pretty popular back in the 90s and in a GOOD way.

2. I used to listen to Nickelback. Ah, the most dreaded and hated rock band for the last decade probably. And certainly for a reason. When I first heard them, I heard the song "This is How You Remind Me". And while it was nothing spectacular, you have to realize that as an aspiring rock musician, this was way better than listening to Britney Spears and Justin Timberlake. So I didn't mind Nickelback for a couple albums, until they released that AWFUL "Photograph" song which I STILL hear on the radio. You want to know why Nickelback is the most hated band in the world? It's because they wrote a terrible song that their label spammed on the radio for the last decade effectively KILLING rock music as we know it and allowing indie pop to oust hard rock and metal from the radio. Of course people are going to hate rock music when they think of Nickleback every time they think about it. This has been a major source of frustration for me over the years, but I can see things changing now finally, which is really exciting for us!

3. Load, Reload and the black album are my favorite Metallica albums. I'm not sure of the order (I probably like the black album the most). Call me a fake Metallica fan if you like, but I like the songwriting. That being said, I absolutely love Master of Puppets, Ride the Lightening and I've even come to like ...And Justice for All a lot in recent years. It's just St. Anger that I struggle with and especially that Lulu album that I can't even stomach. Of course my actual favorite album of theirs is the one with the San Francisco Symphony.

4. I used to listen to Coldplay. Honestly, even though I don't really listen to them now, I do think that A Rush of Blood to The Head is an interesting album and still has a couple songs I really like. Similarly to U2, it's the songs from the 90s I can listen to.

5. I used to listen to Maroon 5. Though I've always found them a little annoying, their early albums are very creative and well arranged. Now, they have devolved into something horrible. I'm not sure what. It's not even close to rock...maybe more like a really terrible version of Bruno Mars except much MUCH worse.

6. I LOVE nu-metal or however you want to define it. Linkin Park, Evanescence, Disturbed, Adema are some of my favorite bands, and they are HUGE influences of mine. I was even an extra in an Evanescence music video (What You Want) and if you haven't heard their new album, it's worth a listen. So many people fell off the Evanescence bandwagon when their second album came out, but not me! That being said, I like Lacuna Coil (my favorite band) MUCH better. I've never been a big Korn fan or even a small one, but I've accepted that these bands were all directly influenced by them and I can tolerate Korn now.

7. Avril Lavigne and Michelle Branch both have songs that are listenable. Again, they might not be anything impressive, but with Britney Spears and the Backstreet Boys as contemporaries, pop rock didn't seem so bad. And yes, whether I like it or not, I am influenced by them.

8. It took me forever to like Nightwish. Yes, I am a Nightwish fan. But I had to be an Evanescence and Lacuna Coil fan first. Power metal didn't used to be something I liked, but after hearing Once with a live recorded orchestra, I was finally convinced. Sometime after this, I realized that if Nightwish can do it, I can do it too!

9. I don't listen to jazz. Ever. Call me not classy, but I don't. I've played jazz in big bands before and had a good time, but for me, jazz is a lot more fun to play than to listen to. I have a classical background and a composer mindset, and music that is improvised simply goes over my head. I mean why not? It's only intended to be performed that way once anyway....in the ear and out the other so to speak. That being said, there is almost zero jazz influence in Symfinity songs anyway. Random fact: I have written two pieces for jazz band in the past and they have even been performed.

10. I don't listen to classical music as much as I should. I went to school for classical composition. I grew up playing Bach, Mozart, Chopin and many other composers. For me, I've latched onto something more modern and currently relevant to widespread audiences. However, I think Mozart and Chopin are VERY easy to listen to, have catchy melodies and they are HUGE influences of mine. For those who have heard my "classical" music, this influence is very apparent. I could never get into 20th century music for the most part and as it was frowned upon to compose music with any marketability in that world, that is why I left it to be a rock musician.  I hope our fans find this interesting if nothing else!

-Seann

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Answering question about album, writing process and more!

Blog hop answers.

1)  What are you currently working on?  Our new album!!!! Anthem! 2)  How does my work differ from others of its genre?  It's symphonic rock that isn't necessarily progressive rock. A mix of European and American styles. 3)  Why do I write what I write? Because I love writing music and it just sorta comes to me anyway. 4)  How does my individual writing process work?  Start with lyrics or melody usually. Write them down. I usually already hear harmony underneath. I either write orchestra parts next or write the guitar or piano parts. I then do whichever I haven't done, then record a demo, make a loose drum arrangement, make a bass part and then the song is ready to be recorded properly.

In theory, I'm supposed to tag people to answer these same questions, but I don't believe in chainposting haha. Tag yourself and answer them if you like if you write either words or music.

-Seann

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New music video by Symfinity! #GrowingYounger http://thndr.it/1rXQSvf

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The Truth About Being a Rock Musician

So many of our fans are aspiring musicians so I thought I write a blog entry about what it's really about.

Many people enjoy music as a hobby or recreation. There are so many different levels of wanting to pursue it as a profession. For me, it has always been what I want to do as a career.

I got two masters degrees in music (purely excessive for someone who wants to be a rock musician), although I did learn how to orchestrate which allowed Symfinity as everyone knows it to exist!

At any rate, it's nothing that pays the bills currently, however I can definitely see it get to that point in the future regardless of any label, or management deals that may come along.

The first major truth that you must know, is that your band is a business. If you ever want widespread success, you will have to treat it like one. Because of this, you can't just be a musician. As I have discovered, you have to be a manager, producer, marketer, friend, role-model, counselor, and many other things. Needless to say, that isn't for everyone. Many bands out there think that just by playing good music, they will be famous. That's not true since if no one hears it, no one hears it.

So many bands and musicians I've seen struggle with their local music scene (especially in big cities) and myself included, will book shows, tell everyone they know and hope people will show up. There is only a small amount of success that comes from this due to a number of factors:

1. In New York or Los Angeles, too much competition.

2. In NYC in particular, people come and go so frequently that it is hard to maintain a local fan base since it disperses and ceases to be local.

3. Your friends are not your fans (although you can be friends with your fans and that's awesome!). And it's not because you suck or anything. This is just statistics. I know that if we play a show in front of random people, we can expect maybe 10% of them to become fans. Your friends aren't any different and you can expect 90% of them to never take interest in what you do (depressing, I know). If you add in factors from no. 1 and 2, you can see this is a real problem!

There is good news however. That 10% of the world is out there and waiting. You just have to find them and get them to interact with you in a human way. You could spend hours following people on social media, or handing out fliers (fliers don't work, by the way!) just driving up your number counts, getting the occasional listener that becomes a fan. But it's not efficient. You could invest in Facebook ads, and other promo materials, but I must warn you, this sets you up for a skin deep relationship with the few people that like your music.

Without going into great detail, I'm going to sum up what you need to do in one sentence: You need to interact and be as human as you can be. Don't promote your music, but do put yourself out there. People aren't that stupid and they know a band when they see one so there is no need to push your music with spammy links to your Youtube and Bandcamp pages. The only people you should ever send these links to are YOUR FANS who you know want them! :) So find your fans, and talk to them, because they happen to think that you are awesome and a fan that has a connection to your band is worth 100 that just clicked like on a facebook ad they saw, listened once and promptly forgot that you exist.

Any band or artist that has this figured out, will have at least some degree of success. They will in the very least have fans that support them and regularly listen to their music and talk about how their band is their favorite band. It may not pay bills, but it definitely makes you feel good and it will save the sanity of any struggling artist. So do yourself a favor: Be human, be social, be likeable. If your music is also likable, you will have fans for life :)

These are just the basics, but 99% of bands probably overlook this so it's relevance is above everything else!

I may write more about this at a later date if there is interest!

Many thanks to our awesome fans!

-Seann @ symfinity

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My Greatest Sin: Hating Karaoke

I've decided to blog about something pretty controversial here, since it always seems to come up whenever I am hanging out with a group of friends in the city that are out late, "looking for something to do". This is where I usually go home, because it's only a matter or time before someone suggests karaoke. And then come the questions..."But it's so much fun! Why don't you like it?" "But you are a singer! Don't you like singing?" How could anyone hate karaoke?" As it turns out...there are many reasons:

1. Obnoxious Drunk People: First of all, in people's heads, they are pop stars giving their friends the best private concert of their lives. The reality, is we're talking about the classic crowd of people singing drunkenly in a bar (usually out of tune and obnoxiously loud). I don't find this self gratifying at all. I simply find it obnoxious.

2. Paying to Sing: Alright, so I'm a singer right? I perform as a professional musician and hope to get paid for people to hear me perform my own music. So why on earth should I pay some schmuck with a microphone a dollar to sing a Justin Timberlake song. This is my biggest problem with it. It completely devalues what I do as an artist and undermines my career, not to mention, a karaoke night will typically displace a night that a booker COULD be booking bands instead. Yet people pay for this instead of original music or even a cover band. 3. Quality of Music: So typically....in the great karaoke library, there are only the most famous songs from the most famous artists. Talk about branching out and not doing something we've all heard on the radio or tv??? Forget it. Worse yet, at places where you pay for song, there are some really horrible outcomes, like the guy who pays two bucks to sing the Cheers theme song. Hey guess what? It's only 30 seconds long! On the rare occasion that have gone to karaoke, I totally pulled out a 6 minute long Metallica song. Get your money's worth. Or better yet, go to a carnival and waste two dollars in 30 seconds there. Also, depending on the library, you may be singing to tracks that resemble some of the worst MIDI patches known to humanity instead of the real song. 4. The Microphone Hog: Suppose you actually rent a room with your friends to avoid the annoying bar crowd? It can be nice, but more often than not, there is that one friend of yours that loves attention a little too much. And they usually sing loud. And they are usually just as obnoxious as that drunken crowd at the bar since they are probably drunk themselves. And they usually sing when you are singing, breathing down your neck as close to the microphone as they can possibly be. It only takes one of these people to turn an experience I already dislike into a living nightmare!

So, is it fun to make yourself look like an idiot in front of your friends? Absolutely it is. But why pay for it? You could just as easily stay home, blast some music and scream along with your buddies to all the music you actually enjoy. If you want to be stupid, be stupid. And then make a plan to go out and see some real live music. I write this blog in part to educate our dear young music fans about this. If you want to be a singer that badly, don't live your dream in a bar somewhere. Simply sing! Find people who want to help you! Be a Youtube or Vimeo star even! Whatever you do, don't contribute to our karaoke problem! I won't judge if you do. I've accepted that it is a burden of society lol. Will I do free karaoke? Maybe, but I better be with some really cool people and there better be some good food nearby!

Anyway, now you know. Hope it was a good read! Will have more information about videos and the new album, Anthem, soon!

-Seann

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New England Mini Tour!

It's May! And in New London, NH, that means Mayfest which we were invited to return to this year! I was excited about this all month and wanted to try to get another concert booked. I looked all over New England and nothing seemed to click.....until a day before we were thinking of heading up! And then we ended up playing at the Habitat For Humanity Restore on Saturday or Worcester, MA! Very different experience doing a concert surrounded by secondhand furniture, but pretty cool! We also tried experimenting with playing with orchestra samples (the real way) for the first time. It was a mess, but it was a laid back space, so worth a try for a couple songs. But the people at the store were really nice and we may go back there someday! Pretty good experience aside from having a slight cold (which lasted throughout the trip, ugh! and not being able to fall asleep the night before). Since it was just three of us, myself (Seann), John and Crystal, we decided we might as well take a trip to Boston and play an open mic. Always fun to come into a group of singer/songwriters with a mini-band (and yes, I didn't hold back, I used distortion!!! To heck with acoustic!) and be the ones who are different! We met some talented musicians and look forward to making Boston a more regular tour stop for us in the future.

We spent the night somewhere in New Hampshire, got some decent sleep which was much needed! Got some decent hotel breakfast and trekked the last hour to Mayfest. We came up with a setlist, setup and did all that and then we tried out playing with orchestra samples for our last 4 songs!...which were Cries of Humanity, Now Free, With Me Now and Flipside and it worked! We played with orchestra!..and even Lynette our flutist made an appearance since we added her to the With Me Now and Flipside samples!

Always great to make new fans and friends in new cities! And we got home pretty easily. Ready to sleep now!

-Symfinity

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