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Fashion, Film, Art, Poetry, Lit, Everything. For People of Color

@poc-creators / poc-creators.tumblr.com

POC Creators is a creative collective based upon uniting POC and giving us a safe space to discuss,cultivate our ideas and network. We also highlight and celebrate creative works by people of color. We are accepting creative submissions of all kinds. Articles, artworks, films, multi-media, comic books, video games, ect. We want to help showcase YOU. If you have a creative work such as a script or film that needs critiquing, contact us.We are here to help.
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03/17/21

According to a report by Stop AAPI Hate, about 3,800 anti-Asian hate incidents were reported nationwide in the last 12 months. Of those, Georgia was ranked as the twelfth-highest state for crimes reported. One local Chattanoogan, Victoria Yang, said those numbers don't surprise her and she is hoping for some kind of change.
She said the recent racial stereotypes of Asian-American people and the coronavirus have changed things for her here in Chattanooga and online. “I posted a piece about a family member that passed away and one of the comments was ‘How’s that one-child policy now for you,'" Yang recalled.
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korean-art

if you like kpop, if you like anime, if you like the art and culture produced from asian countries, please think constructively about how you can contribute to stopping asian hatred and anti-asian racism.

please listen to us when we tell you that we dont feel safe.

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sketiana

QUO VADIS, AIDA?

This Bosnian film from last year, directed by Jasmila Žbanić, who herself is a survivor of this war, deals with the events closely before the Srebrenica genocide of July, 1995.

The story follows Aida, a bosnian woman who is also a translator for the Dutch peacekeepers of UN forces that have come to the town of Srebrenica - then proclaimed a UN safe zone - to aid its defense from the occupation and massacre by the Serb army.

If you're unfamiliar with the Srebrenica genocide events, the brief of it was that after being proclaimed a UN safe zone, thousands of Bosniak muslim civillians from surrounding territories flocked to the city for safety, believing they'd be protected by the UN forces from the Serbs. What ensued was a horrific scar on the world's history: a genocide that was, due to indifference, allowed to happen by the UN forces who basically surrendered the town of Srebrenica and all the civilians in it to the Serb army, which then killed over 8 thousand Bosniak muslim males ranging from babies to 80-year-olds, and raped thousands of Bosniak muslim women, all at the knowledge and aforementioned indifference of the UN and by extension, the "international community".

The movie is set before these events, 'a prelude to the massacre', and it hauntingly captures the beginnings of hopelessness and the swirl of disbelief and anger of the victims at what was allowed to take place, through the eyes of a woman who just wants to save her family from the so-called safe zone. Knowing what takes place in the end inevitably coats every interaction and scenes of the film prior to the genocide in an eerie, sombre mood that can't get better, because it never did.

In the wake of renewed public emergences and sheltering of fascist ideologies, beliefs and tendencies all across the world, and especially in the US and Europe, to be reminded of this largely overlooked and unknown of genocide - which is still being denied by notable Serb politicians - over Bosniak muslims, solely because they were Bosniak muslims, is a good step away from allowing genocide deniers and fascists and their rhetoric that prevails in Serbia, RS and Europe to come away from it largely scat-free and unjustly exonerated without adequate consequences in the Haag court, and the public opinion. The victims and the survivors deserve that, nearly 26 years after it took place, at the least.

The movie scored 100% on RottenTomatoes (as of 15th March) and was nominated for and won many awards, along with a notable nomination for the best international movie at the BAFTAs and, from today, that same nomination for the 2021 Academy Awards.

So if you have the time (102 minutes to be exact) for a non-Hollywood movie that is important beyond comprehension to most in this three-million people country, and if you hate fascism & its rhetoric as much as I do, do watch it for yourself. If only to me, it will mean more than you know.

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Abode of Felicity / در سعادت  /// LOVE POEM IN SIGN LANGUAGE by Sabina England

Created exclusively for the 2021 REEL Poetry Film Festival and Public Poetry (Houston, Texas) 

Written, performed, and edited by Sabina England 💙 The poem was inspired by my travels to Istanbul, Jerusalem and Jordan. The name “Abode of Felicity” was a Turkish Ottoman nickname for Istanbul, and also for a chamber at the Topkapi Palace, the medieval home of the early Ottoman rulers. 💙 

Music by DJ Saka, Voice by Angela Says, Arabic Calligraphy by Leili Solat 💙 

 STAY BLESSED AND SAFE!! 💙💙💙💙

New videopoem  💙 💙 💙 💙

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Before you know what kindness really is you must lose things, feel the future dissolve in a moment like salt in a weakened broth. What you held in your hand, what you counted and carefully saved, all this must go so you know how desolate the landscape can be between the regions of kindness. How you ride and ride thinking the bus will never stop, the passengers eating maize and chicken will stare out the window forever. Before you learn the tender gravity of kindness you must travel where the Indian in a white poncho lies dead by the side of the road. You must see how this could be you, how he too was someone who journeyed through the night with plans and the simple breath that kept him alive. Before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing. You must wake up with sorrow. You must speak to it till your voice catches the thread of all sorrows and you see the size of the cloth. Then it is only kindness that makes sense anymore, only kindness that ties your shoes and sends you out into the day to gaze at bread, only kindness that raises its head from the crowd of the world to say It is I you have been looking for, and then goes with you everywhere like a shadow or a friend.

From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author. (via badass-bharat-deafmuslim-artista)

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“Anthropocene: A Dictionary” by Jake Skeets / A Navajo Poem

  • (definitions provided by the Navajo–English Dictionary by Leon Wall & William Morgan)

dibé bighan: sheep corral

juniper beams caught charcoal in the late summer morning night still pooled in hoof prints; deer panicked run from water

ooljéé’ biná’adinídíín: moonlight

perched above the town drowned in orange and streetlamp the road back home dips with the earth                                                                    shines black in the sirens

bit’a’ :  its sails or—its wing (s)

          driving through the mountain pass                       dólii, mountain bluebird, swings out—           from swollen branches I never see those anymore, someone says

diyóół        : wind (

                        wind (more of it) more wind as in (to come up)                         plastic bags driftwood the fence line

nihootsoii            :             evening—somewhere northward fire                                       twists around the shrublands;                               sky dipped in smoke—twilight        —there is a word for this,                                                    someone says

                                       :           deidííłid, they burned it                                              :           kódeiilyaa, we did this

Copyright © 2021 by Jake Skeets. 

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Video in Chinese with English subtitles about traditional Chinese art of cloud brocade, the clothes and various items in this video are soooo beautiful. 

Yunjin was once a fabric used by the Chinese royal family for a thousand years, but now it is on the verge of being lost. This time, I went to Nanjing and visited the latest heir of the Cloud Brocade Institute and a young but famous designer who loves ancient Chinese style. Let’s see how this ancient royal fabric can find its place again in the modern world.
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ziseviolet

It’s super exciting to see Vogue feature hanfu (the first time I think?) in their “Global Women 2021″ piece for International Women’s Day. I’ve been keeping an eye on Shiyin for some time, so it’s awesome to see her being interviewed and highlighted here. She has several hanfu videos on her Youtube channel (some with English subtitles/in English), go follow her here!

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