Amu aka Amu’s Vision aka Amritpal Dhaliwal (Punjabi, b. 1999, Punjab, India, based Bay Area, CA, USA) - They Come Out at Night, 2022, Mixed Media
Unknown, Letter, “ Heart in hand “ 1875
Chen Chen, from "Poplar Street"
Lived in vs abandoned. There are three years between these photos. Photos by @goldenprairies & photos #3 and #7 by @daisygraves
In Loving Memory of Cline Hutchison
♡ RIP Cline ♡
venice at dusk, 2023
Sam’s doctor said to him, ‘The good news is that the pain is in your head.’
But I am in my head, Sam thought.
- Tomorrow, and Tomorrow, and Tomorrow, Gabrielle Zevin
A loaf and her loaflings on the lake
I can’t stop thinking about this since I first saw it
“Human heart beautiful as a seismograph. Royalty of silence […] This beauty will be convulsive or not be at all.”
— André Breton, Nadja
Nam Ji Hyung (남지형) - Fishbowl, 2020 (Oil on canvas, mixed media)
Unknown, Cat, 19th century
Deborah Delmar’s show Pure Comfort
Nikichi: ’「幻の青いケシの花」完成’ (2022)
Addiction is a progressive narrowing of the things that bring you pleasure. A good life is a progressive expansion of the things that bring you pleasure. Btw
this week’s little personal art assignment is going to be to watch a movie you’ve never seen before and create something inspired by it !
Vladimir Bobri, illustration Let’s Talk About Right and Wrong by Dorothy K. Kripke, 1955
when jenny slate said “domesticity is very sacred to me. making a home is… it’s just, like, the central thing in my life. when I cannot make a home, even in a hotel room, I feel really lost. putting everything in a certain place on purpose. not just, like, throwing shit down. but putting everything in a certain place on purpose and starting to sort of figure out how the trains run, basically. like, what are the paths? what are the paths in the house that you’re going to take the most and what can you line those paths with? or, in the hotel room, like, where are you going to put your journal and your book, so that you’re just starting to create little pathways in this garden and that they mark that space? I just take it really seriously. it’s sort of like… it’s so sweet, it’s sort of like when you see children playing a game and you know they’re marking out a world. and they’re like, “this is where the dungeon is! and this is where the kitchen is in the castle! and this is where the-“, and you can’t see anything but the backyard but they can see everything. that’s what i’m doing and i’m doing it all the time. all the time. and it’s always there. even when I get into a car, I think about where i’m sitting and how i’m sitting and what i’m touching. and I just try hard to do that.”