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The Papermoon Reviewsical!

@papermoon4 / papermoon4.tumblr.com

Michael T. Mooney - Arts Raconteur, former and current child star hiding out in a tin can at the Jersey shore awaiting the rapture.
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reblogged
Lucy in Beverly Hills
Part 1 ~ The Cast

Although thematically the shows created by Lucille Ball were worlds apart from the down-home humor at the Clampett Mansion, there were artistic and creative commonalities that are worth discussing.

"The Beverly Hillbillies" ran from 1962 to 1971, while "The Lucy Show" ran from 1962 to 1968, both on CBS TV. Interiors were filmed at General Service Studios, where "I Love Lucy" began filming until it moved to larger quarters.

Like Jed Clampett, Lucy Carmichael and Lucy Carter are single parents, raising teenage girls, a popular trope of the 1960s and '70s.

The Desilu sitcoms "I Love Lucy," "Make Room for Daddy," "The Andy Griffith Show," and "Gomer Pyle USMC" are all related shows with characters in common much in the same way the Henning sitocms, "The Beverly Hillbillies," "Petticoat Junction" and "Green Acres" were related. Interestingly, "The Beverly Hillbillies" was mentioned during two episodes of "The Danny Thomas Show", in 1963 and 1964.

Jed Clampett's fortune is made from striking oil. In the 1960 Broadway musical, Lucille Ball played a wildcatter looking to find black gold. On "I Love Lucy," new neighbors the O'Briens move from Texas, where they made their fortune in oil. Soon the Ricardos and Mertzes have dreams of riches from Texas tea.

Animal trainers Frank and Juanita Inn worked on both shows, as well as on "Here's Lucy."

Both shows went from black and white to color in October 1965. Although "The Lucy Show" had filmed its second season in color (1963-1964), CBS declined to air it in color.

Editor Dann Cahn (1963 to 1964), was also an editor for "I Love Lucy" and many Desilu shows.

Shared Casting

Their “Petticoat Junction” characters are in parentheses, followed by their Lucycom / Desilu credits.

Irene Ryan (Granny) performed with Lucille Ball on a May 3, 1949 episode of "The Bob Hope Radio Show." In 1963, Ryan and Ball both appeared on CBS specials featuring their TV shows.

Buddy Ebsen (Jed Clampett) appeared in a 1958 episode of "The Westinghouse-Desilu Playhouse" introduced by Desi Arnaz. He appeared with Lucille Ball on several CBS specials and numerous award shows.

Donna Douglas (Ellie Mae Clampett) performed in a 1960 episode of Desilu's helicopter series "Whirlybirds." She was seen with Lucille Ball on a 1963 CBS special "The Stars' Address".

Max Baer Jr. (Jethro Clampett) was seen with Lucille Ball on a 1963 CBS special "The Stars' Address".

Raymond Bailey (Millburn Drysdale) never acted opposite Lucille Ball, but was seen in episodes of Desilu's "The Whirlybirds," "The Untouchables," "The Ann Sothern Show" and "Westinghouse-Desilu Playhouse" introduced by Desi Arnaz.

The bankers of "The Lucy Show" (Theodore J. Mooney) and "The Beverly Hillbillies" (Millburn Drysdale) were remarkably similar: loud, quick-tempered, miserly, abusive to their secretaries, and willing to grovel and sacrifice their dignity to land a big account. 

Stretch (Duke) the Clampett's lethargic bulldog, also played Thunderbolt on "Kiddie Parties, Inc." (1963) on "The Lucy Show." Stretch was one of Frank Inn's biggest stars.

Nancy Kulp (Miss Jane Hathaway) played the Cockney maid who teaches Lucy Ricardo ow to curtsy in "Lucy Meets the Queen" (1955). She also appeared in the Lucille Ball and Desi Arnaz film Forever Darling, again playing a maid. Kulp returned to Desilu for a 1959 special with Milton Berle and Lucille Ball and a 1962 episode of “The Lucy Show” where she played Navy Officer Jane Corey.

Miss Jane's relationship to Mr. Drysdale was not dissimilar to Lucy Carmichael's relationship to her banker boss, Mr. Mooney.

Bea Benadaret (Cousin Pearl Bodine) first starred with Lucille Ball on her radio series “My Favorite Husband” (1948-1951), primarily as best friend Iris Atterbury. Benadaret was Ball’s first choice to play Ethel Mertz on “I Love Lucy,” but she was already contracted to play Blanche Morton on “The George Burns and Gracie Allen Show”, another best friend character. Ball still managed to cast her as a one-off character, Miss Lewis, an elderly spinster, on season one of “I Love Lucy.”

Frank Wilcox (John Brewster) appeared with Lucille Ball in the films Her Husband’s Affairs (1947) and The Fuller Brush Girl (1950). He played Frank Spaulding, owner of the Connecticut house in "Lucy Wants To Move To The Country" (1957).

Elvia Allman (Elverna Bradshaw) was heard with Lucille Ball on “My Favorite Husband” before playing the strident Candy Factory Forewoman on “I Love Lucy.” Allman returned to the show as one of Minnie Finch’s neighbors in “Fan Magazine Interview” (1954) and prim magazine reporter Nancy Graham in “The Homecoming” (1955). She made two appearances on “The Lucy–Desi Comedy Hour“ - first as Ida Thompson, Westfield’s PTA director, then as Milton Berle’s private secretary. Allman would also be seen on two episodes of “The Lucy Show" as a customer in a department store and the manager of an employment agency. Allman’s final screen appearance with Lucille Ball reunited her with Bob Hope: “Bringing Back Vaudeville” in 1971. For Desilu, Allman was seen on “December Bride” (1954-59), and “The Ann Sothern Show” (1958).

Milton Frome (Lawrence Chapman) played Sam, who Lucy Ricardo tried to fix up with Dorothy, in “The Matchmaker” (1954).  He played Milton Berle's agent in a "Lucy Saves Milton Berle" (1965). He also played a waiter in a 1972 episode of “Here’s Lucy” starring Donny Osmond.

Ray Kellogg (Gate Guard / Police Officer) played the barking Assistant Director (“Roll ‘em!”) in “Ricky’s Screen Test” (1954) and later appeared in “Bullfight Dance” (1955). He was seen on 7 episodes of “The Lucy Show” and two episodes of “Here’s Lucy.” In many of his appearances he played policemen or guards, just as he does here.

Charles Lane (Foster Phinney / Homer Bedloe / Billy Hacker) appeared in 7 films with Lucille Ball between 1933 and 1949. He was also heard on her radio show "My Favorite Husband". On "I Love Lucy," he played 4 characters and 2 more on "The Lucy-Desi Comedy Hour." He was cast as banker Barnsdahl on "The Lucy Show," but was released after 4 episodes so that Ball could hire Gale Gordon. He went from Desilu to Hooterville with his role of Homer Bedloe on "Petticoat Junction," which he also plays on "The Beverly Hillbillies".

Phil Silvers (Shifty Shafer aka Honest John) gave Lucille Ball a cameo on his show "Sergeant Bilko" in 1959. In 1963, Ball and Silvers performed the classic ‘Slowly I Turn’ sketch for “CBS Opening Night.” In December 1966, Silvers guest-starred as Oliver Kasten in “Lucy and the Efficiency Expert”. A year later Ball and Silvers both had bit parts in the film A Guide for the Married Man (1967). 

Roy Roberts (John Cushing / Judge) appeared with Lucille Ball in Miss Grant Takes Richmond (1949). On “The Lucy Show” he first appeared as a Navy Admiral in “Lucy and the Submarine” before creating the role of Mr. Cheever, the president of Mr. Mooney’s bank, a recurring character he played through the end of the series. On “Here’s Lucy” he played the Superintendent of the Air Force Academy in season two’s two-part opener.  He also played doctors in “Lucy and the Astronauts” (1971) and in "Lucy is N.G. as an R.N." (1973).  

Shirley Mitchell (Opal Clampett) became friends with Lucille Ball in the late 1940s when she was featured in 4 episodes of “My Favorite Husband.” Mitchell reunited with Lucille Ball on “I Love Lucy” playing Marion Strong, member of the Wednesday Afternoon Fine Arts League. She also played Mae Belle Jennings on "Petticoat Junction."

Joi Lansing (Gladys Flatt) first worked with Lucille Ball on “I Love Lucy” in “Desert Island” (1956) and returned to play Miss Long Neck in "Lucy Wants a Career" (1959). She did an episode of Desilu's "The Untouchables" and appeared for Desi Arnaz on an episode of "The Mothers-in-Law".

Alan Reed Jr. (Sheldon Epps / Buddy) is probably best remembered as the voice of Fred Flintstone, acting opposite Bea Benadaret (Cousin Pearl). He was heard with Lucille Ball on "My Favorite Husband" (1949). In 1963 he played a café owner in “Lucy Visits the White House”. In 1967, he made an appearance on the Desi Arnaz series “The Mothers-in-Law”. 

Most of the principal cast of "The Flintstones" (1960-1966) appeared on "The Beverly Hillbillies": Bea Benadaret (Betty), Alan Reed Jr. (Fred), and Mel Blanc (Barney) all appeared on the show. Jean Vander Pyl did not act on "The Beverly Hillbillies," but did appear on its sister show "Petticoat Junction" and voiced Maw on the cartoon "The Hillbilly Bears" (1966). All four also worked with Lucille Ball on radio and/or television. There was also an episode of "The Flintstones" titled "The Bedrock Hillbillies" (above) featuring animated characters named Granny and Jethro Hatrock with voice talent Howard Morris, John Stephenson, and June Foray, all of whom also worked with Lucille Ball.

Richard Deacon (Dr. Klinger / Mr. Brubaker) made two guest star appearances on Desilu's “December Bride” in 1956 in one of which he played Desi Arnaz’s butler. It’s not surprising that he was cast as Tallulah Bankhead’s butler Winslow in “The Celebrity Next Door,” a 1957 episode of “The Lucy-Desi Comedy Hour.”  In 1963 he played Harvey Rittenhouse in the Ball / Hope film Critic’s Choice. In October 1964, Deacon and Lucille Ball both played themselves on “Bob Hope Presents The Chrysler Theatre: Have Girls, Will Travel”.  He was employed again by Desi Sr. as a regular on “The Mothers-in-Law” (1968-69).  He was seen on two episodes of "Here's Lucy."

Paul Winchell (Grandpa Winch) was just 40 years old when he donned old age make-up to play Grandpa Winch in "Home for Christmas" (S1;E13). Four years later he was aged again to play Doc Porter on a two-part episode of "The Lucy Show" set in a the small town of Bancroft.

Mary Wickes (Adaline Ashley) was one of Lucille Ball's best friends of screen. She appeared on "I Love Lucy," "The Lucy Show," and "Here's Lucy," in addition to many other TV specials alongside Ball. The 1967 episode of "The Beverly Hillbillies" Wickes appeared on was aired between two of her "Lucy Show" appearances and featured Gail Bonney, who was seen on "I Love Lucy" and "The Lucy Show."

Eddie Albert and Eva Gabor (Oliver and Lisa Douglas) ~ were visitors to Beverly Hills from Hooterville, but both stars were also favorites of Lucille Ball. Gabor appeared in two episodes of "Here's Lucy", one as herself, and Albert played himself in a 1973 episode. In 1950, he co-starred with Lucille Ball in The Fuller Brush Girl. 

Star Casting

John Wayne made a cameo appearance on "The Beverly Hillbillies". When asked how he wanted to be paid, he is best remembered answering back with: "Give me a fifth of bourbon--that'll square it." Wayne appeared as himself on "I Love Lucy" (1955) and "The Lucy Show" (1966). His uncredited cameo on "The Indians Are Coming" (S5;E20) was aired in 1967.

Sammy Davis Jr. (Sergeant Patrick Muldoon) made two appearances on the series during November 1968 episodes set in NYC. Although he plays a character here (an Irish cop!), he played himself on "Here's Lucy" in September 1970. His first "Hillbillies" appearance also features Lucy's friend and co-star Phil Silvers as Shifty Shafer (aka Honest John), a recurring character that was seen in eight episodes.

Impressionist Rich Little played himself in the season nine opener of "The Beverly Hillbillies." Mr. Drysdale convinces him to impersonate President Richard Nixon over the telephone to fool Jed. Nixon was one of Little's most popular impressions. When he played himself on a 1971 episode of "Here's Lucy," Nixon wasn't mentioned, but he did do his impression of John Wayne (see above).

Hedda Hopper played herself in "Hedda Hopper's Hollywood" (S3;E4) in 1964, an episode named after her newspaper column and television specials, one of which featured Lucille Ball. That same 1960 special featured Gloria Swanson, who did a cameo as herself in a 1966 episode titled "The Gloria Swanson Story" (S5;E12). Curiously, Hopper played herself in a 1955 episode of "I Love Lucy" titled "The Hedda Hopper Story." An episode of "The Lucy Show" titled "Lucy and the Lost Star" was intended for Swanson, but the lost star eventually cast was Joan Crawford.

Robert Cummings appeared as himself in "The Race for Queen" (S2;E19) playing the celebrity judge of the Queen of Beverly Hills beauty contest. He was known as Bob Collins on "The Bob Cummings Show" (aka "Love That Bob!"), which ran from 1955 to 1959. The same year it ended he played himself on a 1959 episode of "The Lucy-Desi Comedy Hour" set in Japan. He reprised the character of Bob Collins on a 1972 episode of "Here’s Lucy” (above) and returned the following season for another episode as a different Bob. His sitcom had featured many of the same actors as "The Beverly Hillbillies" and various Lucycoms, but especially Joi Lansing, Nancy Kulp, and Elvia Allman. Cummings' appearance on "Hillbillies" is primarily attributable to the fact that BH creator Paul Henning produced "The Bob Cummings Show"!

Other Common Cast Members

Jack Bannon, Wally Cox, Peter Leeds, Bobs Watson, Lyle Talbot, Doris Packer Eleanor Audley, Maurice Marsac, Leon Ames, Jesse White, George Barrows, Herb Vigran, Jean Willes, Norman Leavitt, Leon Belasco, Burt Mustin, Iris Adrian, Foster Brooks, Ted Eccles, Robert Foulk, Tristram Coffin, Byron Foulger, Gil Perkins, Hal Taggart, Robert Cummings, Natalie Schaffer, Mel Blanc, John McGiver, Don Rickles, John Carradine, Jacques Bergerac, Hans Conried, Murvyn Vye, Bernie Kopell, Barbara Morrison, Phil Arnold, Ellen Corby, Robert Carson, Barry Kelley, William Newell, Lurene Tuttle, Karen Norris, Hayden Rorke, Benny Rubin, Helen Kleeb, Bill Quinn, Frank J. Scannell, Irwin Charrone, Gail Bonney, Fritz Feld, Norma Varden, Murray Pollack, Jil Jarmyn, Olan Soule, John Gallaudet, George N. Niese, Dick Winslow, Tommy Farrell, Cliff Norton, Robert Osborne, Nestor Paiva, Larry J. Blake, Hans Moebus, Norman Stevans, Monty O'Grady, Steve Carruthers, and Bert Stevens.

~ Stay Tuned for Part 2 : Episodes ~

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MUSICAL MASH-UPS!

Musicals We Didn’t Know We Needed

In the hit musical PARADISE SQUAREPANTS Sponge Bob owns a hangout called Paradise Square in Lower Bikini Bottom. He's created an underwater paradise where free Sponges and cultists Sardines can harmoniously sing, dance, and debate. But when a deadly volcano is threatening to erupt, and the Tidal Basin Riots break out, tensions spill over. Things are further complicated when Patchy the Pirate is ejected from Paradise Square claiming he is being persecuted due to pirate stereotypes. He is supported in song (“Poor Pirates”) by a rowdy band he met at a diver bar in nearby Hell's Kitchen.

FUNNY GIRL FROM THE NORTH COUNTRY is set in Duluth, Minnesota during the bleak winter of 1934. Nicky Lainstein is proprietor of a rundown guest house where vaudeville star Fanny Brice is stranded during her penultimate farewell tour. During one snow-swept night, Fanny tells Nicky of her tumultuous career in the limelight – all to the music of Bob Dylan.

THE MUSIC MAN OF NO IMPORTANCE is the story of Alfie Byrne, who finds that there's trouble in Dublin City. The cause? Dirty books! The last thing he expects is to fall in love with Salome Peru, the local librarian and her dance of the 76 veils.

THE PHANTOM OF THE THREEPENNY OPERA ~ MacHeath (aka Mack the Knife) lives deep in the catacombs under the Paris Opera House, hiding his disfigured face from the world after a horrible chandelier accident. He falls in love with Polly, a young soprano and part-time slut, and vows he will marry her. This angers her father, Peacham, the manager of the Opera, who will stop at nothing to save his daughter from MacHeath's wretched clutches.

CATCH ME IF YOU CAN-CAN is the musical story of Franc, a con-man who pretends to be a pilot for Air France, but is haunted by his mysterious childhood. His mother Claudine was a can-can dancer in Montmartre who was harassed by a judge who may or may not be his real father. While passing fake travelers cheques at Charles De Gaulle airport, he is pursued by both the law and his past, while singing the show's big number “Catch Me If You Can-Can”

In MY FAIR LADY IN THE DARK magazine editor Liza finds herself plagued by indecision. She is courted by two men: Higgins, a grammar-fixated speech teacher; and Freddy, a romantic street surveyor. When seeing a psychologist, she delves into her dreams of being put on trial for her indecision in a circus setting, with her father Alfie acting as prosecutor, Higgins as chief witness, and Freddy as her defense attorney. She defends her refusal to make up her mind in the searing "Saga of Jenny". Will she fetch his slippers, or go to the races? As the curtain falls, Liza finally makes up her mind.

MR. SATURDAY NIGHT MOTHER is the heart-breaking yet hysterical story of Buddy Young Jr. (Billy Crystal), a washed-up comic who comes home to care for his terminally ill mother. Little does he know that she wants him to help her die - laughing!

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Gus Edwards’ RITZ-CARLTON NIGHTS

1926 to 1928

In August 1926 “star-maker” producer Gus Edwards put together an hour-long revue at the Ritz-Carlton Hotel in Atlantic City, New Jersey. The show was performed in the Hotel’s dining room.  Edwards was onstage as host, presenting young performers, mostly in the areas of song and dance.  Edwards was the author of such popular songs as "By the Light of the Silvery Moon", "He's My Pal", and "In My Merry Oldsmobile", among many others.

In the 1920s and 1930s, Atlantic City was a well-known try-out location for stage productions headed to Broadway or, in this case, vaudeville. The city then had 21 legitimate theatres, all less than two hours from New York.  Auditions were sometimes held on the beach! 

The non-musical portions of the show were penned by Nat and Max Lief, Will D. Cobb, and Howard Johnson.

After Atlantic City, the show was booked on the vaudeville circuit and toured until October 1928, playing theatres nation-wide - even one in New York City. 

The hour-long revue was often teamed with a film presentation or an orchestra performance. 

The most significant member of the original cast was Ray Bolger, a dozen years before his now-iconic role of the Scarecrow in the MGM feature film The Wizard of Oz.  Ironically, Edwards had also penned songs for a Broadway musical adaptation of “Wizard” in 1904. When Bolger wasn’t on stage in “Ritz-Carlton Nights” he was appearing in the Broadway revue “The Merry World” at the Imperial Theatre (then the Shubert Theatre). Doing triple duty, he also appeared in the Broadway revue “A Night In Paris” at the 44th Street Theatre (then Jolson’s 58th Street Theatre). To cap it off, that year he also made his film debut in the comedy short “The Berth Mark”.  All of this from August to October 1926!  

The show featured two sister acts, the most popular being Leota and Lola, the Lane Sisters. They had two other sisters, Priscilla and Rosemary, who did not appear in the show.  Both were ‘discovered’ by Gus Edwards singing in an Iowa theatre.

Also ‘featured’ in the cast was Nitza (aka Nitze) Vernille (nee Roper). She was 18 years old at the time. When she left the show in 1928, she was replaced on the bill by Senorita Armida, a specialty dancer not unlike Vernille. 

Also in the cast at various engagements: 

  • Gus Edwards, Emcee
  • Rosita & Roman, dancers
  • Margaret & Lillian Reynolds, dancers
  • Helen Lynd
  • Peggy Hoover
  • Dorothy (aka Dorothea / Doretha) James, tap dancer
  • Rosebud Morse
  • Little Paul Haakon, Russian Ballet
  • Virginia Martin
  • Jerry Dryden, ballet dancer
  • McManus, George Flynn, Paul Cadieux, Joseph Herbert, quartet
  • Jean Holly, violinist
  • Dora Maughan, comedienne
  • Walter Fehl, magician
  • Dezro E. Retter, acrobat / comedian
  • Irene Shaw, blackface
  • George Douglas, comedian / dancer 
  • Senorita Armida, dancer
  • Master Lucien La Rue, singer
  • Serge Flash, juggler
  • Maud Earl, classical singer
  • Hal Chamberlain, singer
  • Vivian Earle, singer
  • Ed & Tom Hickey
  • The Paige Sisters
  • Gertie & Archie Falls

SETTING

The show is set in a nightclub. Some reports say the first scene took place outside the Ritz-Carlton Hotel. 

BILL OF FARE (subject to change)

"I'm a Knight of the Night Clubs Now" - Emcee Gus Edwards sings a medley of his own songs peppered with words of praise for stars he discovered. 

"Youth Beauty and Harmony" -  The Lane Sisters 

"Youth Beauty and Grace" - Miss Jerry Dryden 

"Love Is Love in Any Language" - Edwards with Leota Lane (France), Margaret Reynolds (Scotland), Lillian Reynolds (Ireland), Lola Lane (Germany), Miss Jerry Dryden, and Miss Virginia Martin (USA)

"Wee Duo Fiddle" (violin solo) - Jean Holly 

"Pretty Little Dolly" - Lola Lane, Virginia Martin (dance)

Black Bottom (dance) - The Reynolds Sisters 

Soprano solo - Leota Lane

"Leg-o-mania" acrobatic dance - Virginia Martin 

"Daffy Dilly Canoe" - Ray (Rubber legs) Bolger 

"Everything Is Spanish Now" 

“My Casa Valentina* Girl” - Mr. Edwards with Miss Dryden, Miss Martin and The Reynolds Sisters "La Paloma" - The Lane Sisters  "La Palina" "Barcelona" - Ray (Rubberlegs) Bolger  "La Tamberina" - Miss Jerry Dryden 

"I'm a Knight of the Night Clubs Now" (finale) - Edwards and entire Company

*Casa Valentina was briefly the name given to the Ritz-Carlton Atlantic City Grill Room where the show was originally performed. 

THE SHOW HITS THE ROAD

Wilkes-Barre PA ~ October 1926 at the Capital Playhouse

Buffalo NY ~ November 1926 at the Loew’s State 

St. Louis MO ~ November 1926 at the Lowe’s State 

Pittsburgh PA ~ November-December 1926 at the Aldine Theatre

“...one of the most talented shows...with an abundance of snappy dancing, harmony and fun.”

Baltimore MD ~ December 1926 at the Century Theatre

“....In one hour...the Edwards entertainment offers more entertainment of real merit than three hours of certain Broadway shows.” 

Boston MA ~ December 1926 at The Loew’s State 

Scranton PA ~ December 23, 1926 at the Aldine Theatre

Washington DC ~ December 26, 1926 at the Palace 

“...the finest entertainment unit [he has] ever assembled.”

Hartford CT ~ January 3, 1927

“...carefully directed, thoughtfully planned and expertly played.”

Brooklyn NY ~ January 9, 1927 at the Mark Strand Theatre

Philadelphia PA ~ January 1927 at the Stanley Theatre

Chicago IL ~ February 1927 at the Palace

Kansas City MO ~ February 1927 at the Orpheum

Minneapolis MN ~ March 1927 at the Hennepin Orpheum 

Vancouver, Canada ~ March 1927 at the Orpheum 

Seattle WA ~ March 1927 at the Orpheum

Los Angeles CA ~ April-May 1927 at the Orpheum 

“...one of the best.”

San Francisco CA ~ May 1927 at the Orpheum

St. Louis MO ~ June 1927 at the St. Louis Theatre

“...the best cast Gus Edwards has ever presented”

Chicago IL ~ June-July 1927 at the New Orpheum Palace

Oklahoma City OK ~ July 1927 at the Orpheum Vaudeville

Fort Worth TX ~ August 1927 at the Majestic Theatre

Austin TX - September 1927 at the Hancock Theatre

Alexandria LA ~ October 1927 at the Rapides Theatre

Shreveport LA ~ October 1927 at the Vaudeville & Strand Theatres

Birmingham AL ~ October 1927 at the Ritz Theatre

“...speedy revue of juvenile talent.”

Atlanta GA ~ October 1927 at the Keith Albee Georgia 

Richmond VA ~ November 7, 1927 at the National Theatre

Brooklyn NY ~ December 1927 at the E.F. Albee

New York NY ~December 1927 at B.F. Keith’s Palace

White Plains NY ~ December 1927 at the Keith-Albee

Brooklyn NY ~ January 1928 at the Prospect Theatre

New York NY ~ August 23, 1928 at the Loew’s State

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In the first episode of Season 2 of THE UMBRELLA ACADEMY on Netflix, a Dallas appliance salesman (Kevin Rankin) in 1960 is pitching the new SilverTone Omega model Television Set with ColorVision!  He remarks:

“Ha!  Who knew that Lucy’s hair was red?”

The Umbrella Academy is a work of fiction based on a popular comic book, so historical accuracy cannot be relied upon. In early 1960, there were about 500,000 color television sets sold in the United States, most manufactured by RCA. RCA was the parent company of NBC, so the peacock network took the lead in color broadcasting while CBS was hoping to strike out on their own, but lagging behind.

Although it is possible that one of Lucille Ball’s color films was aired on television before mid-1960, it was very rare for films (even color ones) to be aired in color. Ball’s first network prime time appearance in color was on a November 1962 episode of “The Danny Kaye Show” on CBS. Viewers of the program were treated to TWO redheads in glorious color. 

In 1962, her own series for the same network, “The Lucy Show” was filmed and aired in black and white. Starting in season two Ball paid additional fees to have the series shot in color, but even then CBS still declined to air it in color. Lucy wasn’t seen in color on her own television show until September 1965!   So would a TV salesman in 1960 know that Lucille Ball’s hair was red? Possibly, but not likely by watching television! 

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VICTOR BORGE

COMEDY IN MUSIC

I love this poster!  First because of its aesthetic appeal. This color teal (it photographed slightly more green) is rarely used in design and it is beautifully offset with burgundy text. The layout is also striking in the use of negative space which dominates the top half, and contrasts with the bottom-heavy composition.  The black and white caricature of Victor Borge is by George Wachsteter (1911-2014). 

About Victor Borge

Børge Rosenbaum (1909-2000), known professionally as Victor Borge, was a Danish-born comedian, conductor, and pianist who achieved great popularity in radio and television in the United States and Europe. His style was epitomized by his audience interaction, his mash-ups of classical and pop songs, and his comedy bits like “phonetic punctuation” and “inflammatory language”. In addition to his Broadway engagements, he toured extensively performing live world-wide as well as doing television and radio. His blend of music and comedy earned him the nicknames "The Clown Prince of Denmark," "The Unmelancholy Dane," and "The Great Dane."  

About This Poster

Victor Borge’s “Comedy In Music” is the longest running one-man show on Broadway. Between October 1953 and January 1956 (with two summer breaks) he racked up 849 performances!  However... this poster is not from that run. 

This poster is actually from Victor Borge’s “Comedy in Music Opus 2″ - a new edition - that played at the same theatre from November 1964 to April 1965. I have no idea why they did not bill it as such, but that is how it is distinguished in record-keeping. He brought the show back yet again in 1977, this time at the Imperial Theatre, for a special engagement that lasted just a month. 

This 1964-65 engagement was produced by Alexander H. Cohen, who in 1959 founded something called Nine O’Clock Theatre. The goal was to present first class shows and entertainments on Broadway that started at 9:00pm so that theatre-goers did not have to rush through dinner!  The endeavor was launched by showman Cohen by hosting a huge carnival in Shubert Alley - complete with a Ferris Wheel, games, prizes, and celebrities. Lucille Ball was one of the ticket-sellers!  The experiment lasted until 1968 and featured shows by Nichols and May, “Beyond the Fringe”, Marlene Dietrich, and Maurice Chevalier. 

This time, Borge did his one-man show with help from Leonid Hambro (1920-2006), who was an accomplished American pianist.that performed with Borge from 1961 to 1970, and occasionally throughout the remainder of Borge's career.  As with most of the performers Borge worked with (singers included) their job was to serve the music, and leave the comedy to the maestro. 

While in the original, lighting and settings were credited to Borge himself - this time noted scenic designer Ralph Alswang (1916-1979) was hired.  From 1942 to 1977, Alswang produced designs for nearly 100 Broadway productions, and even had his hand in architectural design with the Gershwin Theatre.  Alswang also designed several houses in Westport, Connecticut, where he lived, including the home of Paul Newman.  In fact, when “I Love Lucy” writers were looking for a Connecticut town to relocate the Ricardos to in 1956, Alswang and his wife Betty volunteered to give them a guided tour of Westport, pointing out the local points of interest as well as historical past of the town. In return for his kindness, the writers named the Ricardo’s neighbors Ralph and Betty in their honor.

About Me & Borge

In 1997, I got to see Victor Borge perform at Paper Mill Playhouse, where I was working at the time, in a one-night concert.  He was booked during our production of “Man of La Mancha” so he actually performed in Don Quixote’s dismal cell, his grand piano looking quite out of place among the cold grey stones.  Because it was sold out, I was sitting on the stage, out of sight, hidden in one of the crevices of the cell normally occupied by the prisoners of the Spanish Inquisition!  It was a bit awkward but Borge was worth it. I can still remember his “phonetic punctuation” routine and how hard it made me laugh.

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