@phantom-nisnow / phantom-nisnow.tumblr.com
Recently did some original character intros starting with the main character of my book, Dr. Kala.
A kindhearted brainiac living in a steampunk-like flooded world, humble and selfless to a fault. Kala's also a very tired dad raising a rambunctious girl with too much energy... I'll show her intro soon lol
Kala has definitely been through a lot.......... more on this later
A person's favorite color, favorite animal, and favorite flavor of ice cream can say a lot about them when considering the answers as a whole. Some prime examples I've heard are:
~ Silver, Artic Wolf, and Mint Chocolate Chip.
~ Pink/Yellow, Putu Bird, and Cotton Candy.
~ Light Brown, Tree Kangaroo, and Rum Raisin.
~ Green, Pig, and Cookie Dough.
Mine are:
~ Burgundy, Fox, and Moose Tracks.
Tag some friends and get a sense of who they are! :)
Lavender, Horse, Tillamook Udderly Chocolate (or whatever they call it now).
Eggplant, Owls, Berry Cheesecake (currently)
Forest green, border collie, cookie dough
Red, cheetah, vanilla
Deep purple, cats, cinnamon
Pastel/baby pink, cats and dogs, strawberry and cookie dough
Indigo, vampire squid, and coffee/cheesecake
@indianampasta, @realhamatalks, @seashellnautilus care to take a turn? 👀
Bubblegum pink, kiwi bird, cinnamon
@once-upon-a-fuckery @blackjack2759 @vsaucejosh-blog @v2is-baby and anyone else who sees this, no pressure nerds <3
Crimson, hyena, mint chocolate chip !
@paraparasect @b1ttersweet-dreams @birdkittenn @cyberdanse @6-2-aestheticsofhate @hieronymus-nosk @hotlineamy @typicalcommondandelion @divinemodes @divine--intervention @blueartistic813 @stardiscs @batmecha @mipexch @minophus @fernsensei @edens-notesfromthegarden @bedrock-to-buildheight @starrydevotion @magnumopos @mcchipy @astraladversity @trustyalt @muzzleroars @blueartistic813 @lull-nyx @zhimaqiu @wormstuff @wastefellow @scaryboy2409 @inverse-problem @pyrojackal @pangolin-404 @speedruntechnically @dune4ka5 @fleshmaid @piconoodle @ssstrawberryflowers
! Lime green, hognose snake, and salted caramel
@jadequarze @felidaeng @loki-ioki @phantom-nisnow @bakugames @cephiwyrm @cyborb @crowputer to name a few anyone feel free to add 🙏
#4fbfbf (teal), corvids, and cookies & cream
What do you call all the stuff a genius inventor owns? Why, an INVENTOR-Y, of course!
Just some little bits of nature for your timeline!
Artificers are always cooking up something… what will they make today?
New sticker sheet!!
Where can we read the clockmakers daughter?
Hello! I’m so glad you’re interested!!!
I’m hoping to release chapter 1 by the end of March! I’ll definitely be posting about it, so just keep an eye out 👀
I will be at ECCC this year at artist alley table B-19! I have a lot of new prints, stickers, and am debuting a whole dang ART BOOK of my featured pieces from 2023!!
See y'all there!!
oh y’all liked my art essay huh 😳 any illustration or specific topic you want me to talk about next? I like writing these lol
First thing I always think of before doing ANY drawing is: what’s the story I want to tell? What’s the mood/emotion it should give off?
For The Visionary, I wanted to capture that feeling of seeing your hard work and creations finally come to life. It’s that satisfaction as artists, engineers, and creators we feel after seeing our hard work finally bear the fruits of our labor. It’s an exhilarating feeling and we feel a sense of pride.
I can pick out some key words from those descriptions: pride, excitement, satisfaction. Now, how do I depict that in the illustration + what compositional tools can reinforce that feeling and therefore story?
I also knew I wanted to draw my character, Kala. To reinforce the feeling, I wanted to think of his action and, in general, what he would be thinking in the illustration. I did a few thumbnails like below and figured to have him writing in his book and depicting boats in the background, almost like he’s drawing them at the moment and they’re appearing in the background.
Action: writing in his journal, almost as if making the background come to life -> gives a sense of pride and excitement.
This forms the basis of my composition. Everything from here on out (every decision in the illustration) relates back to this.
When thinking of your own illustrations and what you want your characters to do, try this simple template (do this for each of your characters in the scene):
<character> <action> -> gives <mood/emotion> e.g. The rogue flees from the castle guards -> gives a sense of urgency. A witch backs away from her cauldron -> gives a sense of fear.
Kala’s placement is important as well. I purposely made him stand on one of the fourths of the canvas at the far left to make him feel almost like one of the boats (one of his creations). You know those scenes in pirate movies (or even just Navia Genshin Impact) where the character stands next to all their soldiers or a series of cannons? Yeah, I wanted to do something similar here.
After thumbnailing, I’ll start refining the drawing and getting the structure right before doing anything else. Often, I’ll take reference photos like this and put them together in Photoshop. This helps not only get more accurate drawings but you can even put yourself in the shoes of your character. Imagine how they’re feeling in your illustration and act it out. Your pose—and therefore, your character’s pose—might change depending on how you do it which can help with your drawing.
The boats get lighter in value as they recede to the background. I fix this later on in the composition, but since Kala is the focus, I had to make sure that he had the greatest amount of contrast. So I put a hint of light near his face so that his silhouette would pop well against the darker boat behind him. I later enforce this contrast through differences in color saturation which I will show soon.
I felt the boats weren’t grand enough + the mast shapes were too busy, and therefore didn’t support the story as strongly as I wanted to. And to further add contrast + give Kala more focus, I made the boats a bit larger, drawing them more from a low angle to further emphasize their grandiosity and the pride Kala feels in his work. It’s great when something works both compositionally well and enforces the story:
General lines of action of objects for flow. The boats specifically are all angled differently, converging towards Kala, to draw the eye towards him more + not feel static. It creates a sweeping motion to draw the eye towards him, along with the placement of papers and the shape of his coat further adding to the flow.
In general, you can strategically place objects in your drawing to follow certain lines of flow that go back to your focus. This helps guide your viewer around your piece while also giving a sense of motion and energy.
Every artistic decision you make should reinforce the story in some way. Even the tiniest things like the line art style. This idea came after looking through the Across the Spiderverse concept art book, specifically reading about the art style choices of Nueva York. Constructional lines and architectural diagrams are seen throughout the city and I wanted to bring a bit of that into this piece.
It further enforces the idea that Kala is creating the background behind him while also making the boats recede into the background due to atmospheric perspective. Depth of field is determined by how refined the boat’s sketch is, so the boat furthest away is still in pure constructional lines while the one closest to him is fully rendered. I thought that was a big brain idea and I’m glad I went with it >:)
To add a bit of texture, I added a grid pattern off in the distance to help with the feeling of the background being drawn in. I also added sketches of engineering diagrams into Kala’s blue coat for a bit of visual interest. These further add to the fact my character is an engineer and is almost drawing the background himself. Plus, it just looks cool.
Quick breakdown of some visual choices + how they show the story:
These are all my personal choices for the illustration based on my own experiences and intentions. But every choice, from the character pose, the value range, or whatnot was intentionally done to support the story I wanted to tell in the piece. You or another artist may have different choices given the same prompt, and that’s cool! It’s these kinds of intentional choices based on one’s own experience and emotions that make art awesome and inherently human.
Let me know if you like posts like this and I’ll do more, breaking down the process and my thinking in some of my other pieces!
Surprisingly, human beings are the only creatures that looked into themselves. Movement of a blade sharpened to max, lightning fast, no hesitation. Peeling back skin and draining sinus. Bodies (alive, young), huddled around bodies (dead, damaged), to examine and poke and tear and say “I see, that one is the Inferior Vena Cava”. These abominable actions saves lives. Curiosity and morbidity guided a way of survival, of rescue. Later, the same sentiments, mixed with desperation, guided a way to destruction.
Bearing the remnants of humans, their organs pulsating in its body. A machine. A child of man.
Angels, on the other hand, are made perfect. Healthy body, strong will, and filled with holy light right off the bat. Vicious in battles. No need for learning, little need for healing. The smoothness and perfection of their skin akin to marble and sea glass. All creations pale in their presence. Nothing beats perfection. Certainly not creatures of cold unfeeling metal. Lightless, soulless, running on a fixed program of 0’s and 1’s set by the expired words of self-destroying, world-destroying, rotten images of God. Heretic. Even in their perishment, they set to ruin. Systems that they themselves can no longer escape from. Samsara of endless pain and death.
It is a wonder then, that when the machine finally tear through Gabriel’s helm, he become faintly aware of the things hidden deep inside. The ugly, raw things inside. The things he must have known but were never brave enough to face: the same pulsing gore that pushes through the gaps of his skin is the same as the one in the mankind’s bodies; the wires that prods through the throbbing organs is the same as that runs through the chassis of the machine. His body echos the lesser beings. For a second, he could not distinguish himself from man nor machine. How ridiculous, he thought, it thought. To be of this state. To see his/its image in his/its body. To have his/its strings/wires cut so late. The taste of spectacular freedom at the last millisecond of his/its life.
As the last drop of holy light seeps through his helm to stain the machine’s optics, he recognizes himself as heaven’s machine, and the machine as mankind’s angel. And now they are the same.
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Insp is this post by @sinew-lattice!
thank u for infesting me w brain worms i enjoyed hosting the wiggly thing very much (also pls let me know if u don't like ppl writing/tagging i can always take stuff down:] )
What is your book called and where can I buy it?
Hello!! it makes me happy to hear you're interested in it!
It's still in the works but I'm hoping to post chapter 1 sometime late February!!! It's called The Clockmaker's Daughter!
Trying to imagine being a software engineer in a fictional evil megacorp like. Do they have Scrum meetings? Follow Agile principles? Do they have to submit support tickets to get access to some evil data? Imagining the usual software engineer day in some sci-fi megacorp is so funny to me for some reason
the only reason why I haven't completely P-ranked the prelude in Ultrakill is because I'm absolutely chicken at the secret level. Something Wicked can screw itself dfsgkjihadfglksgfh
