Hey, Nipuni! First off, I want to say that i love your work sooosoooo much and i can’t even truly describe the impact it’s had on me. You’re an inspiration to me!! No matter what your interest is in i will always be a fan. I was really curious and wanted to ask, i think you’ve talked about it a looong time ago but, how long do you reckon it takes your to do your fully painted illustrations these days?? and how long do you wait before posting it, assuming you aren’t sure if you’re satisfied with it. I’ve just been struggling with overworking my art and feeling like it’s not ever ready to post so i was curious. 😟
Hello!! I'm so late to reply I'm so sorry!! Thank you so much for the kind words!! to hear that my work can have such a positive impact on someone is the greatest compliment truly 😭❤️ and thank you for sticking through all my interest hopping too haha
These days it takes me anywhere from 2 to 9 hours most of the time, non consecutive if I can help it, and I usually sleep on them at least one night before I share them. But I've held on for over a month to some just because I didn't think they looked quite right, so I keep coming back to them every now and then and do some small tweaking until I reluctantly post them either out of frustration or exhaustion haha I don't have the patience or the attention span to work on the same thing for very long to be honest, so I've adapted 😆
The truth I like to remind myself of is that once I share something all my focus shifts to my next idea every time so whether I could have done better or not doesn't matter once it is out of my hands. I can always do better on the next one, there is just the comfort of letting go and a fresh start.
I've struggled with overworking pieces to death a lot too. It stems from anxiety really so it's a matter of building confidence, the point at which art is ready to be shared is arbitrary after all. You can convey a message or idea just as effectively through the roughest of sketches to the most detailed oil painting, the rest of the work is mostly towards aesthetic value.
On the technical side of things, when you grow frustrated with a piece to the point where you start to resent it is a good indicator that you need a different course of action. Sometimes bringing in new references can help you find the issue, sometimes the problem is structural and buried under piles of unnecessary detail and you have to go back and redo or remove something you were reluctant to, and sometimes the best thing you can do is to let go and come back to it with fresh eyes when you have learned more. As for studies, working from big to small, training for speed and on a time limit has helped me. Anyway I think I've started rambling, I hope any of this helps!! Remember that art at any stage is better than no art at all!!
