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there will come a ruler

@very-straight-blog / very-straight-blog.tumblr.com

Olya, 26 y.o, she/her, 🇷🇺. Team green. Aegon and Aemond's simp, Tom Glynn-Carney and Ewan Mitchell nation. Multifandom. A lot of fictional men and a little bit of my opinion (just use "opinion" tag).
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It really tires me how some fans try to make Aegon look like an asshole who doesn't give a shit about anything. This is a fundamental misunderstanding of his character as such. Of course he cares, that's literally the essence of his personality. He cares. He and Aemond both feel too much emotion, but if Aemond sublimates into self–improvement, trying to be strong, cold and detached, then Aegon is literally an open wound. I want to talk about this, also using Tom's interviews (yes, I think the actor's opinion is valid in this matter) and the few scenes that we have in the first season.

We know that Aegon didn't want the throne and wasn't ready to rule. The scene with Alicent, who explains to him the prospects for the future of their family, seems very traumatic to me. Imagine what it's like to know from your childhood that the lives of people close to you depend on you, on how strong you'll be. Such a burden can destroy anyone. You can't just ignore it.

Next, we're shown how Aegon drinks on Driftmark. And that's a pretty sad sight - several cups in a row, wincing, as if taking a medicine that will help him to feel better.

Actually, I like the theory that he gets drunk after Aemond says that Helaena is his future queen. Another reminder that he'll have to marry his own sister, for whom he has no feelings. And he drinks because he tries to numb his pain.

The same goes for his obviously unhealthy attitude towards sex - he uses it to numb his loneliness. I believe that Aegon literally didn't have the opportunity to feel what love is in any form. His father disliked him and showed it openly. His mother loved him, but she never knew how to express it the way he needed to. He was married to his sister (the tragedy for both of them) and it was a matter of duty, not feelings. At the time of the first season, Aegon is deeply unhappy and this is obvious. I have every reason to believe that his need for physical intimacy is based on the fact that this is the only form of love he can receive. Considering that Aegon is quite smart, I even think that he himself understands how ugly this form is, but there's nothing he can do. During the act, I guess in some unhealthy way it really saves him from loneliness, longing and the need to be loved, but in the end it makes him even more unhappy.

Then it's impossible not to remember the eighth episode and the famous:

It's still clear that family is important to him. Yes, he feels like a stranger among his relatives, but it hurts him just because he cares. He cries and says "it will never be enough for you or father" because he wants it to be enough. He still loves them and wants them to love him back.

"What Aegon wants more than anything is to be told by his dad ‘I have faith in your capabilities as a young man. I see you bringing prosperity to King’s Landing.’ But he hasn’t said any of those things. His dad has completely ignored him, in fact, throughout his entire youth." (с) Tom Glynn-Carney for Esquire

Next, we can move on to episode nine and the fact that Aegon ran away. I've seen a lot of opinions that this is an indicator of selfishness and like...what? He was scared. This follows from the script:

He was scared, he'd never leave his family, much less Sunfyre. It was a decision made in a panic when he realized that his father had died and the moment he had feared all his life had come - he needed to accept the crown to protect his family.

During the conversation in the carriage, we see that Aegon was really hurt that his father didn't love him:

He even said "because he didn't like me" when talking about his father's attitude towards him. He didn't use the word "love" because it was obvious to him that his father didn't love him. He used the word "like", unknowingly emphasizing that he couldn't count on even simple sympathy.

He's also well aware that Viserys could have named him the heir, but didn't do so simply because he didn't want to and because of this, he - the eldest son, feels unworthy of the throne, and also completely lost.

When Alicent tells him that Viserys wanted to make him the heir before his death, an emotional dam breaks inside him, it's literally written in the script:

And at this moment, looking at the dagger, he's not even listening to Alicent, he's completely in his thoughts - maybe, at least for a second, his father cared about him. And when he asks his mother if she loves him, we see how much he craves love, how broken he really is, how important his family is to him.

I know this post is insanely long and I haven't even analyzed the various microexpressions in Tom's acting, but I'm really tired of people wanting to make Aegon something pure evil.

"I also see Aegon as being incredibly complex. He's not an out-and-out psychopath. I see a multilayered character that just has endless potential of pits of vulnerability and empathy and things that we don't see. I think it's his vulnerability that breeds the darkness. It's the way he copes, it's his security, it's his safety blanket, it's an addictive coping mechanism for him to shut things out and to be cold." (с) Tom Glynn-Carney for Entertainment Weekly

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Anonymous asked:

Perhaps it's time for Aegon's fans to wake up and realize that the whitewashing and victimization of Alicent also harm Aegon's character. On TG, people always talk about how Rhaenyra's whitewashing hurts Aegon, but why don't we talk about how Alicent's victimization does too? Many don't mention this because the change in Alicent's story to make her "sympathetic" was the reason many people started to like her. Several of the arguments people use to defend and victimize her couldn't be used if she were like in the book.

The writers should never have made Alicent the main focus of the Greens. All the time they spent changing her character's story could have been invested in Aegon's character. Aegon could have appeared as a baby and then as a child from the first episodes if they had respected the ages and the story. But the writers decided to make Alicent younger and develop her character by giving her a new story. They could have focused on Aegon's childhood from the beginning, showing more of him, along with Alicent starting her plan to put him on the throne. They could have shown him dealing with his mother's pressure, his feelings about not being his father's heir, his dynamics with Viserys and Criston, his siblings, and other characters. Showing more of his childhood/pre-adolescence would have been possible if they had respected the book's timeline. Even Helaena, Aemond, and Daeron could have appeared from the first episodes as babies and children, and they could have shown us a little more about them. The first season had few episodes and many time jumps, but if they had respected the book's timeline, we could have had more of the Green children.

The writers even focus on Alicent at moments that should be Aegon's. They gave her his line about "What kind of brother would steal his sister's birthright?" The rape scene then focuses on Alicent and how she feels sympathy for the girl and abhors her son for his actions. They don't show us Aegon's state of mind or how he deals with his bad actions; this focuses on Alicent, a victim sympathizing with another victim. Aegon became secondary in his own story because now Alicent is the main character of the Greens. Tom should have been on the cover of EW with Emma D'Arcy, not Olivia, because this is Rhaenyra vs. Aegon, but now everything is Rhaenyra vs. Alicent.

"Perhaps it's time for Aegon's fans to wake up and realize that the whitewashing and victimization of Alicent also harm Aegon's character." I don't really understand what kind of Aegon's fans you're talking about, because personally I never liked the way the writers changed the accents in the series compared to the books. I've repeatedly mentioned the problems related to the narrative that we have received due to the fact that Aegon was sidelined, because he's literally Rhaenyra's main rival and the second main character of this story. So I really don't understand why you wrote this thought to me.

"Many don't mention this because the change in Alicent's story to make her "sympathetic" was the reason many people started to like her." I've also repeatedly mentioned that I've always liked Alicent from the books more - a strong and ambitious woman, while Alicent on the screen is a weak victim of her surroundings and I find her pathetic.

As for the rest - well, yes, it's true, I agree with that. The screenwriters wrote an almost completely new story and as a result, Aegon turned out to be a minor character, even being literally a king. I really love Aegon from the books and I think that with proper adaptation, we could get a character that the audience would find much more fascinating than Rhaenyra. I'm very interested in how the screenwriters will develop the plot further, because after the death of "the black queen", Aegon becomes the main character - how are they going to present this to the audience? Although, I wouldn't be surprised if they rewrite the ending completely.

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Aegon and Aemond. Brothers. Rivals. They can't stand each other. They're jealous of each other. The shadow of the Iron Throne looms ominously over Aegon. It suffocates him, haunts him in nightmares since his childhood. From the moment he heard his mother's prediction: "Rhaenyra will kill us all if you don't become king." These words rang like a bell in his head for several more days, and then they died down, but didn't go away. He tries to drown the fear of the future in wine – somehow, this makes it even worse, alcohol leaves an aching emptiness inside, and also a terrible hangover. He stopped trying to live up to his mother's expectations a long time ago. And his father's? Well, he would never be better than Baelon anyway. It's hard to compete with someone who never existed. A dead boy can be absolutely, oh so perfect. The only son Viserys wanted. His promised prince. Aegon is jealous of Aemond. He's everything Aegon couldn't be. At some point, his quiet younger brother became taller than him, stronger than him and – damn, probably even smarter than him, otherwise why would he spend so much time in the library? It's not in Aegon's nature to compete, so he just gets angry and plans to become even worse, just to spite everyone. Self-destruction is now his habit. Aemond condemns his brother – condemns his bad manners, his depravity, his weakness. He had burned out all the weakness in himself a long time ago. He had to and realized it quite early – in Driftmark.

They often think about that night – never talking about it out loud. What can they even say? Aegon winces and looks away, seeing the ugly scar on his brother's face when he removes the eyepatch. He remembers his hungover, confusion and nausea from the sight of the eye on the table. Aemond's eye. Then a slap and a feeling of helplessness. That whole night feels like a delusional crazy dream. He never admits it – not even to himself, but guilt has been haunting him ever since – he's been trying to numb it with alcohol and sex, along with the rest of his feelings – hatred, loneliness, pain – Gods, Aegon feels too much. Sometimes it seems to him that he feels everything at the same time. Aemond doesn't feel anything. He forces himself to clamp emotions inside like a spring – one day they will erupt, he feels it. In his memories of Driftmark, there're only bitterness and anger, and also the realization that now only he can protect this family, and it means he needs to be strong. Aemond isn't quite sure what this means, so he looks at his mother – she sacrifices herself for the sake of duty, she does what's required of her and never complains. Aemond decides that he'll be the same. He grows up several years overnight and tries very hard not to cry.

When Aemond's anger finally bursts at dinner, Aegon raises his cup without even thinking. "We are family. You may cuff him about as you wish at home, but in the world, we must defend our own." He's already let him down, it won't happen again – this thought flashes through his mind when he hits Luke's head on the table. He had wanted to do this for a long time – these little bastards look too happy, too loved, even despite their questionable origin and the fact that one of them maimed his brother. That evening, for the first time, they feel a strange new feeling – something like unity.

“He grows up several years overnight and tries very hard not to cry.”

Suing for emotional damages

I like to make people suffer

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Anonymous asked:

Do you think s2 going to face backlashes because they changed a lot of things?

I HOPE. What they're doing with the series is beyond the bounds of sanity. They had a good story with interesting characters - yes, they lacked depth due to the specifics of the narrative, but the screenwriters clearly don't know how to add this "depth". The problem is that I don't know what percentage of the audience has read books, because if most viewers are satisfied with everything and don't take the scenario problems seriously or even don't notice them, the creators won't change anything. HOTD was criticized by fans after the first season, but judging by what we see now, everything will only get worse in the second one.

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Anonymous asked:

I lost all my hopes for Aegon and Sunfyre bond after seeing Sunfyre the brown

I also have low expectations for the second season, but I don't quite understand how the colour of the dragon is related to the demonstration of the bond between Aegon and Sunfyre, to be honest. And in general, in my humble opinion, this is the least of our problems with HBO right now. I'm much more worried about how much screen time Aegon and Aemond will have in general, what the screenwriters will do with the characters and their dynamics, WHERE IS HELAENA, WHERE ARE THE PHOTOS FROM EW, WHAT DID YOU DO WITH ALICENT and in this very long list, Sunfyre's colour is in last place, really.

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