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If it happened at all, it happened like that

@thebeautifulsoup / thebeautifulsoup.tumblr.com

Scatterbrain. Bi. She/Her. Certified Grown Up™. This is not a consistent blog. AO3: BeautifulSoup Runner of many sideblogs: @stedebonntits / @speakingskies
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Hello Bodies (2023) fans!

Thanks to the catalyst of @templeofxian 's suggestion, we now have a discord server! Please do join us for chats, discussions, encouragement, etc etc (all the usual discord stuff).

Strictly 18+

The majority of users are adults and it's a more comfortable experience. If anyone would prefer to start an under-18 friendly server, please feel free, you won't be treading on any toes.

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ikarakie

if a character means enough to me i will truly never stop thinking about them. i just retire them into a little back room in my brain and periodically bring them out to stare at them under a little light

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alaraxia

I get my media recommendations the old fashioned way: by watching someone I follow on here go on an unhinged reblog spree of media related content until I eventually decide to go "alright, what's all this then"

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elancholia

Some obvious facts:

  1. The Black Death reduced the population of Europe by between one third and one half.
  2. Vampires are immune to mortal ailments.
  3. Late 14th-century Europe suffers from a massive vampire surplus.

4. A vampire population WAY above carrying capacity (carrion capacity??) is plunged into famine, desperation, and bloody competition.

5. ???

6. The Renaissance.

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not100bees

The use of the interjection "Mary" indicates a syncretism of the then dominant Christianity with the underground homosexual mystery goddess cults although heretical Marian worship was frowned upon by the church at this time there are numerous preferences to the Madonna as one of the "gay icons".

Of course it is now widely accepted within the field that Dorothy is in fact an aspect of the goddess Judy of the Garlands perhaps representing a more youthful aspect of said goddess, similar to Kore for Persephone. Of course Dorothy also seems to have had trickster connotations, as noted by the legends of her confusing or obfuscating government officials who were attempting to root out these mystery cults. Judy of the Garlands seems to have some aspects of community as well given the use of the phrase "good Judies" to refer to close comrades.

Now some of my colleagues have suggested that the "Dark Lady" as an alternate title for the goddess Cher, but I would argue that the "Dark Lady" is clearly some sort of obfuscating title meant to show respect but distance the speaker from her true identity out of fear which goes against everything we know about Cher worship. Several contemporary sources even claim that drag queens (note: a kind of warrior-priestess) would dress up and imitate Cher in order to invoke her bounty which does not, to me, seem to be a kind of figure only invoked obliquely.

The most important celebration in these goddess cults was known as Pride, which began with throwing bricks at a stone wall, the first of which had some sort of particular ceremonial importance. Although the literature refers to it as a whole month that appears to be more poetic language and it would usually be celebrated by a parade throughout the town. They would also celebrate through "discourse", a kind of public argument with circular logic that had no end, the purpose of which remains unclear.

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Anonymous asked:

Do you know anything about Nottingham? I was told once that it was made up for Robin Hood, which I was confused about, since I live there, but was that person actually telling the truth?

I was gonna make up a joke about it being originally called Snottingham and looked up its history and what the fuck, history. It was originally called Snottingham, named for a man called Snot.

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official linguistics post

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reblogged

Dog roses, or the other large floral piece I've been working on lately, which I have to admit was also inspired by a passage in Maurice:

Not far from the lodge there was a nasty little climb, and the road, always in bad condition, was edged with dog roses that scratched the paint. Blossom after blossom crept past them, draggled by the ungenial year: some had cankered, others would never unfold: here and there beauty triumphed, but desperately, flickering in a world of gloom. Maurice looked into one after another, and though he did not care for flowers the failure irritated him. Scarcely anything was perfect. On one spray every flower was lopsided, the next swarmed with caterpillars, or bulged with galls. The indifference of nature! And her incompetence! He leant out of the window to see whether she couldn't bring it off once, and stared straight into the bright brown eyes of a young man.

Even though (unlike the primroses) this is a one-off reference, it always catches my attention because, as the saying goes, there's a LOT to unpack here. For a while I could only interpret this as a specific example of the decay of Penge (and of Maurice's relationship with Clive), and then Alec cutting through that to see him, which mirrors the scene of Maurice's arrival the day before. But it's odd to have a one-off reference at all in this book where Forster so often repeats phrases and images to give them significance or place them in a different context, ie: "bright brown eyes" - and actually, in the Abinger edition, there is a second reference in a deleted bit of dialogue where Alec says something like, "Remember the roses in the other rain?" again placing the focus on the roses when he really means, remember me in the other rain, chasing after your carriage and hiding in the shrubbery to catch another look at you? So nature did bring it off once, but in a way Maurice didn't expect, and which influenced him only subconsciously in the first reference.

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