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A Hell of A Run

@stardustedknuckles

Dax. Age: Vivid memories of blockbuster. Proudly queer. Mostly critical role here.
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A story within a story where a mother sits her rowdy children down and tells them a story about a the world's sweetest, kindest mother who never lost her temper, never cursed and never yelled at her children, no matter how rowdy they could get. She would only gently, kindly told them to not do the dangerous things. One day she sweetly, kindly told her children to not go play at the riverbank, because it's dangerous and they might slip on the rocks, fall into the water, and die. Her children do not listen. They go play at the riverbank, where they slip on the rocks, fall into the water, and die.

And the sweet perfect mother of the story comes to the riverbank, sees that all her children drowned, and starts crying so bitterly that angels overhear her, and the angels say to each other, "she does not deserve this, this woman has never done anything wrong in her life, this should not have happened to her", and feeling great pity for her, bring her children back to life, and after that they always listened to their mother and lived happily ever after.

And the storyteller's children, who at this point are familiar with the concept that these stories are supposed to have some sort of a moral or lesson in them, interject to point out that their mother hasn't always done everything perfectly, she isn't always sweet, curses a lot, and as a matter of fact loses her shit at her kids all the time. She isn't like the mother of the story at all.

And their mother agrees: Her children are correct. She is not a perfect mother who has never done anything wrong. Angels will not have pity on her, and they will not bring her little shits back to life if they go to the river and die. So they better fucking not go get themselves killed in the first place.

this was forwarded to me by my kid and i gotta say that adds layers to the interpretation

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This isn't the first time Laudna has fixated on Orym like this, so I'm wondering if Delilah has specifically marked him as a Problem and is trying to deepen the rift between them. It does seem to me that Laudna is more likely to react on a hair trigger regarding conflict with Orym than she tends to with the others.

They're very different people with vastly different traumas, so they don't necessarily understand each other particularly well in the first place. And Orym is HIGHLY OBSERVANT and the closest thing to a goody two-shoes the party has. Oh, and also the whole thing where he works for Keyleth certainly wouldn't help when it comes to Delilah marking him as a threat.

I also think where the conflict ended, with Orym backing off and on the edge of conceding to reinstate the peace, was about the best he personally could do since Laudna was so far beyond reason (thanks Delilah). What he did in EXU with Dorian (threatening him outright) would have gone over SO BADLY here.

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When you're autistic, it's impossible to miss how much society normalizes child abuse.

I could dedicate my entire life to studying how to interact with people and I'd still never master the social skills that young children are expected to have on command.

Say the wrong thing? That's disrespectful and you're punished. And you don't even have to actually say anything wrong. Pretty much anything you say can be considered "giving lip" if your parent wants some excuse to punish you. But if you say nothing, then you get punished for ignoring. You also have to calculate your response to their mind game quickly because taking too long to respond is considered ignoring. Also, if you're being wrongly accused of something, saying nothing is considered a confession. And even if you somehow manage to say exactly what your parent wants in exactly the correct tone, they'll still punish you for "sarcasm" or "not really meaning it".

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samuraiko

The Critical Role Heartbreak Prince Battle Royale

Okay, I made this joke over on Twitter and now I'm curious how this would actually shake down.

If you put all of Liam's CANONICAL love interests across all three campaigns in a battle royale, who would win?

(Before anyone gets their knickers in a knot, these are people for whom there was RECIPROCATED AND ACTED-UPON INTEREST.)

For sake of equality, we're gonna level-set EVERYONE at level 20. Let's have the fur REALLY fly!

Also, once you vote, please reblog for a larger sample size? Thanks!

EDIT: I am *LOVING* the commentary in the tags. :D

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something they don’t tell you about being autistic is that every character you write WILL end up autistic/autistic-coded whether you like it or not

same goes for being aromantic/asexual. every character WILL come out at least a little aspec

if you reblog this and purposefully remove the second addition i Will block you.

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Mark it down, tonight I found my gender and it's Laura Bailey as Robbie Daymond crossed with Marisha Ray as Taliesin Jaffe. I hope that clears everything up.

I call this look the boyfriend who looks like the girlfriend that the guy from the killers had in February of last year.

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bookpdf

unfortunately i Do feel better when i clean my living space and eat enough fruits and veggies and go outside and generally remember i am a mammal :| real pity that knowing this does not make it easier to do those things

This is so real tho. I should be feeling happy sitting in my filthy room eating cup noodles without interacting with anyone. Unfair.

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the main mistake that people who dislike s8 and put it low in their series rankings make is the belief that, like any other series (apart from s9), it’s a collection of standalone stories tied together by some vague throughline i.e. missy’s ‘heaven’. “oh, this episode’s mid, that episode’s bad” meanwhile it’s not about individual episodes at all. i firmly believe that it should be viewed as a singular long serial.

so grateful that i was extremely late to the party and binged it all in a week instead of watching every episode as they were airing, because sometimes the plots barely matter at all. do you remember what the skovox blitzer actually looks like or what it wanted with coal hill in the first place? hardly. i had to google its name. but what you do remember from the caretaker is twelve acting like an antagonistic prick towards danny, and that’s what matters. almost every villainous entity is some kind of soldier, the contempt twelve shows to everybody but clara becomes the source of their toxicity… in the forest of the night is pretty obviously rubbish scifi, but it demonstrates danny’s fundamental incompatibility with clara, as well as the scene in which clara is ready to sacrifice herself and her students for the doctor’s sake, foreshadowing their reckless, almost suicidal codependency.

point is, but it really does work best as a tightly woven tapestry. sure, some episodes succeed individually, but most of the individual plots are mildly exciting only in a ‘this is fun to watch for kids’ way… UNLESS you approach them from the overarching perspective. i.e. mummy on the orient express has wonderful style, a thrilling mystery, creative concepts and interesting side characters, but its story appeal hinges on the twelveclara failed breakup. listen is frightening enough, but its entire story appeal hinges on just how much clara affects the doctor’s values past and present, and whether or not she has a future with danny (she doesn’t).

what i’m saying is, the narrative in s8 is a non-negotiable package deal. buy one, get them all. and it has no skips. i hate the idiotic pro-life message in kill the moon as much as the next sensible person, but what the episode does well is really hammer home how much of a sanctimonious asshole twelve initially is, which is crucial to his future character evolution.

tldr; the correct way to watch series 8 is all in one go. series 8 is great. more love for series 8

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it's kinda comforting to me when my friends are a little annoying or longwinded or abrasive or tired and inarticulate, or they don't do the exact politest thing in every interaction, and stuff, because I know I'm sometimes annoying, or take up a more than my share of conversational space, or forget to ask them questions, etc etc, and... like, I'm always working to be nice to my friends and to get better and better at friend-ing, but it just makes me feel more human about it :}

anyway I love you friends plz know I'm not counting, in fact I feel great affection toward you even (especially) when conversations go less than Perfectly Ideal

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saulwexler

I'm not proud to say it but this line from a 60 year old detective novel made me re-think some things about friendship

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