Last Night in Soho (dir. Edgar Wright).

[Things] starts to crumble when it reveals exactly what the uneven film really is or is trying to be. Wright’s initial concept and filmmaking create such an intriguing first half. However, the last act and horror-filled climax tumble into less interesting thriller territory. [Thomasin] McKenzie’s star power and [Anya] Taylor-Joy’s dynamic presence carry the film but our detours into nostalgic time-travel hurt the audience’s ability to relate to unknowable characters.