Vengeance (dir. B.J. Novak).
[It] goes back and forth on whether the central death is anything more than a tragic accident or not while balancing the true stories of its supporting characters’ struggles including Ben’s growing issue with the ethics of exploiting a family’s trauma. [Novak’s] ending flirts with getting a little too cute on wrapping up every detail neatly laid out with a bow of an explanation while ruminating on America’s coastal divisions, but it largely works nonetheless.
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